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    Season Announcement

    Deep Ellum's Undermain Theatre searches for identity with 2024-25 season

    Lindsey Wilson
    May 3, 2024 | 1:54 pm
    Athena play

    "Athena" ran Off Broadway in 2018.

    Photo by Mike Edmonds

    A lot of questions are being asked by Undermain Theatre's 2024-25 season, chief among them, "Who am I?"

    "While that question may appear simple and straightforward, the concept of identity is complex and fluid," reads a release announcing the slate of shows for the 41st season. "The answer to 'Who am I?' depends on a range of factors including how one defines oneself, the labels placed on us by others and society, as well as how events and circumstances may shift that identity."

    The season opens with Gracie Gardner’s coming-of-age comedy Athena, where young women forge their identities in fierce competition on the fencing strip.

    In this regional premiere, Mary Wallace and Athena are brave and seventeen, fencers training for the Junior Olympics. They practice together, they compete against each other, they spend their lives together. They wish they were friends. It runs September 7-29, 2024.

    Next is Eugene Ionesco's absurdist dramedy of power and death, Exit the King.

    Set in the crumbling throne room of the palace in an unnamed country, King Berenger the First has only the duration of the play to live. Once, it seemed he ruled over an immense empire and commanded great armies, but now his kingdom has shrunk to the confines of his garden wall. Refusing to accept his end, he is attended by his present and former queens who must help him face the final inevitable truth of life. Starring Undermain company members Rhonda Boutté and Bruce DuBose, it runs November 2-November 24, 2024.

    In 2025, two of the Katherine Owens/Undermain Fund recipients will hold centerstage. Up first is the world premiere of Box by Jarrett King.

    Part magic show, part historical speculation, part romantic drama, this play explores the harrowing story of Henry Box Brown, the abolitionist lecturer and early magician who escaped slavery by mailing himself to freedom and then went on to become a famed magician on the London stage. Using actual magic, the play imagines an unwritten chapter in the story of one of history’s most overlooked folk heroes. It runs March 1-23, 2025.

    The season closes with h*llo k*tty syndrome by Brian Dang.

    Last season’s workshop production of Brian Dang’s play This time delighted audiences with its poetry and imagery, and now Dang is back again with this unconventional, absurdist comedy.

    HK is a little lost. They just quit their job as a police officer, broke up with their cowboy partner, and made a vendetta with their brother-in-law. And worst of all, nobody will stop commenting on the fact that they are wearing a Hello Kitty™ mascot costume (but it’s slightly off because of copyright laws.) It runs May 3-25, 2025.

    Undermain is located at 3200 Main St., between Murray and Trunk streets in Deep Ellum.

    For tickets and season subscriptions, visit undermain.org.

    theater
    news/arts

    Downtown Dallas news

    Dallas Arts District picks Dallas College leader as executive director

    Stephanie Allmon Merry
    Jul 22, 2026 | 4:23 pm
    ​Ahava Silkey-Jones
    Photo by Jaren Collins
    Ahava Silkey-Jones

    The Dallas Arts District has found its next leader: Ahava Silkey-Jones has been named executive director of the nonprofit that supports and promotes the downtown Dallas cultural district. She succeeds longtime executive director Lily Weiss, who retired earlier this year after more than a decade in the role.

    Silkey-Jones joins the Dallas Arts District from Dallas College, where she served as vice provost of the School of Creative Arts, Entertainment and Design, a release notes. During her tenure, she led academic strategy, programming, and industry partnerships across seven campuses.

    She brings more than 15 years of experience in higher education, nonprofit leadership, arts administration, and civic engagement.

    "The Dallas Arts District is one of America's great cultural neighborhoods — a place where creativity inspires community, strengthens the economy and enriches everyday life," Silkey-Jones says in the release. "We have an incredible opportunity to elevate the District's national and global profile while creating an even more welcoming, connected and vibrant place for everyone who lives, works and visits here."

    The leadership change comes after a busy year for the 118-acre district, which encompasses 19 cultural institutions and is billed as the nation's largest contiguous urban arts district. The district recently adopted a strategic plan centered on advocacy, placemaking, public safety, infrastructure, programming, and long-term growth, they say.

    The area also took on a higher profile during the 2026 FIFA World Cup, hosting the RedBall Dallas public art installation and four major festivals that brought hundreds of thousands of local and international visitors downtown, they say.

    Board chair Warren Tranquada, who is also president and CEO of the AT&T Performing Arts Center, says Silkey-Jones has built a career around creating partnerships among the arts, education, and community organizations.

    "This organization's role in shaping downtown's quality of life, economic vitality and global identity has never been more important," Tranquada says. "Ahava has spent her career bringing people together across sectors to create lasting community impact."

    Silkey-Jones has received several recent honors, including the 2025 Obelisk Award from the Business Council for the Arts and recognition as one of Women We Admire's Top Women Leaders. She holds degrees from Harvard University, Roosevelt University, and DePaul University and serves on several local and national arts and education boards.

    Former board chair Jill Magnuson, who stepped in as interim executive director following Weiss' retirement, will return to serving as a volunteer leader.

    “Jill's leadership during this transition was invaluable,” Tranquada says. “She provided stability while also helping establish a clear vision for the future. Her work has left the organization stronger, and we are grateful she will continue supporting the Dallas Arts District as a volunteer leader.”

    ahava silkey jonesarts districtleadershipdowntown dallasdallas arts district
    news/arts
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