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High Notes

New national Selena podcast offers personal look at the Texas superstar

Jade Esteban Estrada
Jan 15, 2021 | 4:50 pm
Anything for Selena podcast
Anything for Selena is out now.
Image courtesy of WBUR

Selena Quintanilla, known to millions of fans as the queen of Tejano music, is one of the most celebrated Mexican-American entertainers of the late 20th century. Her immense talent and tragic death captivated millions, and now with a Netflix series and a new podcast, Selena is inspiring a new generation of fans.

On January 13, WBUR and Futuro Media launched Anything for Selena, a nine-episode podcast about the music icon’s life story, her enduring legacy, and what she means to the Latinx community. Ultimately, as host Maria Garcia describes it, “it’s a podcast about belonging.”

Using a deeply personal lens, Garcia weaves her own story as a queer, first-generation Mexican immigrant, while using cultural analysis, social justice history, and real-time politics to explore the impact of Selena. Each episode, available in both English and Spanish, unwraps another layer on Garcia's journey "to understand what it means to love, mourn and remember Selena."

That journey begins at the border where Garcia was born in Juarez, Mexico, and later grew up in El Paso. “[It was] a place where for a long time, I felt divided in two,” she says in her podcast promo.

When she started attending school in El Paso, her schoolteachers anglicized her name to Mary. “This was the early '90s when assimilation was incredibly rewarded,” she says during a phone interview. Around the age of 7, Garcia discovered the rising star on television.

“Red lips, brown skin, big hoops, [Selena] was magnetic no matter what side of the border she was on,” Garcia explains.

Selena debuted on the music scene in 1981 as the lead singer of the band Selena y Los Dinos, which included members of her family. Later, after breaking out as a solo artist, she achieved stardom with songs like "Como la Flor" and "Amor Prohibido."

In 1995, Selena's life came to an end when she was shot and killed by Yolanda Saldivar, her friend and former boutique-store manager.

Pop music fans who may be unfamiliar with Selena's Spanish-language work may remember her posthumously released 1995 hit song "Dreaming of You." Two years later, the film Selena was released starring Jennifer Lopez in the title role, catapulting Lopez into international stardom.

Only nine when Selena died and 11 when the biopic was released, both had a formative impact on the young Garcia. “This [podcast] is like my dream,” she said in a phone interview. “I’ve been thinking of her all of my life.”

And so, when creating Anything for Selena, Garcia says she needed to tell the story from her own perspective, a goal she feels she has accomplished.

“I wanted to situate it in today,” the host says. “I didn’t want to make a podcast that was just looking back. I wanted to make a podcast that was helping us make meaning of our culture today, of the moment today, of our lives today with the insight of the last quarter-century since her death.”

The podcast will likely find a very public audience, but for Garcia, it's a personal homage to the superstar who helped inspire a little girl growing up in El Paso. Even today, Garcia still listens to Selena's greatest hits whenever she feels she needs a little motivation.

“I love 'La Carcacha',” she says. “It always makes me want to party.”

How about if you’re in a pensive mood?

“'No Me Queda Más',” she replies without skipping a beat.

---

The firs two episodes of Anything for Selena are now available for download at WBUR, NPR, Apple podcasts, Spotify, and more.

podcasts celebrities
news/entertainment

Movie Review

Andrew Garfield leads peasant rebellion in medieval film The Uprising

Alex Bentley
Sep 10, 2026 | 12:15 pm
Andrew Garfield in The Uprising
Photo by Betina La Plante/Focus Features
Andrew Garfield in The Uprising.

Writer/director Paul Greengrass made his name with a cinéma vérité style of filmmaking that brought immediacy and depth to three Jason Bourne films, United 93, Captain Phillips, and more. In The Uprising, he uses those skills to tell the story of the so-called Peasants’ Revolt in 14th century England.

Greengrass wastes no time starting the main plot as Ploughman (Andrew Garfield) and his fellow villagers object to onerous taxes put on them by the country’s nobility, led by the young King Richard II (Woody Norman), to fund an ongoing war. Ploughman initiates a violent response over the tone-deaf — and unseemly — way the king’s guard go about their business, and the rebellion soon starts to spread across the countryside, with the citizens looking for a degree of autonomy.

The ever-expanding group makes their way toward London to try to make their case to the king himself. Meanwhile, the king’s top advisors, including Archbishop Sudbury (Stephen Dillane) and Treasurer Hales (Tom Hollander), try to usurp power from the inexperienced monarch even as the king’s mother (Katherine Waterston) tries to get him to be more assertive.

The history of the English monarchy is long and lurid, as Shakespeare detailed in multiple plays, including Richard II. Though the events in the film took place almost 650 years ago, it’s easy to see parallels between what the peasants were fighting for and modern-day politics. Greengrass’ storytelling intent is solid, and the righteous anger the citizens feel is initially relatable and palpable.

But the populism theme of the story soon gets bogged down in drudgery and minutiae that is difficult to understand, especially when the details are lost in the thick regional English accents. The leaders of the rebels — including John Ball (Jamie Bell), Wat Tyler (Cosmo Jarvis), and Alyce (Thomasin McKenzie) — are shown doing a lot of planning, but the strong feelings they have about their quest don’t come across well, leaving the audience as passive observers.

When there is action, Greengrass and his team employ a frenetic style that is not great for comprehension. While the gist of what is happening and what side is winning is legible, individual moments go by so quickly so as to be nearly meaningless. Save for Ploughman, any connection that has been made with various characters proves futile, as Greengrass doesn’t seem to have any time for emotion. Scenes that should feel thrilling or heartbreaking instead come off as empty.

Garfield is a two-time Oscar nominee who has done great work across multiple genres. He’s fine in this role, but whether it’s the story, the filmmaking, or something else, he’s not as captivating as usual. The same goes for other strong actors like Bell, McKenzie, Dillane, Hollander, and Waterston, who each seem to be giving their all to their performances but are somehow muted in the process.

Done right, The Uprising could have been a rip-roaring account of people standing up against their oppressors. What Greengrass has made, though, is a film that can’t translate its medieval story for a modern audience and concentrates too much on unexciting elements and too little on thrilling ones.

---

The Uprising is now playing in theaters.

movies film reviews
news/entertainment

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