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Lights! Camera! Dallas!

Dallas steps into the spotlight as a top city for moviemaking

Katie Friel
Jan 29, 2021 | 9:16 am
filming camera location filmmakers movie
Lots of movie-making going on in Texas.
Photo by Ruben Garcia

Dallas is reeling in a new creative accolade. On January 26, MovieMaker magazine released its annual list of the best places to live and work as a moviemaker, and Dallas stepped into the spotlight as No. 12 on the "big cities" list.

Like so many Americans impacted by the pandemic, filmmakers are looking outside of the traditional film hubs — Los Angeles and New York — to find other cities conducive to the craft. In ranking the best cities, MovieMaker concedes that the COVID-19 crisis is changing the industry (and its annual list).

"Best Places Hall of Famers Los Angeles and New York City will always be our greatest movie cities, and the strong lockdowns they’ve instituted over the last year will make them stronger in the long run," the magazine says. "But in the short term, they’re losing people to other great film cities, as many who have spent months inside insist on more space, lower housing costs, and more great outdoors."

Like all Texas cities, Dallas reaps the rewards of Texas' tax incentives, but its cost of living is lower than the national average, giving filmmakers the chance to not only survive financially, but thrive.

North Texas also boasts a bevy of film festivals, including The Dallas International Film Festival, Oak Cliff Film Festival, Dallas VideoFest, EarthxFilm, and Asian Film Festival of Dallas, that provide up-and-coming artists a platform to showcase their work and help cultivate the film community. This weekend, in fact, neighboring Denton is hosting a virtual Black Film Festival, and the Sundance Film Festival is being shown at Texas Theatre.

“It’s common for burgeoning filmmakers to work on each other’s films, which has created a true sense of community. Additionally, many filmmakers will work as crew and even talent on television projects of all types and sizes, as well as commercials, corporate films, music videos, etc., in between their own projects in order to gain valuable experience and make a living,” says Janis Burklund, director of the Dallas Film Commission.

Dallas keeps good company in the list, between No. 13-Cincinnati and No. 11-Toronto.

Not surprisingly, Austin came in higher, earning the No. 3 spot.

MovieMaker notes that many LA- and New York-based filmmakers have decamped to Austin in recent months, a city anchored by Austin Studios and Robert Rodriguez's Troublemaker Studios, among others.

Along with statewide tax incentives available in all Texas cities, the magazine notes Austin's proximity to a range of filming locations, including "urban scenes to small towns, ranchland, lakes and just about anything else you can imagine," as well as the creative community's collaborative spirit.

“There is plenty of community spirit to be found among filmmakers in the bigger cities — but then, all your filmmaker pals in New York and LA are devoting their full energies to trying to survive their own daily trials there,” says Austin-based moviemaker Andrew Bujalski, whose films include Support the Girls and Results. “Austin is the only place I’ve known where, when a project gets going, everyone seems to drop what they’re doing to come help.”

Joining Austin and Dallas on the list is San Antonio, at No. 22.

Highlighting the city's variety of filming locations, which range from the historic to the modern, MovieMaker also calls out the city's variety of creative resources, including The Parish, the Brownstone Studios and Alamo City Studios, and the San Antonio Film Commission. It's also worth noting that permits are free for filming if the location is owned by the city.

“The fact that San Antonio earned this recognition from MovieMaker — even with new safety requirements to prevent the spread of COVID-19 — is encouraging news that demonstrates the progress made possible by our City Department of Arts and Culture’s efforts,” said Mayor Ron Nirenberg in a press release. “Our work to welcome and encourage filmmakers will continue to provide opportunities for us to become an increasingly desirable location for the film industry.”

Surprisingly, despite a three-month shutdown, crews actually filmed 348 days in San Antonio last year, up from 342 days in 2019.

Joining third-place Austin among the top big cities are Albuquerque (No. 1) and Atlanta (No. 2). Among small cities, New Orleans (No. 1), Santa Fe (No. 2), and Pittsburgh (No. 3) took the top spots.

movies lists
news/entertainment

Movie Review

New biopic 'Jimmy' salutes Jimmy Stewart's service in World War II

Alex Bentley
Nov 6, 2026 | 11:41 am
KJ Apa in Jimmy
Photo courtesy of Papaian Studios
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Actor Jimmy Stewart, thanks to movies such as Mr. Smith Goes to Washington, The Shop Around the Corner, and The Philadelphia Story, had the reputation early in his career as the everyman in Hollywood, someone to whom most audiences could relate. That became even more true when Stewart entered the military during World War II, a period that is explored in the new biopic, Jimmy.

The film was co-produced with Fort Worth-based Papaian Studios and received a red-carpet premiere as part of the Lone Star Film Festival on Wednesday, November 4. Stewart had several ties to Fort Worth, which were celebrated at the event.

Stewart (KJ Apa) was riding high in 1941, coming off his first (and only) Oscar win for The Philadelphia Story. As depicted in the film, his life is upended when he receives a military draft notice as the U.S. prepares for war. He’s determined to serve, but people like studio head Louis B. Mayer (Jason Alexander) try to talk him out of it. Already an experienced pilot, he eventually joins the war in Europe, flying the B-24 bomber.

Despite his celebrity status, Stewart requests to be treated the same as any other soldier, which means flying multiple missions over enemy territory. He moves up the ranks, becoming a leader tasked with, among other things, reporting the deaths of service members to their families. He also starts a friendship that develops into a romance with Lady Julia (Kara Killmer), giving him a distraction from the horrors of war.

Directed by Aaron Burns and written by Justin Strawhand, the film has the clear goal of being a hagiography for Stewart, showing all of his good qualities and few of his bad ones. In fact, the character of Stewart is harder on himself than the actual movie is, chastising himself over the deaths of fellow soldiers that he likely could not have prevented. The filmmakers go to great lengths to show how good and well-respected Stewart was, something that may well be true, but doesn’t make for great drama.

The bulk of the film features Stewart at war, following him and others as they fly multiple missions and commiserate over the price of combat. The sequences are fine, but the film’s budget does not appear to be high, and so the CGI needed to recreate the scenes is noticeably subpar. Because Burns and Strawhand usually keep to surface-level storytelling and don’t go deep on any character besides Stewart, his time at war is engaging but slight.

The film is bookended by Stewart and Frank Capra (Max Casella) making It’s a Wonderful Life, Stewart’s first film after coming back from war. It’s here where the movie becomes most interesting as Stewart, still affected by his war experience, struggles to bring the character of George Bailey to life. The behind-the-scenes look at the film-within-the-film and the recreations of its iconic scenes are catnip for anyone who knows/loves the Christmas classic.

Apa, best known for starring as Archie on the TV show Riverdale, does extremely well as Stewart. He nails Stewart’s quavering voice and the way he ambles about plays right into the actor’s established persona. Casella and Killmer get the most play in supporting roles, and each does solid work as characters trying to understand Stewart. Alexander, Sarah Drew as Hedda Hopper, and Rob Riggle as a colonel each go a little too big in their respective parts.

Jimmy is probably best watched as an approximation of the man Stewart was in the 1940s, not as something that’s completely true to life. The film elides or stretches the truth on multiple occasions, which is par for the course in biopics. It could have used some stronger storytelling to make Stewart feel like a real person, not merely a replica of the famous actor.

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Jimmy is now playing in theaters.

movies film
news/entertainment

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