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Lights! Camera! Dallas!

Dallas steps into the spotlight as a top city for moviemaking

Katie Friel
Jan 29, 2021 | 9:16 am
filming camera location filmmakers movie
Lots of movie-making going on in Texas.
Photo by Ruben Garcia

Dallas is reeling in a new creative accolade. On January 26, MovieMaker magazine released its annual list of the best places to live and work as a moviemaker, and Dallas stepped into the spotlight as No. 12 on the "big cities" list.

Like so many Americans impacted by the pandemic, filmmakers are looking outside of the traditional film hubs — Los Angeles and New York — to find other cities conducive to the craft. In ranking the best cities, MovieMaker concedes that the COVID-19 crisis is changing the industry (and its annual list).

"Best Places Hall of Famers Los Angeles and New York City will always be our greatest movie cities, and the strong lockdowns they’ve instituted over the last year will make them stronger in the long run," the magazine says. "But in the short term, they’re losing people to other great film cities, as many who have spent months inside insist on more space, lower housing costs, and more great outdoors."

Like all Texas cities, Dallas reaps the rewards of Texas' tax incentives, but its cost of living is lower than the national average, giving filmmakers the chance to not only survive financially, but thrive.

North Texas also boasts a bevy of film festivals, including The Dallas International Film Festival, Oak Cliff Film Festival, Dallas VideoFest, EarthxFilm, and Asian Film Festival of Dallas, that provide up-and-coming artists a platform to showcase their work and help cultivate the film community. This weekend, in fact, neighboring Denton is hosting a virtual Black Film Festival, and the Sundance Film Festival is being shown at Texas Theatre.

“It’s common for burgeoning filmmakers to work on each other’s films, which has created a true sense of community. Additionally, many filmmakers will work as crew and even talent on television projects of all types and sizes, as well as commercials, corporate films, music videos, etc., in between their own projects in order to gain valuable experience and make a living,” says Janis Burklund, director of the Dallas Film Commission.

Dallas keeps good company in the list, between No. 13-Cincinnati and No. 11-Toronto.

Not surprisingly, Austin came in higher, earning the No. 3 spot.

MovieMaker notes that many LA- and New York-based filmmakers have decamped to Austin in recent months, a city anchored by Austin Studios and Robert Rodriguez's Troublemaker Studios, among others.

Along with statewide tax incentives available in all Texas cities, the magazine notes Austin's proximity to a range of filming locations, including "urban scenes to small towns, ranchland, lakes and just about anything else you can imagine," as well as the creative community's collaborative spirit.

“There is plenty of community spirit to be found among filmmakers in the bigger cities — but then, all your filmmaker pals in New York and LA are devoting their full energies to trying to survive their own daily trials there,” says Austin-based moviemaker Andrew Bujalski, whose films include Support the Girls and Results. “Austin is the only place I’ve known where, when a project gets going, everyone seems to drop what they’re doing to come help.”

Joining Austin and Dallas on the list is San Antonio, at No. 22.

Highlighting the city's variety of filming locations, which range from the historic to the modern, MovieMaker also calls out the city's variety of creative resources, including The Parish, the Brownstone Studios and Alamo City Studios, and the San Antonio Film Commission. It's also worth noting that permits are free for filming if the location is owned by the city.

“The fact that San Antonio earned this recognition from MovieMaker — even with new safety requirements to prevent the spread of COVID-19 — is encouraging news that demonstrates the progress made possible by our City Department of Arts and Culture’s efforts,” said Mayor Ron Nirenberg in a press release. “Our work to welcome and encourage filmmakers will continue to provide opportunities for us to become an increasingly desirable location for the film industry.”

Surprisingly, despite a three-month shutdown, crews actually filmed 348 days in San Antonio last year, up from 342 days in 2019.

Joining third-place Austin among the top big cities are Albuquerque (No. 1) and Atlanta (No. 2). Among small cities, New Orleans (No. 1), Santa Fe (No. 2), and Pittsburgh (No. 3) took the top spots.

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news/entertainment

RIP, Frank

Frank Beard, drummer of legendary Texas rock band ZZ Top, dies at 77

Associated Press
Aug 18, 2026 | 5:15 pm
Dickies 500
Photo by Jonathan Ferrey/Getty Images
He kept the tempo for the band’s biggest hits like 'Sharp Dressed Man,' 'Legs,' and 'Gimme All Your Lovin.'

NEW YORK (AP) — Frank Beard, the drummer for the Texas boogie-rock trio ZZ Top who kept the tempo for the band’s biggest hits like “Sharp Dressed Man,” “Legs,” and “Gimme All Your Lovin,’” has died. He was 77.

Beard was in hospice care when he died Tuesday, August 18 at his ranch in Richmond, Texas, near Houston, with family members at his side, according to publicist Bob Merlis. Band co-founder and guitarist Billy Gibbons, on tour with bassist Elwood Francis, hailed Beard in a statement.

“Today, Elwood and I lost a great friend and collaborator, and the world lost one of the most naturally innovative drummers and a great and true son of Texas. His signature backbeat was key to keeping ZZ on top. The band of which he was part for six decades is going to keep on keeping on as he had wished,” Gibbons said.

ZZ Top sold more than 50 million records and had six singles that reached No. 1 on Billboard’s Mainstream Rock Airplay chart. Seven of their albums have been in the Billboard 200’s Top 10 and they earned three Grammy Award nominations.

“I’ve found the people I was meant to play with,” Beard says in the 2019 documentary ZZ Top: That Little Ol’ Band from Texas. “I never wanted to quit, and never wanted to get fired.”

Band's early days
Beard, from the East Texas town of Frankston, met Gibbons in a band called The Moving Sidewalks and later introduced bassist and vocalist Dusty Hill, a Dallas native, who had been in several bands with Beard.

The trio formed ZZ Top in 1969, naming themselves in part after blues singer Z.Z. Hill and influenced by the British power trio Cream and Jimmy Reed. They maintained their original lineup for more than five decades. Their signature look — long, bushy beards on Gibbons and Hill, and dark sunglasses for all — didn’t change much, either.

When Rolling Stones guitarist Keith Richards helped induct the trio into the Rock & Roll Hall of Fame in 2004, he joked: “These cats know their blues and they know how to dress it up. When I first saw them, I thought, ‘I hope these guys are not on the run, because that disguise is not going to work.’”

ZZ Top songs — with their sly and humorous lyrics — were popular in Hollywood, which used “Gimme All Your Lovin’” in “Happy Feet,” “Sharp Dressed Man” in “Evan Almighty,” “Legs” in “Air,” “Sleeping Bag” in “I, Tonya,” “Tush” in “Dazed and Confused,” “Mexican Blackbird” in “From Dusk Till Dawn” and “La Grange” in “Armageddon.”

“The best way to describe ZZ Top is we’re interpreters of a great American art form,” Gibbons told The Dallas Morning News.

Their debut release, “ZZ Top’s First Album,” came out in 1970. Their sound was described as a hybrid mixing elements of rock, blues and funk into a steaming-hot Houston stew. They called themselves a “Little Ol’ Band From Texas.”

Breaking through
Three years later, they broke through commercially with “La Grange,” a funky blues song on the album “Tres Hombres” that paid tribute to the Chicken Ranch, a brothel outside of the Texas town of La Grange that operated from 1905 until 1973 and was immortalized in the Broadway show and the film, “The Best Little Whorehouse in Texas.” Gibbons has ascribed the power of “La Grange" to its simplicity — just two chords and a Robert Johnson-inspired guitar solo.

The band went on to have such hits as “Tush” and “Cheap Sunglasses.” But their 1983 “Eliminator” — named after one of Gibbons’ custom cars — added more production elements, synthesizers and drum machines to their stripped-down sound and yielded the hits “Gimme All Your Lovin’,” “Legs” and “Sharp-Dressed Man.” The band toured with a Texas-shaped stage, live rattlesnakes and a longhorn steer.

Long beards weren’t always part of the band’s look. Gibbons said it happened by accident: In 1976, the trio took a long break and scattered. Beard went to Jamaica, Hill went to Mexico and Gibbons went to France.

“Although we were speaking by phone, this was pre-video phone. And Dusty and I did not know that we had gotten so lazy that we had decided to forget to shave,” Gibbons told The Tribune in San Luis Obispo in 2010. “So after three years we returned and showed up, and lo and behold here was this sort of wacky-looking image. And it just kind of stuck with us.”

A boost from MTV
The band’s rock-chic cool played well on the nascent MTV crowd and their videos, featuring models in short skirts emerging from one of Gibbons’ custom roadsters, became a mainstay.

They kept the beards, hats and cheap sunglasses in the video trilogy of “Gimme All Your Lovin’,” “Sharp Dressed Man,” and “Legs,” made with director Tim Newman.

“ZZ Top reveled in the humor and ridiculousness of it all, busting their synchronized dance moves and spinning their white-fur guitars. These guys always got the joke, at a time when other bands were still just nervously lip-syncing in front of brick walls,” Rolling Stone said in 2021.

In 2012, superstar producer Rick Rubin helped update the trio’s sound with the band’s comeback album, “La Futura.” The album landed at No. 6 on the Billboard chart, their highest position since 1990's “Recycler,” some 22 years previously.

Hill died in 2021.

In March 2025, the band announced via Instagram that Beard would temporarily step away from the band’s tour to tend to foot and ankle problems. Beard died weeks after ZZ Top called off its August 5 concert at the Hollywood Bowl due to his health issues.

Beard is survived by his wife, Debbie Meredith, and three children.

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news/entertainment

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