Stevie Wonder will perform his 1976 album Songs in the Key of Life on March 22 at American Airlines Center.
Courtesy photo
Legendary singer-songwriter Stevie Wonder will bring his critically acclaimed "Songs in the Key of Life Performance" tour through the South this spring, with dates in three Texas cities.
The show is a live adaptation of Wonder's iconic 1976 Songs in the Key of Life album. Lone Star stops include a March 20 date at the Toyota Center in Houston, March 22 at American Airlines Center in Dallas and an Austin show on April 4 at the Frank Erwin Center.
The tour's initial run took place in fall 2014, debuting at Madison Square Garden before hitting Washington D.C., Boston, Chicago, Philadelphia, Atlanta and Seattle. Rolling Stone called it "possibly 2014's greatest testament to the limitless potential of American music itself," and Billboard observed that Wonder had the audience "roaring and standing on its feet."
Wonder's achievements are massive: 49 Top 40 singles, 32 No. 1 singles and worldwide album sales of more than 100 million units. He's received 25 Grammy Awards, an Oscar and a Golden Globe. He's an inductee into the Rock and Roll, Songwriters' and NAACP halls of fame, and he is the youngest recipient of the Kennedy Center Honors.
Wonder is also a designated U.N. Messenger of Peace with special focus on persons with disabilities. He continues to be pivotal in U.S. and world events, demonstrating the activism that has made him such a vital voice for social progress and world harmony.
Citi cardmembers get access to pre-sale tickets beginning January 20 local time through Citi's Private Pass Program. Tickets go on sale January 24 at 10 am.
For every well-known/successful actor in Hollywood, there are thousands of others whose lives are more tenuous as they struggle to find work. The new film Misty Green is about one such actor who, after a period in the limelight, now finds herself on the outskirts of the industry, just hoping to find her way back in.
Misty (Rosalind Eleazar) won an Emmy for a 2000s-era TV show that still gets her recognition, but not much work. Still living in the apartment of a recently-deceased man with whom she was having an affair, Misty spends her days sleeping in and her nights getting blitzed on alcohol and drugs. She seems to be heading nowhere fast until a few things coincide to break up her routine.
The man’s wife (Amy Landecker) shows up and tells her she has seven days to vacate the apartment; Misty’s brother, Jay (Daniel Kaluuya) — who is bipolar — arrives after being kicked out of his facility for non-payment; and Jordan (Chris Rock), a former colleague with whom she had a falling-out, reappears in her life, offering a possible chance to rehabilitate her image.
Written and directed by Rock (his first feature since 2014’s Top Five), the film is a funny and excruciating look at how the entertainment industry might actually work. Misty is her own worst enemy thanks to late nights fraternizing with unsavory characters like Zach (Adam Driver), who deals in drugs and women in equal measure, but her frustration proves warranted when her agent, Randy (Topher Grace), and casting directors like Rhonda (Tracie Thoms) hardly give her the time of day.
Misty tries her best to stay positive, but when jobs like singing in a bar are the best she can do, the mountain seems insurmountable. Rock does an effective job of demonstrating the elements that are within and without Misty’s control that affect her ability to regain her position in the industry. The chip on her shoulder is almost as big as the bias some have against her, and other negative circumstances don’t help matters much.
There are many small touches that Rock and his crew put in the film to give it an air of authenticity. Filming in Los Angeles (a rarity these days), Rock uses both subtle and overt shots of homeless people in the city, suggesting that the line between the haves and have-nots is a fine one, especially with Misty on the verge of not having a place to live. He also has cameos from a few of his funny friends, including a bit of meta-casting of Anthony Anderson (who has faded a bit after starring in Black-ish) in a bit part as a cop.
Eleazar, a British actor best known for appearing on the Apple TV show Slow Horses, is a magnetic presence as Misty. The character herself is somewhat cringey in her decision-making, and Eleazar sells every bit of her righteous indignation and self-defeating actions. The supporting cast is great across the board, including Rock, Driver, Kaluuya, Thoms, Grace, Anna Kendrick, and Rich Sommer.
Misty Green makes you rage against the Hollywood machine, laugh at the various ways different people deal with its maddening quirks, and hide behind your fingers as Misty chooses options that don’t help, either voluntarily or because her back is against the wall. It’s a powerhouse of acting that gives a unique angle on the inner workings of Hollywood, one that ironically might be competing for awards at year’s end.
