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    A New Chapter

    Grapevine cracks open its first and only indie bookstore

    Lindsey Wilson
    Jan 9, 2023 | 10:30 am

    Grapevine is finally getting an independent bookstore, and it's women-owned, to boot. Talking Animals Books, located at 103 W. Worth St. in Grapevine, is throwing open its doors to the public on February 2.

    Founded by Katy Lemieux and co-owned with Valerie Walizadeh, the shop will also double as an arts venue, with the popular Shakespeare in the Bar becoming its resident theater company.

    Customers can expect a wide selection of new and used books, including adult and children’s literature, modern fiction, true crime, romance, cookbooks, foreign-language titles, art books, plays, poetry, and YA, as well as the regular spotlighting of local authors.

    The store will also feature author events and weekly children’s story time, as well as open mic events, game nights, and many other reasons to gather.

    “Dallas, Fort Worth, Denton, and Arlington all have fantastic indie bookstores, but this portion of North Texas — Grapevine, in particular — has never seen one, despite our historic Main Street and being known as the Christmas Capital of Texas," says Lemieux. "We wanted to incorporate a small indie bookstore into our town’s charming and unique economic landscape, which was already welcoming to small businesses."

    Lemieux, a Fort Worth native, is an arts journalist and writer who was inspired by the pandemic and turning 40 to turn her focus to her first love: books and reading. She and her husband, actor and monologist Justin Lemieux, have been active in the Dallas-Fort Worth theater community for the last decade, with Justin appearing in plays, Katy writing about them, and the pair producing three original solo plays performed by Justin.

    California native Valerie Walizadeh’s background in retail began right out of high school, and she spent most of her career managing and launching new stores with Blockbuster Video and Starbucks. After having her first child in 2007, Walizadeh earned a BA in early childhood education while pregnant with her second. She and her husband, Al, are avid readers and love to track down little bookstores whenever possible, always daydreaming about opening one of their own.

    Lemieux and Walizadeh are both active in Grapevine-Colleyville ISD, where their children span elementary through high school. A close mutual friend introduced them, and after a viral Kickstarter campaign, Talking Animals raised $54,100 in less than a month, exceeding the goal of $50,000.

    After testing out a handful of successful holiday pop-up shops, Talking Animals is now ready for shoppers.

    Talking Animals Books will feature design and art curated by local artists and event collaborations with House of Shine, among other local and small businesses. The shop also features unique gifts, T-shirts and socks, and a sitting room for reading or work. Upstairs is a kids' play area and sitting space.

    Talking Animals resides inside a 122-year-old building that was once a bank robbed by the Bonnie and Clyde gang — though the titular pair was not involved that particular day, "as they had friends with money in the bank and were ironically concerned about bad blood between friends," reads a release.

    Talking Animals will pay homage to the bank’s history with a micro-gallery of historical photos and narratives commemorating the town's exciting history and the bookstore’s location. The building is owned by Bermuda Gold & Silver, a family-owned store that has been in business for 40 years. Owner Debi Meeks has uncovered and restored artifacts relating to the store's history in its original form and details about the robbery and hostages that were held inside the bank vault.

    And the name? It comes from C.S. Lewis’ The Chronicles of Narnia, where the Talking Animals are a sub-category of Narnia’s inhabitants, the sentient animals who can speak to humans.

    The February 2 ribbon cutting will begin at 5:30 pm, with a reception immediately following.

    Parking is available behind the building on the south side of Worth Street and all surrounding street parking, including Main. Parking after 5 pm is not permitted on the north side of Worth (in the Dino’s parking lot).

    Talking Animals Books

    Photo courtesy of Talking Animals Books

    Talking Animals Books' grand opening is February 2.

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    Dance Off

    Texas ballet company turns Timothée Chalamet dig into genius promotion

    Brianna Caleri
    Mar 13, 2026 | 1:12 pm
    Timothée Chalamet
    Courtesy
    undefined

    It was a shot fired from Austin that rang out around the art world: In a recent CNN/Variety Town Hall featuring actors Timothée Chalamet and Matthew McConaughey, Chalamet offered an assessment of ballet and opera that immediately went viral.

    During the onstage conversation at the University of Texas at Austin, Chalamet said, "I don't want to be working in ballet or opera, or you know, things where it's like, 'hey, keep this thing alive, even though like no one cares about this anymore.' All respect to the ballet and opera people out there. I just lost 14 cents in viewership."

    Chalamet immediately seemed to experience a twinge of regret, awkwardly adding, "But um...damn, I just took shots for no reason." He also sang a note and hid his face behind the cards he was holding.

    Stars of the art forms, from Andrea Bocelli to Misty Copeland, immediately began to leap (jeté, if you will) to the the defense of opera and ballet.

    In a genius marketing move, Austin's hometown ballet company is taking the unique opportunity to turn a hot topic into a promotion for its next production: Ballet Austin is inviting anyone named Timothée, Timothee, or Timothy to claim a free ticket to its upcoming world premiere of Marie Antoinette: Vampire Queen of Versailles, running March 27-29 at the Long Center for the Performing Arts.

    "Timothée… you were in Austin? We were literally down the street," a Ballet Austin post says. "Austin has brisket. Austin has music. Austin also has ballet."

    All Timothées and folks with similar names will have to do to claim a ticket is send a message to Ballet Austin on social media and show identification. Everyone else who wants to see the supernatural show where "the line between victim and villain blurs" will have to purchase a ticket ($25-$125) at balletaustin.org.

    Ballet Austin Marie Antoinette: Vampire Queen of Versailles Ballet Austin isn't afraid to add some edge to classic stories. Photo courtesy of Ballet Austin

    Even if Chalamet's words were dismissive, he's obviously not wrong about the relative distribution of public interest between the classical arts and major films like Marty Supreme, the late 2025 film he stars in and is busy promoting. The film's commercially successful release set a record for A24, an already renowned studio.

    Chalamet brought up ballet and opera in service of a larger point about pacing in movies. He said he exists in a middle ground as a consumer between wanting to be drawn in early and being more patient as a film progresses. Ultimately, he juxtaposed Barbie and Oppenheimer with the classical arts, pointing out that if the masses want to go see a film, they will "be loud and proud about it" organically, without needing performers to advocate for the seriousness of the art form.

    Coincidentally, there couldn't be a better counterpoint to this argument than Marie Antoinette: Vampire Queen of Versailles.

    As the title suggests, the story follows historical figure Marie Antoinette as she chooses to become a vampire, seeking "power, immortality, and vengeance," according to a press release. It takes a somewhat silly premise and gives it dramatic gravitas, with an original score by Austin composer Graham Reynolds, who is known outside of classical circles and sometimes composes for movie soundtracks.

    "For Ballet Austin, the moment is an opportunity to remind audiences that ballet isn’t fading away," says a release about the new promotion. "It’s evolving, drawing new audiences and continuing to thrive in creative cities like Austin."

    If Chalamet really does fall in the middle of instant and delayed artistic gratification, this sounds like the perfect production to draw him in.

    And perhaps Ballet Austin should add people named Matthew to their promotion, since McConaughey threw the younger star a bone after his momentary walk-back, saying, "That's not a shot — I hear what you're saying."

    ---

    Stephanie Allmon Merry contributed to this story.

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