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    Theater Critic Picks

    The 6 most memorable onstage moments of Dallas-Fort Worth theater in 2022

    Lindsey Wilson
    Dec 27, 2022 | 10:30 am

    A few years ago, I discontinued "best of" lists. Best is subjective, plus there's no way I could see every single play and musical in Dallas-Forth Worth in order to compile a list that's truly all-encompassing.

    But there are moments throughout the year that stick with me. Here are some of my favorite onstage moments from 2022:

    Audra McDonald at Turtle Creek Chorale's Rhapsody
    Okay, so this technically wasn't theater but if anyone deserves an exception, it's six-time Tony Award winner Audra McDonald. She was the special guest at this year's Rhapsody fundraising gala for the Turtle Creek Chorale, and her one-hour set at the Meyerson Symphony Center was sublime. From Porgy & Bess' "Summertime" to her signature "Stars and the Moon," McDonald held the audience in the palm of her hand.

    The set reveal for Gary: A Sequel to Titus Andronicus at Kitchen Dog Theater
    Taylor Mac's wacky, in-your-face extension of Shakespeare's bloody tragedy is as irreverent as it is shocking, and one of those shocks comes early when the red velvet curtains draw aside to expose a lot of naked dead bodies. Like, a lot. Two lowly servants, Gary (Randy Pearlman) and Janice (Karen Parrish), have the Sisyphean task of cleaning up the mountains of male soldiers left behind after General Titus' rampage. Set designer Justin Locklear and prop designer Cindy Ernst-Godinez more than delivered on the, erm, anatomically correct shock and awe.

    That stained glass window in Dallas Theater Center's The Sound of Music
    If you saw this production, then you know the one. A larger-than-life, cathedral-style, kaleidoscope of color designed by Tony Award winner Beowulf Boritt and gorgeously lit by Jason Lyons. It provided a dreamy backdrop for several of Tiffany Solano's big moments as Maria, including her wedding to the dashing Captain Von Trapp (played by Cinderella heartthrob Paolo Montalban). Just as the stunning set piece was huge and captivating, so was the cast — this was the first "big" show, both in cast size and production value, that I'd seen seen happen since the pandemic.

    Stede Bonnet: A F*cking Pirate Musical at Theatre Three
    Pinning down a favorite moment of this new musical, written by local husband-and-wife team Nicole Neely and Clint Gilbert, is next to impossible. From the toe-tappingly good songs to the clever jokes to the all-in performances from each member of the cast (but especially Parker Gray as the terrible pirate himself), this refreshingly original show was a winner. If Stede Bonnet can decide to give up his cushy life as a wealthy landowner to become a laughably bad pirate, then I can decide to choose every moment in this show as my favorite.

    "Raise You Up/Just Be" in Kinky Boots at Uptown Players
    After two years of quiet, contemplative, usually heart-wrenching shows during the pandemic, Uptown Players officially declared big, bold, beautiful musicals to be back with this uplifting show about acceptance. For those not familiar with the movie or stage version, Charlie Price (Max Swarner) has inherited a shoe factory from his father and forms an unlikely partnership with cabaret performer and drag queen Lola (Lee Walter) to produce a line of high-heeled boots and save the business. In the process, Charlie and Lola discover that they are not so different after all. The triumphant finale was the energizing, uplifting moment of connection we'd all been missing during the past few years of streaming alone.

    A unique Cabaret finale at Arts Mission Oak Cliff
    Full disclosure: Cabaret is my favorite musical. I've probably seen it a few dozen times, from Broadway and national tours to Lyric Stage and Dallas Theater Center, but this independent production produced by The Lost Boy Presents reinvigorated a story I know so well. Director Sasha Maya Ada devised a finale that truly shocked me — and was like nothing I'd ever seen before — for the intimate, immersive, darkly sexy production. I won't spoil what it was, because after closing prematurely this summer due to flooding, this production is being remounted January 11-20, 2023, at Arts Mission Oak Cliff.

    Kitchen Dog Theater
    Photo by Jordan Fraker

    Just a taste of Gary: A Sequel to Titus Andronicus at Kitchen Dog Theater.

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    Theater News

    New Broadway Dallas season conjures Harry Potter and Phantom of the Opera

    Alex Bentley
    Jan 26, 2026 | 9:06 am
    Harry Potter and the Cursed Child national tour
    Photo by Matthew Murphy
    Harry Potter and the Cursed Child will be the final production of Broadway Dallas' 2026-2027 season.

    The 2026-2027 Broadway Series from Broadway Dallas will feature 11 different productions, including six shows making their Dallas premieres and the return of a number of audience favorites.

    Presented in partnership with Broadway Across America, the season will be offered in both seven- and eight-show packages, with three shows eligible to be added on.

    Leading off the season will be the Rodgers & Hammerstein classic, The Sound of Music. The vibrant and romantic tale of Maria and the von Trapp family has universal themes of love, resilience, and the power of music.

    Featuring beloved songs like “Do-Re-Mi,” “Sixteen Going on Seventeen,” “Edelweiss,” and the title song, the production will run September 8-20, 2026 at the Music Hall at Fair Park.

    Up next will be the five-time Tony Award-winning musical Buena Vista Social Club. Inspired by true events, the musical brings the Grammy Award-winning album to life - and tells the story of the legends who lived it.

    The show features a world-class band alongside a sensational cast of musicians, actors, and dancers from across the globe. The production will run November 3-15, 2026 at the Music Hall at Fair Park.

    Season subscribers can add on a special short-term show, Dr. Seuss's How the Grinch Stole Christmas! The Musical, featuring songs like "You're A Mean One Mr. Grinch" and "Welcome Christmas” from the original animated series.

    Running November 25-29, 2026 at the Music Hall at Fair Park, the production is narrated by Max the Dog as the mean and scheming Grinch, whose heart is "two sizes too small," decides to steal Christmas away from the Holiday loving Whos.

    An audience favorite, Cameron Mackintosh's revitalized new production of Andrew Lloyd Webber’s legendary musical, The Phantom of the Opera, will also be part of the holiday season, running December 16, 2026-January 3, 2027 at the Music Hall at Fair Park.

    With songs like “The Music of the Night,” “All I Ask of You,” and the iconic title song, the production tells the tale of a disfigured musical genius known only as ‘The Phantom’ who haunts the depths of the Paris Opera House.

    Broadway Dallas will kick off 2027 with its first show of the season at Winspear Opera House, The Notebook, running January 12-14.

    Based on the best-selling novel that inspired the early-2000s film, The Notebook tells the story of Allie and Noah, both from different worlds, who share a lifetime of love despite the forces that threaten to pull them apart.

    The series will head back to the Music Hall at Fair Park with Hell's Kitchen, the hit musical created and inspired by the music of Alicia Keys, running February 3-14, 2027.

    The musical, featuring a mix of Keys' greatest hits and songs written for the show, follows Ali, a 17-year-old girl searching for freedom, passion, and her place in the world.

    The second and final show at Winspear Opera House will be the return of Hadestown, running March 30-April 4, 2027.

    The winner of eight Tony Awards, Hadestown intertwines two mythic tales - that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone - as it invites audiences on a hell-raising journey to the underworld and back.

    The final four shows of the season will include three Dallas premieres and returning favorite, starting with Water for Elephants, running April 13-25 at the Music Hall at Fair Park.

    After losing what matters most, a young man jumps a moving train unsure of where the road will take him and finds a new home with the remarkable crew of a traveling circus, and a life - and love - beyond his wildest dreams.

    Death Becomes Her, which premiered on Broadway in 2024, will debut the following month at the Music Hall at Fair Park, May 11-23, 2027.

    The musical comedy based on the 1992 film centers on famous actress Madeline Ashton and her best frenemy Helen Sharp, who are about to go too far … thanks to a mysterious woman named Viola Van Horn and a secret potion that’s to die for.

    The final season add-on option is The Book of Mormon, celebrating its 15th anniversary in 2026. It will run June 1-6, 2027 at the Music Hall at Fair Park.

    The outrageous musical comedy follows the adventures of a mismatched pair of Mormon missionaries, sent halfway across the world to spread the Good Word.

    Wrapping up the season is the long-anticipated Harry Potter and the Cursed Child, finally coming to Dallas 11 years after its London premiere. It will run June 15-27, 2027 at the Music Hall at Fair Park.

    When Harry Potter’s head-strong son Albus befriends the son of his fiercest rival, Draco Malfoy, it sparks an unbelievable new journey for them all - with the power to change the past and future forever.

    Season tickets are available now, with seven-show packages starting at $270. New subscribers can visit BroadwayDallas.org or call 866-276-4884. All current subscribers will be automatically renewed into the 2026-2027 season and beyond risk free.

    Single tickets to individual shows will go on sale at a to-be-determined future date. Group pricing is available now for groups of 10 or more. Reserve by calling 214-426-4768 or emailing Groups@BroadwayDallas.org.

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