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    Movie Review

    Mind-bending film A Different Man dabbles in black comedy

    Alex Bentley
    Oct 4, 2024 | 1:55 pm
    Renate Reinsve and Sebastian Stan in A Different Man

    Renate Reinsve and Sebastian Stan in A Different Man.

    Photo by Matt Infante/courtesy of A24

    Movies that deal with physical or psychological differences in humans tend to be earnest affairs, with the affected person either rising above the odds or teaching people around them a lesson in compassion. Nothing of the sort is featured in A Different Man, where the only lesson learned is one of humility by the main character with the physical difference.

    Edward (Sebastian Stan), whose face and head are enlarged from an unspecified condition, is an actor who makes a meager living starring in workplace education videos. He lives in a drab, rundown apartment, and seems generally depressed, just trying to get through each day without suffering some kind of humiliation.

    His outlook starts to change when Ingrid (Renate Reinsve) moves in next door and treats him with kindness. Whether to attract her attention or to get out of his malaise, Edward agrees to an experimental treatment that promises to get rid of his condition. It’s no big spoiler to say that it works, but what happens after is a surprise, especially when Oswald (Adam Pearson), a man with a similar condition but a much sunnier disposition, comes into his life.

    Written and directed by Aaron Schimberg, the film is nowhere near as straightforward as that synopsis makes it sound. Schimberg inserts all kinds of weird details, including a never-ending leak in Edward’s apartment and odd time jumps, that keep the audience on their heels. And while it would be wrong to say that Edward’s condition is ignored by others in the film, as he gets more than a few stares, few people actively comment on it.

    In fact, Schimberg seems much more interested in Edward’s mental health than his physical state. His personality stands in stark contrast to that of Oswald, who seems to approach every situation with positivity and confidence, as if his condition didn’t even exist. The film has a lot going on after the two meet, but the push and pull between how each man approaches the world provides the central conflict.

    Consequently, the film often plays out more as a comedy than as a drama. Edward’s post-transformation world is even stranger than the one he inhabited before, and every interaction he has is laced with an undercurrent of artifice, with no one acting in a normal manner. Edward finds himself in increasingly absurd situations that test his mental wellness, and the oddness of them elicit laughs more than anything else.

    Stan is a chameleon of an actor who’s played everything from a Marvel superhero to an upcoming turn as a young Donald Trump. He plays both sides of Edward well, giving off a sad-sack energy no matter his physical state. But it’s Pearson who steals the movie, as he projects a spiritedness that turns Oswald from someone who might be pitied into someone who’s a force of nature. Reinsve makes for an able foil for both characters.

    A Different Man is a film that’s in conversation with the recent The Substance, as they both deal with people who seek to change their appearance, albeit for very different reasons. In both cases, it falls under a “be careful what you wish for” scenario, with the solution not necessarily delivering the result the person wanted.

    ---

    A Different Man is now playing in theaters.

    moviesfilm
    news/entertainment

    Movie Review

    Fairly typical biopic Christy rides on buzz of star Sydney Sweeney

    Alex Bentley
    Nov 6, 2025 | 12:08 pm
    Sydney Sweeney in Christy
    Photo courtesy of Black Bear
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    Sports fans of a certain age will remember the name of boxer Christy Martin (née Salters), who became one of the first big female names in the sport in the 1990s. Her moment in the sun resulted in a lot of wins, but her legacy has not been as lasting as some other female sports pioneers. The new biopic Christy attempts to change that, as well as tell a fuller account of her life.

    As we meet Christy (Sydney Sweeney) in 1989, she’s in her early twenties and still living in her hometown in rural West Virginia with brother Randy (Coleman Pedigo), mom Joyce (Merritt Wever), and father Johnny (Ethan Embry). After developing a reputation in local “toughman” contests, promoter Larry Carrier (Bill Kelly) recruits her for small-time boxing matches. Success there leads to her starting to be trained under Jim Martin (Ben Foster), who initially resists coaching a woman.

    As Christy starts to prove her worth against almost all-comers, Jim starts to believe more in her talent, although that belief also includes a side of control issues/jealousy. As Christy rises up the ranks, including getting promoted by Don King (Chad L. Coleman) himself, her relationship with the much older Jim remains fraught even after they get married. Her winning wins her the respect of the public, but her private life stands in stark contrast with the feeling of victory.

    Written and directed by David Michôd, and co-written by Mirrah Foulkes, the film plays out in a very typical biopic kind of way, with the protagonist achieving a good bit of fame before being brought back down to earth thanks to a complicated personal life. The filmmakers do a decent job of navigating through the tropes, although early fight scenes lean hard into the idea that Christy is a rare talent who can knock out people of both sexes with ease. Still, the fight scenes themselves are staged well, with Sweeney and the other actors ably embodying the athleticism of pro boxers.

    The depiction of Christy’s personal life is similarly up-and-down. Struggles with a controlling and/or abusive partner and substance addiction issues are regrettably common in these types of stories, and so it’s up to the filmmakers to show them in a way that doesn’t feel trite. While the film does a decent job of digging into why Christy makes the choices she does, it never reaches the level of being completely compelling.

    Christy’s sexuality plays a relatively big part in the story, as she’s forced to tamp down her being gay in order to please others in her life and to further her career. The sacrifice she has to make is clear, especially when she marries Jim out of convenience (and maybe more). The idea of her appearing more feminine, including wearing bright pink while boxing and styling her hair differently, is brought up to her on multiple occasions, weighing on her even as she goes along to get along.

    Sweeney follows the playbook of other actors like Charlize Theron in Monster and Hilary Swank in Boys Don’t Cry, making herself less glamorous to play up the drama of the role. She succeeds for the most part, with her best scenes coming during the multiple fights. Foster has played similar slimeballs before, and - with the help of a heinous haircut and more - he inhabits the role completely. It’s a little disappointing to see Wever reduced to a one-note part, however.

    The story of Christy Martin is one filled with everything you could want for an engrossing sports movie, but even though it has its high moments, it ultimately fails to deliver the knockout punch it needed. Sweeney deserves credit for portraying the boxer in an interesting way, but the story around her could have used some more oomph.

    ---

    Christy opens in theaters on November 7.

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