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    Prime Time in Austin

    CBS hit The Mentalist makes a fresh start in a Texas city

    John Egan
    Jan 4, 2014 | 2:38 pm

    A cunning killer has moved to Austin. No need to panic, though. He’s a fictional murderer from a prime-time TV show.

    On the CBS crime drama The Mentalist, the main character — Patrick Jane (Simon Baker), who possesses psychic-like mental abilities — recently took up residence in Austin to work for the FBI. Jane previously lived in Sacramento, California, but the show’s producers wanted to give Jane a fresh start after he tracked down and murdered “Red John,” who killed his wife and daughter.

    Two of Jane’s crime-fighting colleagues from Sacramento — Teresa Lisbon (Robin Tunney) and Kimball Cho (Tim Kang) — also are stationed at the FBI office in Austin.

    “We wanted it to be a city with a distinctive character, a city with some funk to it,” said executive producer Tom Szentgyorgy .

    Jane agreed to accept the Austin gig with the FBI in exchange for not being charged in the Red John case. In the wake of the Red John slaying, the show fast-forwarded about two years, with Jane landing in Austin after hiding away on a Spanish-speaking island.

    Tom Szentgyorgy, an executive producer for The Mentalist, said he and other producers mulled over several cities for Jane’s new locale before settling on Austin.

    “We were looking for a city outside California where Patrick Jane could start over. We wanted it to be a city with a distinctive character, a city with some funk to it,” Szentgyorgy said.

    “At the same time, we wanted it to be a city whose architecture and look weren’t too familiar to television audiences — because, frankly, we continue to shoot our exterior scenes here in Southern California.”

    In addition, he said, Jane’s new home base needed to be a city where it made sense for the FBI to maintain a significant presence. (Note: The fictional FBI office in Austin looks much fancier and bigger than the real one.)

    Now, Austin will play at least a small part in every episode of The Mentalist. However, it remains to be seen whether any stars of The Mentalist will pop up in Austin.

    “Our camera crew will be filming background and establishing shots in Austin, but at the moment there are no plans to film actual scenes there,” Szentgyorgy said. “If a story is good enough and demands it, we’ll make the trip.”

    Szentgyorgy said Michael Novotny, the show’s production designer, and Julie Walker, the show’s art director, spent several days in Austin taking photos and getting a feel for the city’s “visual style.”

    “That trip informed their design of the FBI office,” he said, “and will guide our choice of new locations to film here in Southern California that are supposed to stand in for Austin.”

    ---

    The Mentalist, now in its sixth season, airs at 9 pm Sundays on CBS.

    The Mentalist, now in its sixth season, airs at 9 p.m. Sundays on CBS.
    unspecified
    news/entertainment

    Movie Review

    Pixar's beloved toys battle technology in Toy Story 5

    Alex Bentley
    Jun 18, 2026 | 12:45 pm
    Bullseye, Jessie, Atlas, Smarty Pants, and Snappy in Disney and Pixar's Toy Story 5
    Photo courtesy of Pixar
    Bullseye, Jessie, Atlas, Smarty Pants, and Snappy in Disney and Pixar's Toy Story 5.

    For fans of Pixar, the idea that it’s been over 30 years since the original Toy Story came out is a little mind-boggling. While the animation studio has had varying degrees of success with their other properties, they’ve always managed to make something special with each installment of their signature franchise. They’re now rolling the dice yet again with Toy Story 5.

    The story is mainly focused on cowgirl toy Jessie (Joan Cusack), who — along with Buzz Lightyear (Tim Allen), Hamm (John Ratzenberger), Forky (Tony Hale), and others — is concerned that new owner Bonnie (Scarlett Spears) is falling prey to the scourge of technology in the form of the tablet Lilypad (Greta Lee). They’re worried that the “friends” she makes through games online pale in comparison to those she could play with in person.

    Woody (Tom Hanks) and Bo Peep (Annie Potts), living an on-the-go lifestyle but still in touch with the main group, come to help when Jessie goes missing while trying to help Bonnie. And — just because — a large group of new-and-improved Buzz Lightyears that have fallen out of a shipping container that has crashed on an island go on a mission that puts them on course to meet up with everyone else.

    Written and directed by McKenna Harris and Andrew Stanton, the film is a mixed bag, mostly because of the disjointed nature of the story. When the group was separated in previous films, things rarely felt out of sync as everybody was still heading toward the same goal. But the different factions in this film seem to be after something different, especially the wholly superfluous addition of the fancy Buzz Lightyears, whose ultimate purpose doesn’t live up to the time dedicated to them.

    There’s no way around it: While Jessie is a good character and has a lot of great moments in this film, the relationship aspect of the series is not as strong this time around. She mostly spends time with her mute horse Bullseye, but even when she interacts with new characters like Smarty Pants (Conan O’Brien), that ineffable magic is not there. Woody and Buzz have scenes together, but since they’re secondary to the main story, they don’t add as much to this film as they have in others.

    However, even if the film can’t live up to the first four movies, it still makes for a fun time. The storyline about technology turning kids (and adults, for that matter) into zombies is a strong one, and the way they incorporate different devices is clever. The large number of characters is unwieldy, but when the filmmakers truly dig down to the personal lives of certain toys or humans, the film is as effective as Pixar has ever been.

    Cusack, Hanks, Allen, and other returning voices are so attuned to their respective characters that you know they’ll deliver each line perfectly. People like Lee, O’Brien, and Craig Robinson are welcome additions to the group, but it’s tough to get used to new voices taking over for actors who’ve passed like Don Rickles, Estelle Harris, and Carl Weathers.

    The pitch-perfect ending of Toy Story 3 made the idea of Pixar making Toy Story 4 seem strange, but then that film proved the studio knew what it was doing. While Toy Story 5 is not a disaster, it’s not to the standard set by the previous films. It should finally be time to put the franchise to bed, knowing that the toys have given all the joy they can give.

    ---

    Toy Story 5 opens in theaters on June 19.

    moviesfilm
    news/entertainment

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