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Welcome to Cowtown

Surprise, DFW has a new theater company and its first show is this weekend

Lindsey Wilson
Mar 30, 2023 | 9:18 am

What do Guiding Light, Bye Bye Birdie, and Oleanna all have in common? Arlington-raised actor, director, and producer Ryan Brown, who is one-half of Sweet Apple Productions with Jennifer Bangs.

Brown and Bangs first met at Shackelford Junior High School, where Bangs played Kim and Brown played Hugo in the school musical about an Elvis-type singer who visits a small town — that's where the name Sweet Apple comes from. Coincidentally, Brown is also the son of best-selling romance and thriller author Sandra Brown, who still resides in Arlington.

"I had such a crush on him in school, but we were never really that close," confesses Bangs.

Ryan Brown went on to book featured roles in two soap operas, Guiding Light and The Young and The Restless, while Bangs wrote, produced, and performed in two successful solo shows and still hosts a podcast.

The pair reconnected in New York City during the pandemic, thanks to a Facebook friend suggestion, and began a production company producing music videos and filmed podcasts. In the last 18 months, both found themselves back in Dallas-Fort Worth and ready for a new challenge.

"We thought, 'why not continue this partnership and expand into theater?'" says Brown.

Their first production is David Mamet's Oleanna, which runs March 30-April 2 in Stage West's performance space in Fort Worth.

The 1992 two-character play is a power struggle between a college professor and one of his female students, who accuses him of sexual harassment. Brown plays the professor, and Bangs directs.

"I studied film and drama at OU in the early ‘90s, and OU did the show while he was there," says Brown. "It was a new play at the time and its script really spoke to me. But what impressed me almost as much as the show was the talkback after — I had never seen an audience have such a visceral reaction, or be so split down the middle about whose 'side' to take. I thought how I’d love to do this play, but it’s an old guy and college-age girl — 30 years later, I guess I've aged into the role."

At the time of Oleanna's debut, America was glued to the Anita Hill/Clarence Thomas hearings. Now, the #MeToo movement has gathered steam, Harvey Weinstein is in jail for sexual abuse, and former President Donald Trump is supposedly about to be indicted for his illegal payments to adult film star Stormy Daniels.

"It struck me as odd that Mamet, who just last year wrote a short story objecting to social media moderation of right-wing politicians like Donald Trump, decided to tackle a subject like this," says Brown. "And even more interesting, he didn't take a stance with this play. The ending doesn't declare who is right or wrong."

Bangs points out that Mamet has now banned talkbacks from his plays. To help audience members who may want their opinions to still be heard, the Sweet Apple website has a section titled "Which Side Did You Take?" that leads to a poll. (Interesting side note: A popular tagline for the play is "Whatever side you take, you're wrong.")

"On one hand he’s an artist creating something, and on the other hand he's censoring it," Bangs reflects. "We're all watching the same thing play out in real time, but it's fascinating how differently everyone sees it."

There are no immediate plans to announce a full season, but Brown and Bangs say they are already eyeing their next possible production.

"We're considering doing Children of a Lesser God, and would be really excited to work with the local deaf community and actors who sign," says Bangs.

"It's another play that's on my bucket list," says Brown. "What really pushed us to explore it was receiving a self-tape from a deaf actor who signed her audition for Oleanna. We've already been speaking to her about the possibility of working with us, and it's really something we want to explore."

Another reason to hold off on an official season is that the duo don't want Sweet Apple Productions to be limited to theater.

"We're presenting ourselves as an alternative production company," says Bangs. "When COVID hit, everything shut down but we did not. We want to continue making art no matter what."

—

Tickets for Oleanna range from $25-$35 and can be purchased here.

Jennifer Bangs and Ryan Brown

Photo courtesy of Sweet Apple Productions

Jennifer Bangs and Ryan Brown.

Me Too Movement Oleanna Sandra Brown theater
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Theater News

Dallas' Kitchen Dog Theater unveils powerful 2026-2027 season lineup

Alex Bentley
Aug 12, 2026 | 10:01 am
Kitchen Dog Theater in Dallas
Photo by Cameron Cobb
Kitchen Dog Theater in Dallas will put on three mainstage productions for their 2026-2027 season.

Kitchen Dog Theater in Dallas has revealed the lineup for the 2026-2027 season, featuring a slate of plays that boasts power players like kings, prime ministers, space force commanders, and would-be presidents.

According to a release, the theater company's 36th season — their "most powerful yet" — will consist of three mainstage productions at its new permanent home in the Design District, as well as the annual New Works Festival, featuring a readings series and the 26th annual D-PAC PUP (Playwrights Under Progress) Fest.

The season will start with The Absentee by Julia Doolittle, running September 10-October 4, 2026. The play was the winner of the 2019-2020 Woodward/Newman Drama Award.

Far out in the Milky Way, “Beacons” serve as lighthouses for warping spaceships around the galaxy. When a U.S. Space Force ship explodes in the galaxy, the Operator finds herself alone in deep space, with only her ship’s AI for companionship. That is, until a persistent canvasser calls, desperate to convince her to vote absentee in the 2088 election.

As the Operator waits for the clean up to be over, she finds she has to come to terms with her isolation, grief, and her political voice.

The season's second production comes four months later, with Equivocation by Bill Cain, running February 4-28, 2027. In 1605 England, a terrorist plots to assassinate King James I and blow Parliament to kingdom come. Shagspeare (after a contemporary spelling of the Bard's name) is commissioned by the prime minister, to write the “true historie” of the plot. And it must have witches — the king wants witches.

But as Shag and the acting company of the Globe investigate the plot, they discover that the king's version of the story might, in fact, be a coverup. Shag and his actors are confronted with the ultimate moral and artistic dilemma. Speak truth to power and perhaps lose their heads? Or take the money and lie? Is there a third option? Equivocation?

A high-stakes political thriller with contemporary resonances, Equivocation gallops from the great Globe to the Tower of London to the halls of Parliament to the heart of Judith, Shag's younger daughter, who finds herself unexpectedly at the very heart of the political, dramatic and — ultimately — human mystery.

The final mainstage production of the season comes at the 2027 New Works Festival with Black Republican by KDT Artistic Company Member Jamal Gibran Sterling, running June 3-27, 2027.

Originally featured as a Staged Reading in the 2026 New Works Festival, the ambitious first play by Sterling centers on a Black Republican candidate on the national stage who finds his campaign threatened by an activist who challenges everything he claims to stand for. Their battle exposes uncomfortable truths about race, politics, and the stories we tell ourselves.

In addition to Black Republican, the 2027 New Works Festival will showcase four staged readings of some of the newest and most exciting Texas-based playwrights. Each reading will feature accomplished Dallas-Fort Worth actors and directors to highlight the breadth of talent in the area.

The final part of the festival is D-PAC PUP (Playwrights Under Progress) Fest, featuring six staged readings of jury-selected plays written by Dallas-Fort Worth high school students and featuring student actors directed by area professionals. PUP Fest is the culmination of Dallas Playwriting Arts Collective (D-PAC), a partnership with Dallas ISD and Junior Players.

Kitchen Dog Theater offers two season subscription packages for their inaugural season in their new facility. The Kitchen Dog package includes a ticket to all three mainstage productions for any performance date for $90+ $8 fees for adults and $75 +$8 fees for students and seniors (ages 65+). The Saver Dog package includes a ticket to all three mainstage productions for Thursdays, Fridays, and Sundays only. It is $60 + $8 fees for adults and $45 + $8 fees for students and seniors.

Both packages grant full access to the Staged Reading Series and PUP Fest. Subscribers also receive premium reserved seating for in-person performances, as well as subscriber-only discounts on additional single tickets, 2026 special events, and KDT merchandise.

Subscription packages are on sale now, and single tickets for each show will go on sale on Monday, August 24, at kitchendogtheater.org.

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