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Movie Review

Matt Damon and Ben Affleck team up for Netflix crime thriller The Rip

Alex Bentley
Jan 16, 2026 | 12:43 pm
Ben Affleck and Matt Damon in The Rip

Ben Affleck and Matt Damon in The Rip.

Photo by Claire Folger/Netflix

For as closely tied together as Matt Damon and Ben Affleck are, it might come as a surprise how few times they’ve led a movie together. They’ve appeared alongside each other in Good Will Hunting, The Last Duel, and Air, but the only time they were on equal footing in a story was Kevin Smith’s Dogma. So the fact that they are the two true stars of the new Netflix movie The Rip makes it a rare opportunity for the longtime friends to square off against each other.

Damon and Affleck play Lt. Dane Dumars and Detective Sgt. J.D Byrne, respectively, the two highest ranking members of a Miami police department squad that specializes in drug and drug money raids. A tragedy to begin the film already has the team - which includes Detectives Mike Ro (Steven Yeun), Numa Baptiste (Teyana Taylor), and Lolo Salazar (Catalina Sandina Moreno) - on edge, with the FBI and DEA breathing down their neck.

Going off a tip, Dumars gathers the team to raid a house in nearby Hialeah that is supposed to have a stash of a relatively small amount of money. But when they get to the house occupied only by Desiree Molina (Sasha Calle), they soon discover that there’s close to $20 million there instead. The team, required by law to count the money on site, must not only fight the urge to skim a little off the top for themselves, but also worry about the Cartel and other agencies that might want a slice of the pie.

Written and directed by Joe Carnahan, the film is a surprisingly effective crime thriller made even better by its high-quality cast, which also includes Kyle Chandler as a DEA agent. The story is designed for the audience to not know who’s trustworthy until the last possible second, and the various twists and turns it takes are well done, with barely a hint of narrative cheating.

Taking place entirely at night, the mood is set right from the start, with the only surprise being that Carnahan didn’t add in rain for extra effect. He keeps things tense with a number of subtle elements, including having the house located in a seemingly deserted cul-de-sac. This allows for the characters to remain on high alert at all times, with anything out of the ordinary - an unexpected noise, a flashing light, etc. - adding to the stress of the situation.

The only element that could have used a bit more of a punch-up is the characterization. The story is set up to cast suspicion on almost everybody, making it tougher to understand exactly what type of person each of them is. As the two leads, more time is spent with Dumars and Byrne, leaving everyone else with slightly underwhelming arcs. It’s to the credit of the actors that everyone else below Damon and Affleck is still compelling.

Damon and Affleck play their sometimes friendly, sometimes adversarial roles well, showing an ease together that’s a result of their friendship and the acting skills they’ve honed over 30+ years. Taylor, an Oscar hopeful for One Battle After Another, and Oscar nominee/Emmy winner Yeun have a pedigree that elevates their supporting roles. Chandler, Moreno, and Calle each get just enough to demonstrate why they were cast in their respective roles.

Damon and Affleck have had their individual ups and downs throughout their careers, but when they choose to work together, the results are usually good-to-great, as they are in The Rip. It’s a different take on a crime thriller that features a story that will keep viewers guessing until the very end.

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The Rip is now streaming on Netflix.

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Texas Touchdown

This new interactive exhibit captures a century of Texas football history

Kimberly Reeves
Aug 12, 2026 | 3:46 pm
DeMarco Murray of the Dallas Cowboys
Photo courtesy of Dallas Cowboys
Football season is just weeks away, and a new online exhibit from the Texas Archive of the Moving Image explores more than a century of the sport's history in Texas.

Football season is just weeks away, and before Friday night lights return and college stadiums roar back to life, Texans can get an early kickoff with Game Film: Texas Football Culture in Motion, a new interactive online exhibit. The project from the Texas Archive of the Moving Image celebrates more than a century of the state's high school, college, and professional football history.

The free digital exhibit uses archival game film, home movies, television broadcasts, and local news coverage to explore how football is woven into the fabric of Texas life. Rather than presenting a collection of videos, the archive has curated an interactive experience that lets visitors discover the people, traditions, innovations, and defining moments behind the state's football culture.

Game Film encourages exploration through interactive features. Visitors can follow a timeline of football milestones spanning high school, college, and professional football, click through an interactive state map highlighting archival footage available from schools and programs across the state, or browse themed collections devoted to Friday night culture and fan traditions.

This project, unveiled July 31, was curated by Katharine Austin, a longtime curator at the Texas Archive, as part of the Texas Film Commission's Texas Moving Image Archive Program.

The interactive timeline traces the sport from its earliest days through the modern era, spotlighting milestones including:

  • 1894: the beginning of the Texas-Texas A&M rivalry
  • 1900: the first Red River Rivalry
  • 1914: the formation of the Southwest Conference
  • 1921: the UIL's first state football championship
  • 1938: TCU quarterback Davey O'Brien becoming the first player from a Texas college to win the Heisman Trophy
  • 1959: the founding of the Houston Oilers
  • 1960: the Dallas Cowboys joining the NFL
  • 1987: SMU's NCAA "death penalty"
  • 1996: Drew Brees leading Westlake High School to its first state football championship
  • 1999: Houston being awarded the NFL expansion franchise that became the Texans

Many later entries include original television reports and archival footage from the events themselves.

An interactive state map offers another way to explore the collection, highlighting schools, colleges, and professional teams represented in the archive.

One click reveals a silent film of Austin High School's 20-7 victory over Sunset High in the 1942 UIL state championship, while another captures Timpson High School's homecoming celebration in East Texas, complete with parade floats, marching bands, and community festivities. Other sections spotlight Friday night traditions, Darrell Royal's wishbone offense, Bill Yeoman's Veer defense, behind-the-scenes stories from the Houston Oilers, and the invention of the quarterback flak jacket.

Game Film is the latest in a series of interactive exhibits from the Texas Archive of the Moving Image, joining projects including Women on the Move, Journey to the Moon Through Texas, Meet Me in San Antonio, La Frontera Fluid, and Breaking News: Rescuing the First Draft of History.

The archive's broader collection and the nonprofit both accept public donations of historic films, videotapes, photographs, and other moving-image materials, helping preserve Texas stories for future generations.

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