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    Movie Review

    Cancer drama Our Friend falters with odd choice of focus

    Alex Bentley
    Jan 21, 2021 | 2:30 pm
    Cancer drama Our Friend falters with odd choice of focus
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    Movies about people with cancer, save for the notable example of the Seth Rogen/Joseph Gordon-Levitt comedy 50/50, are guaranteed weepies. Within the sub-genre, all sorts of tragic or inspiring stories can be told, but the one thing they’re all sure to elicit – if done right – is tears.

    That’s the first thing to keep in mind when watching the based-on-real-events film Our Friend. The surprising thing is that the titular friend is not the person with the dreaded disease, but rather Nicole Teague (Dakota Johnson), a theater actor and wife of journalist Matt Teague (Casey Affleck). When Nicole gets diagnosed with ovarian cancer, their longtime friend, Dane Faucheux (Jason Segel), comes to their home in Fairhope, Alabama to help out them and their two daughters.

    What was supposed to be a short, two-week stay winds being much longer, as Dane forgoes his admittedly lackluster life in New Orleans for the opportunity to do something purposeful. The film, directed by Gabriela Cowperthwaite and written by Brad Ingelsby, bounces back and forth in time, focusing not just on the years of Nicole’s cancer, but also the friends’ many interactions in the years before that.

    As the title indicates, a good portion of the film is spent on Dane and his life, an interesting choice given that the only reason he’s present is because a woman is dying. The film is based on an article Matt Teague wrote in 2015, so there’s a reason behind the structure of the film, but it’s tough to get emotionally-involved with Nicole’s cancer story when it often plays second-fiddle to Dane’s life.

    In fact, we barely get to know Nicole at all outside of the fact that she’s an actor and has cancer. Much more of an effort is put into how caring for her affects Matt and how moving to Alabama upended Dane’s life. There’s no doubt that there is nobility in what both men were doing, but giving Nicole more of the spotlight would have been the just and equitable thing to do.

    The three friends clearly had a special kind of friendship, since one friend was willing to give up most of his life to care for the other two. While the filmmakers do a good job of establishing chemistry between the three characters, the jumping back and forth in time dilutes the impact of that bond. Instead of seeing their relationships grow over time, the audience only witnesses small moments that don’t cumulatively add up to a fulfilling whole.

    The three actors work well together, with none of them falling into the cancer movie trap of being over the top. Affleck, an Oscar veteran after winning Best Actor in 2017 for Manchester By the Sea, has the biggest profile, but all three are on essentially equal footing throughout the film. Cherry Jones makes the biggest impact of the film in a compelling and strong third-act role.

    Our Friend is watchable and earns its tears in the end, but it could have been much more with a few tweaks here and there. Most importantly, give the person with cancer her due – she’s definitely earned it.

    ---

    Our Friend will open in theaters and on premium video on demand on January 22.

    Jason Segel and Dakota Johnson in Our Friend.

    Jason Segel and Dakota Johnson in Our Friend
    Photo by Claire Folger
    Jason Segel and Dakota Johnson in Our Friend.
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

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    Oh. What. Fun. is now streaming on Prime Video.

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