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World stage

Renowned Ukrainian dancer who fled war stars in Tuzer Ballet's 'Nutcracker' in Dallas

Stephanie Allmon Merry
Dec 13, 2022 | 3:06 pm

On February 24, 2022, Ukrainian-born dancer Vsevolod "Seva" Maevsky lay in bed, nursing a back injury at his home in Saint Petersburg, Russia, where he was a member of the world-famous Mariinsky Ballet.

Vsevolod "Seva" Maevsky

Photo courtesy of Vsevolod Maevsky

Seva is a 24-year-old ballet dancer from Ukraine.

The phone rang.

It was a friend and former Mariinsky colleague, calling from Mexico.

“In your country, Ukraine, now is war,” the friend told him.

Seva phoned home to Kyiv.

Russian military forces had invaded the country. Family members wanted to leave.

Seva wanted to help, but it meant saying goodbye to the Mariinsky - his dream ballet company and dance home for the last four years.

“I really had no choice,” he says. “I had to help my family.”

But at 24 - a man of combat age - Seva could not go back to Kyiv, as he would not be allowed to leave once he entered Ukraine.

Instead, with little money, few possessions, and still suffering from debilitating back pain, the dancer journeyed from Saint Petersburg to Turkey to reunite with his mother, brother, two sisters, and a niece fleeing Ukraine.

There, they would try to make a plan for the future - whatever the future should look like.

Conflicting worlds
Ten months later, Seva is sharing his story ahead of his unlikely appearance as a guest principal artist in the Tuzer Ballet’s Nutcracker performances December 17-18 at the Eisemann Center in Richardson.

His engagement as the Nutcracker Prince with the respected Tuzer Ballet likely would not have come about had Seva not found himself displaced from both his homeland and his adopted home country - and seeking opportunities to perform where he can.

In a virtual video interview from Seva’s new temporary home of Dresden, Germany, he makes two things clear: 1) He will not complain about his personal situation because many of his countrymen and women have it much worse, and 2) Out of respect for his friends in both Ukraine and Russia, he does not want to discuss politics of what he calls “a stupid war.”

“To be honest, sometimes it’s so hard when I start to think about it because, yeah Ukraine’s my home, but Russia, I have a lot of friends,” he says.

In fact, Seva says, the day he told his Mariinsky director that he would be leaving Saint Petersburg to help his family, he was met not with a “goodbye,” but with a big hug.

“It was difficult because I grew up there and everybody was so kind to me,” he said of the company he’d come of age with since he was 19.

Born in Kyiv, Seva achieved early success as a ballroom dancer, partnered with his sister from the age of 5. It was his mother’s dream for him to dance ballet, so she enrolled him in the Kyiv State Ballet School. Seva went on to win several international awards and competitions, including the prestigious Gold Medal Grand Prix Kyiv (Ukraine) in 2016. He earned a scholarship to study with the Ellison Ballet in New York and then, in 2018, won the Gold Medal at the acclaimed Youth America Grand Prix New York.

Then came the Mariinsky Theatre Ballet, one of the biggest and most respected companies in the world (rivaled only by Russia’s famed Bolshoi).

Determined to help
But in the spring of 2022, Seva suddenly found himself in Turkey without work, without income, without the routine of rehearsals and performances with one of the world’s pre-eminent ballet companies.

Determined to help his mother and siblings - who were struggling with employment and finances - he took out a loan with friends, searched for auditions, and reached out to ballet contacts around the world to help him find dance work. Yet his crippling back pain persisted, and he felt his 24-year-old body falling out of shape.

“I had to do something because I had to help my family and I had to just keep going because it's my profession,” he says. “It was hard. I remember I did my second audition and (I was) not in shape… I was disappointed. I was like, okay what happened with my body, I’m losing everything here. It’s really important for dancers, if you want to improve yourself, you just keep going.”

Seva’s first performance after he left Russia ended up being in Orlando, Florida. The Youth America Grand Prix (YAGP), which he’d won in 2018, invited him to perform at their gala in April 2022.

“I was so happy to be back on the stage, to be back (in) shape,” Seva says.

Gala performances with companies in Switzerland and Italy followed, and on May 1, he moved to Dresden and started with the Dresden Semperoper Ballet. He proudly paid off his loan in three months. “I’m so thankful to the director and teachers here, that I can keep going,” he says.

Seva is also working with a manager who is focused on helping artists, displaced by war, find opportunities in America. On November 12, Seva performed in a sold-out concert in Los Angeles called “Reunited in Dance,” featuring renowned dancers from around the world impacted by the war in Ukraine.

From Dresden to Dallas
Seva connected with Dallas’ Tuzer Ballet through Lauren Lovette, another guest principal dancer in the Tuzers’ Nutcracker. Lovette is the choreographer in residence at the acclaimed Paul Taylor Dance Company and performs as a guest principal dancer around the world.

Tuzer Ballet co-founder Pat Tuzer says that when a couple of the dancers from prior years’ Nutcrackers became unavailable this year, a friend recommended Lovette, who recommended Seva.

"We're really excited to have someone of his caliber joining us,” Tuzer says. “He's a citizen of the world with the experiences he has already had at such a young age. It will be wonderful."

Pat and Tanju Tuzer’s ballet company has the longest running Nutcracker in Dallas-Fort Worth, back for its 41st holiday season. They describe their Nutcracker as “a blend of global inspiration and local brilliance,” with technically difficult choreography inspired by their international training in Hamburg, Germany - along with more than 400 original costumes and professional sets that transport audiences to a magical wonderland.

Seva will rehearse in New York for several days before flying to Dallas for the weekend performances. It will be his first time in Dallas.

“I really appreciate it, this invitation to be back on the stage in USA,” Seva says. “I'm really happy and to be honest, USA was from my childhood like a dream… Dallas is a new place for me, and I think we will do everything great and I just want to be thankful for that opportunity.”

As for his family, Seva’s brother and mother have remained in Turkey. His sisters, remarkably, have gone back to Ukraine.

“I know it’s so dangerous for them still,” Seva says. “They’re like, ‘We’ll just see what happens.’ I hope everything will be okay.”

With the unprovoked war dragging on and instability throughout Ukraine and Russia, Seva is not sure what his own future will hold. It’s been two years since he stepped foot in his homeland of Ukraine, and he also misses his friends in Russia tremendously.

“I don’t have, like, exactly plans,” he says. “I have some offers to keep going and to maybe change companies next season, but we’ll see. I just want to dance, I just want to improve myself, and help my family.”

'Art helps'
Coincidentally, Pyotr Ilyich Tchaikovsky’s Nutcracker ballet premiered exactly 130 years ago, in December 1892, in Saint Petersburg, Russia. What has now become a holiday tradition around the world features themes of growing up, conquering fears, and finding beauty in lands around the world.

They are themes that resonate offstage with Seva.

“Art, and in this case, ballet, help people to forget for a while about problems outside,” Seva says. “They come to see this performance and they see me, like, as a prince in Nutcracker, for example, and they think about this. Art makes people think in a better way.

“With this situation (in Ukraine) ... we can change it if we will start thinking in a different way, like a more peaceful way, and art helps with this.”

---

Tuzer Ballet presents "The Nutcracker," 2 pm December 17 and 18 at Eisemann Center for the Performing Arts, Richardson. Tickets: $20-$80 through the Eisemann Center website.

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In Memoriam

Matthew Posey, founder of Dallas' Ochre House Theater, dies at 68

Lindsey Wilson
Oct 5, 2026 | 11:00 am
Ochre House Theater presents Dr. Bobaganush
Photo by Robert Hart
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Matthew Posey, the actor, director, and playwright who founded Ochre House Theater and was a founding father of Dallas' experimental theater scene, died at his home on October 2, 2026, the theater confirmed. He was 68.

In 2008, Posey opened Ochre House in Exposition Park near Fair Park. The 45-seat storefront venue became what the theater calls a legendary lab for raw, original art. Posey and his core company called themselves the "Pioneers of the Suavant-Garde," a name that promised surrealist, experimental performances delivered with a surprisingly sophisticated charm. The work was known for a deconstructed, musical-narrative style, built on live music, magic-realist imagery, and elaborate puppetry inspired by the Japanese Bunraku tradition.

Posey wrote, directed, and produced more than 40 plays there, including Morphing, Dr. Bobagonush, Moving Creatures, Mrs. Haggardly, Bill, Original Man, and Soft Noodle Map. Many began in his bound notebooks, which held more than a decade of original pieces. They examined love, family, class, addiction, violence, forgiveness, greed, and the search for one's place in the universe. He often staged them quickly enough that the theater reflected current social and political events as they unfolded (see: Moving Creatures, a politically charged satire about an evil and intolerable oligarch and his tyrannical rise to power). Ochre House also gave its core company of performers, designers, and musicians the chance to write and direct their own original work.

Posey also built a lasting bridge between Dallas and the flamenco world. For 15 years, he partnered with the Dallas-based Flame Foundation on original full-length plays featuring authentic flamenco. The collaboration brought international and local artists to stages in Dallas and New York.

Ochre House was not Posey's first venture in the city. After studying theater at Texas Tech University and interning at Houston's Alley Theater, he came to Deep Ellum and founded the Deep Ellum Theatre Garage. The venue hosted boundary-pushing work, including Sexual Mythology Part 1: The Underworld, a collaboration with another Dallas-based theater legend, Fred Curchack.

Posey later spent 12 years in Los Angeles, working in the film industry and ghostwriting, and he earned a master's degree in film from the American Film Institute. When he returned to Dallas, he joined the company at Undermain Theater before founding Ochre House.

In January 2017, Posey was shot in the face and thigh outside Cold Beer Company in Deep Ellum after leaving the bar with a friend. The attack came just days after previews began for his new musical Dr. Bobaganush, and that week's performances were canceled. But Dallas' arts community rallied around him with a benefit concert, and he returned to the Ochre House stage as the titular doctor that March.

Jerome Weeks, the former KERA and Dallas Morning News theater critic, recalled in an Oct. 3 Facebook post a story from that time. Weeks had reviewed Posey's first shows at the Deep Ellum Theatre Garage and ended up meeting his wife Sara, a member of Posey's first acting troupe, there. After the 2017 shooting, Weeks sent flowers to Posey's hospital room with an unsigned note: "This is what you get for introducing me to my wife." He knew Posey would appreciate the dark joke. Years later, Posey told him the flowers were the first public sign of what had happened, so when they reached the nurses' station, police grew suspicious of the sender. For a few hours that morning, Weeks was the chief suspect. The bullet had damaged Posey's teeth, cheek, and tongue, and, still groggy from anesthesia and painkillers, Posey could only gesture and mumble to the police that it was a joke — that the local theater critic had not tried to murder the artist. When Weeks learned of this long afterward, he was stunned and didn't know how to apologize. Posey, laughing, told him: "It was absolutely the only laugh I had that day."

Posey's career also reached well beyond Dallas. Over more than 35 years, he appeared in more than 60 major film and television productions, including Oliver Stone's JFK, the Oscar-winning No Country for Old Men, and The Magnificent Seven. On television, he appeared in Lonesome Dove, Rectify, AMC's The Son, and HBO's Love & Death. His recent work includes the independent film El Tonto Por Christo and a role in the Austin-set, Matthew McConaughey/Woody Harrelson series Brothers.

Matthew Posey was born July 31, 1958, in Houston, the youngest of five children of Marvin R. Posey and Mary Louise Wrba Posey. His family says his gift for performance appeared early, with him staging "interviews" with vegetable at age four. By his sophomore year at Coronado High School in Lubbock, he had found a bigger audience as the emcee Click Dark in a class play based on American Graffiti.

He was remembered as a beloved partner, brother, uncle, friend, and artistic father figure.

"He was a unique and unforgettable person whose humor, creativity, stories, and larger-than-life personality made an impression on everyone who knew him," the theater said in its obituary.

Posey was preceded in death by his parents. He is survived by his life partner, Suzanne Thomas. He is also survived by his sisters Marlis Hodges and Candis Posey, his brothers William Marvin Posey and Richard Daniel Posey, and numerous nieces and nephews, countless friends, and his cats Chet and Etta.

"His family will remember Matthew not only for the life he lived, but for the memories he created and the love he shared," says the theater's obituary. "His presence will be deeply missed, but his stories, his work, his humor, and the memories he gave to those who loved him will remain."

A celebration of life is being planned, and details have not yet been announced. In lieu of flowers, the family asks for donations to Ochre House Theater at OchreHouseTheater.org.

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