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Weekend Event Planner

These are the 10 best things to do in Dallas this weekend

Alex Bentley
Jan 27, 2021 | 5:21 pm

While many events in and around Dallas have either been postponed or canceled during the coronavirus pandemic, organizations have pivoted to virtual or socially distanced events to continue offering the masses some entertainment while we need it the most.

Below are the best ways to spend your free time this weekend. While not every event is out of the house, they all promise to provide a nice distraction from the everyday life.

Thursday, January 28

Denton Black Film Festival
The annual Denton Black Film Festival is going all-virtual for 2021. The festival will feature over 140 films and other programs over the course of five days. Viewers can choose from a variety of options, from a three-block package, which gives viewers a choice of three film blocks, to the Gold VIP Virtual Experience Pass, giving viewers access to everything at the festival. The festival goes on through Monday.

Cry Havoc Theater Company presents Once Upon A Moon
Once Upon a Moon examines some of the darker and lesser-known fairy tales by the Grimm brothers and others. Directed by Artistic Director Mara Richards Bim and devised by Bim, the production features an all-female teen cast and was filmed live at the Pavilion at Dallas Heritage Village. The production, created for audiences ages 7 and up, will be available to stream at any time through February 28.

Second Thought Theatre presents Second Thought Emerging Playwrights
Second Thought Theatre's inaugural new playwriting series, which lets audiences experience a behind-the-scenes look in creating a play from the ground up, continues with audiences attending a live full working rehearsal. Guests will experience a virtual rehearsal in real time and learn more about the collaboration process of creating new plays through the eyes of the director, cast and playwright.

Cirque Italia presents Paranormal Cirque
Following its debut in Mesquite, Paranormal Cirque moves to Stonebriar Centre in Frisco. Under the black and red big top tent of Paranormal Cirque exists a crazy yet fun fusion between circus, theater, and cabaret in perfect harmony with the evolution of a show that brings audiences back to when they dream ... and when they had nightmares and fantasies. The show, continuing through February 15, is only for teenagers and above; no kids under 13 will be admitted.

Texas Theatre presents Sundance Film Festival Satellite Screenings
The Sundance Film Festival will come to Texas courtesy of satellite screenings at Texas Theatre. The theater will present 13 screenings over six days through Tuesday, including the anticipated Judas and the Black Messiah starring Daniel Kaluuya and LaKeith Stanfield. All but the opening night and closing night screenings will be indoors and socially distanced; the other two will be drive-in screenings outside the theater.

Friday, January 29

Eisemann Center for the Performing Arts presents Jaston Williams: I Saw the Lights
Jaston Williams of Greater Tuna fame is back with I Saw the Lights, a new darkly funny solo performance. When mysterious lights appeared over Lubbock, Texas in 1951, people wondered aloud whether they were part of some government plot, an invasion by the Russians or just seeing space aliens out to abduct Francine Whitharrel’s Persian cat. The virtual performance will stream for one night only.

Uptown Players presents Application Pending
In Application Pending, B.J. Cleveland stars as Chris Evans, a kindergarten assistant at Edgely Prep. On the day applications are due, Edgely’s Head of Admissions is ousted in a scandal, and Chris is unexpectedly thrust into the job. With phones ringing off the hook, Chris must balance beleaguered applicants, venal administrators, and an army of parents who will stop at nothing to get their kids into this exclusive school. Cleveland plays all 44 characters in the production, which will be available to stream at any time through February 7.

Improv Arlington presents Shawn Wayans
The Wayans family is filled with talented members, so there is no surprise that the second youngest brother, Shawn, continues to have success. He has starred in such films as I'm Gonna Get You Sucka and Don't Be a Menace to South Central While Drinking Your Juice in The Hood, as well as in the cast of In Living Color. He'll perform five times through Saturday at Improv Arlington.

Saturday, January 30

Crow Museum of Asian Art exhibition openings
The Crow Museum of Asian Art will open three new exhibitions: Kana Harada: "Divine Spark" features new works created by Dallas-based artist Kana Harada during this time of a global pandemic, embodying the artist’s wishes for a peaceful and bright future for all; "Born of Fire: Contemporary Japanese Women Ceramic Artists" draws from the collection of Carol and Jeffrey Horvitz, who have amassed an important encyclopedic collection of major Japanese modern and contemporary ceramics; and "Vishnu: Across Time and Space" features a selection of works of art from the museum’s collection that invite visitors to contemplate the multiple facets of this deity. "Divine Spark" will be on view through September 5, while the other two exhibitions are on view indefinitely.

The Allman Betts Band in concert
The Allman Betts Band, featuring Devon Allman & Duane Betts on guitars and vocals, puts on a show that includes original music from their two albums, songs from their solo projects, and classic songs by The Allman Brothers Band, the legendary group founded by Devon and Duane’s fathers, Gregg Allman & Dickey Betts. They'll play three times at The Kessler through Sunday in support of their second album, Bless Your Heart. There is limited capacity for each show due to social distancing requirements.

Uptown Players presents Application Pending, which will be available to stream at any time, January 29-February 7.

B.J. Cleveland in Application Pending
Photo courtesy of Uptown Players
Uptown Players presents Application Pending, which will be available to stream at any time, January 29-February 7.
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Movie Review

Teenage Sex and Death at Camp Miasma gives horror a surreal twist

Alex Bentley
Aug 14, 2026 | 1:30 pm
Hannah Einbinder and Gillian Anderson in Teenage Sex and Death at Camp Miasma
Photo courtesy of MUBI
Hannah Einbinder and Gillian Anderson in Teenage Sex and Death at Camp Miasma.

The horror genre really ramped up in the 1970s and ‘80s, bringing with it a new subgenre - the slasher - that gave audiences new visuals of gore, but also a reliance on sexism and homophobia that would come to define the era. The new film Teenage Sex and Death at Camp Miasma wrestles with that legacy in ways that are funny, thought-provoking, and downright strange.

Kris (Hannah Einbinder) is a queer filmmaker who has been hired to reboot the moldy IP that is the Camp Miasma franchise, one that was fresh in the 1970s but which numerous shlocky sequels have rendered irrelevant. In an attempt to get to know the property better, Kris has scored a meeting with the reclusive Billy (Gillian Anderson), the star of the original film who has shunned the public eye for decades.

Turns out that Billy lives deep in the woods at Camp Rivoli, which served as the location for the first film. As Kris tries to get to know Billy and convince her to be a part of the new film, she starts to fall under Billy’s spell and the lore of the franchise as a whole. That includes believing that the movie’s villain, Little Death - a transgender person who has an air conditioning vent as a head/mask - may not just be a character created for the movies.

Written and directed by Jane Schoenbrun (I Saw the TV Glow), the film at first feels like it’s going to go the straight-up comedy route, with comic explosions of blood, a strange fascination with candy brands, and a production design that does nothing to hide that the two main actors are on a movie set with painted backdrops. This is backed up by Kris’ phone conversations with her girlfriend, Mari (Jasmine Savoy Brown) and her agent (Sarah Sherman), as well as numerous other details.

But the film starts to go down the surreal route the longer Kris stays at the camp with Billy, especially when they sit down to watch the original Camp Miasma. An extended sequence shows a good amount of that film-within-the-film, demonstrating why Kris and Billy have a love/hate relationship with the property. For Kris, though, the lines between the film and the real world start to blur, and Schoenbrun uses a variety of out-there elements to drive the point home.

The final act of the film can barely be described as Kris goes deeper down the rabbit hole, with Schoenbrun using her film to comment on the horror genre as a whole, its treatment of women and LGBT people, the movie industry, and more. All the while the “camp” of Camp Miasma maintains a presence, with candy wrappers showing up everywhere and the tongue-in-cheek references to Little Death (the French term La petite mort, which means “the little death,” is a euphemism for orgasm).

Einbinder, an Emmy winner for Hacks, is the perfect person to inhabit her role. Her established real-life and fictional personas color everything she does in the film, with her enthusiasm and curiosity shining through. Anderson leans heavily into another reference - Norma Desmond from Sunset Boulevard - to create a character that is as mysterious as she is alluring. Supporting actors like Brown, Sherman, Patrick Fischler, Dylan Baker, and Eva Victor keep the movie at the right pitch all the way through.

While other films have made fun of horror movie tropes before, Teenage Sex and Death at Camp Miasma finds a wholly unique way of doing so. It’s a funny and daring trip into the psyches of two women who may be victims of their own obsessions, and of the movies that made them that way.

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Teenage Sex and Death at Camp Miasma is now playing in select theaters

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