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Movie Review

Mind-bending film A Different Man dabbles in black comedy

Alex Bentley
Oct 4, 2024 | 1:55 pm
Renate Reinsve and Sebastian Stan in A Different Man

Renate Reinsve and Sebastian Stan in A Different Man.

Photo by Matt Infante/courtesy of A24

Movies that deal with physical or psychological differences in humans tend to be earnest affairs, with the affected person either rising above the odds or teaching people around them a lesson in compassion. Nothing of the sort is featured in A Different Man, where the only lesson learned is one of humility by the main character with the physical difference.

Edward (Sebastian Stan), whose face and head are enlarged from an unspecified condition, is an actor who makes a meager living starring in workplace education videos. He lives in a drab, rundown apartment, and seems generally depressed, just trying to get through each day without suffering some kind of humiliation.

His outlook starts to change when Ingrid (Renate Reinsve) moves in next door and treats him with kindness. Whether to attract her attention or to get out of his malaise, Edward agrees to an experimental treatment that promises to get rid of his condition. It’s no big spoiler to say that it works, but what happens after is a surprise, especially when Oswald (Adam Pearson), a man with a similar condition but a much sunnier disposition, comes into his life.

Written and directed by Aaron Schimberg, the film is nowhere near as straightforward as that synopsis makes it sound. Schimberg inserts all kinds of weird details, including a never-ending leak in Edward’s apartment and odd time jumps, that keep the audience on their heels. And while it would be wrong to say that Edward’s condition is ignored by others in the film, as he gets more than a few stares, few people actively comment on it.

In fact, Schimberg seems much more interested in Edward’s mental health than his physical state. His personality stands in stark contrast to that of Oswald, who seems to approach every situation with positivity and confidence, as if his condition didn’t even exist. The film has a lot going on after the two meet, but the push and pull between how each man approaches the world provides the central conflict.

Consequently, the film often plays out more as a comedy than as a drama. Edward’s post-transformation world is even stranger than the one he inhabited before, and every interaction he has is laced with an undercurrent of artifice, with no one acting in a normal manner. Edward finds himself in increasingly absurd situations that test his mental wellness, and the oddness of them elicit laughs more than anything else.

Stan is a chameleon of an actor who’s played everything from a Marvel superhero to an upcoming turn as a young Donald Trump. He plays both sides of Edward well, giving off a sad-sack energy no matter his physical state. But it’s Pearson who steals the movie, as he projects a spiritedness that turns Oswald from someone who might be pitied into someone who’s a force of nature. Reinsve makes for an able foil for both characters.

A Different Man is a film that’s in conversation with the recent The Substance, as they both deal with people who seek to change their appearance, albeit for very different reasons. In both cases, it falls under a “be careful what you wish for” scenario, with the solution not necessarily delivering the result the person wanted.

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A Different Man is now playing in theaters.

movies film
news/entertainment

Movie Review

The Magic Faraway Tree is a whimsical family lark that fails to take root

Alex Bentley
Aug 21, 2026 | 11:44 am
Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree
Photo courtesy of Vertical Entertainment
Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree.

With kids and families always on the hunt for entertainment, it’s typically a safe bet for a movie studio to offer up something new, even if it is a film based on an old property. The Magic Faraway Tree, based on a series of books that started in the 1930s, is a very old property, one that its filmmakers have tried to liven up with a few stars, a lot of whimsy, and a boatload of CGI.

The Thompson family, led by stay-at-home dad Tim (Andrew Garfield) and breadwinner mom Polly (Claire Foy), are forced to move to a rundown country home when Polly gets laid off. The kids - Joe (Phoenix Laroche), Fran (Billie Gadson), and Beth (Delilah Bennett-Cardy) - are used to the perks of city life like wifi and electricity, and each of them rebels in their own way to their new lot in life.

Fran, enticed by a fairy named Silky (Nicola Coughlan), is the first to venture out of the house, making her way to a magic tree that transports her to a world full of strange characters like Moonface (Nonso Anozie), Saucepan Man (Dustin Demri-Burns), Dame Washalot (Jessica Gunning), and more. Her adventures there not only broaden the world she thought she knew, but may be the key to helping her ailing family.

Directed by Ben Gregor and written by Simon Farnaby (Paddington 2, Wonka), the film is a pleasant enough lark, but it fails to fully capture the imagination. The five-member family has a lot going on, from an initially-mute Fran to a domestic situation that raises more questions than it answers. The film tries to incorporate an anti-technology message through Tim’s hatred of a smart refrigerator (voiced by Judi Dench!) and the kids' addictions to devices, but it’s quickly shed in favor of other options.

Once Fran makes it to the Magic Faraway Tree, there’s a nice shift in the storytelling, but it’s unclear what the ultimate goal is. It’s a good idea to have Fran, the youngest of the children, convince her older, more cynical siblings about the virtues of the magic world, but the conflict in the real world doesn’t seem to rise to the level needed for the escape the tree provides.

There also seems to be a missing link in the storytelling for viewers to understand the importance of the fantastical characters. The visuals of seeing Moonface and his crescent moon-shaped hair, a man with a suit full of banging pots, and more are fun for a while, but not enough to carry the whole film. A last-minute revelation feels like it was something that should have been disclosed much earlier to help strengthen the emotions of the story.

A two-time Oscar nominee, Garfield is making his first foray into family movies (if you don’t count playing Spider-Man), and while he does a good job, he doesn’t make the best fit for the semi-goofy role. The same goes for the Emmy-winning Foy, who isn’t given much of anything to do. The movie puts the story on the shoulders of the three child actors, and while each of them acquit themselves well, none of them are so outstanding as to be noteworthy.

With nearly 90-year-old source material, The Magic Faraway Tree needed to be something truly special to stand out in the 21st century movie world. Unfortunately, it features a mostly forgettable story that features some fun visuals, a couple of cute kids, and not much else.

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The Magic Faraway Tree is now playing in theaters.

movies film
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