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    Movie Review

    Mind-numbing Bliss can't make sense of its confusing story

    Alex Bentley
    Feb 5, 2021 | 11:56 am
    Owen Wilson and Salma Hayek in Blissplay icon
    Owen Wilson and Salma Hayek in Bliss.
    Photo courtesy of Amazon Studios

    Movies with mind-bending stories can usually go one of two directions: Either everything accompanying the story is so compelling that it doesn’t matter if the entire plot makes sense, or the story is so confusing that it overwhelms everything else in the film. It comes down to the talents of the people behind the camera in making a coherent whole out of incomprehensible parts.

    The new film Bliss falls squarely in the second category of mind-bending movies, as not one second of it makes a lick of sense. The story centers on Greg (Owen Wilson), who (maybe) works for a soulless company called Technical Difficulties. Following a random and (maybe) tragic incident, Greg encounters Isabel (Salma Hayek) in a nearby bar, who tells him that the two of them are the only real people in a world that’s actually a computer simulation.

    She proves this to him by showing how they can control things with just their minds, although to enhance this ability, they have to take mysterious yellow pills. As Greg falls deeper into Isabel’s world, he falls further away from what had been his reality, including his relationship with his daughter, Emily (Nesta Cooper), who seems to be constantly on the hunt for him.

    Writer/director Mike Cahill goes down a number of different roads along the way and seems to have one very specific allusion in mind to tie everything together, but he never finds the right way to make the story work. He keeps upping the ante in terms of weirdness, but the story is never strong enough to care about the things Greg encounters, and the visuals aren’t fascinating enough to distract from the fact that the story is going nowhere.

    There is allegedly a romantic angle to Greg and Isabel’s evolving relationship, but Cahill puts next to no effort in establishing any chemistry between the two characters. Even if a viewer were to somehow become invested in the two being a couple, the weird, haphazard nature of the story – Bill Nye the Science Guy makes an appearance in an actual acting role for some reason – prevents their love from becoming anything more than theoretical.

    While Wilson and Hayek have each done good, award-worthy work in other films, their pairing here does not work at all. Neither of them can sell the script they’re required to perform, with most scenes coming off as them just saying words with no conviction.

    Bliss is one of those films that wants to appear as if it has big ideas, but it actually has nothing to say. Instead of being a mind-bending movie with purpose, it’s a mind-numbing puzzle that’s missing half its pieces.

    ---

    Bliss is available exclusively on Amazon Prime Video.

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    Soccer Fever

    Dallas radio station The Ticket to expand soccer show during World Cup

    Alex Bentley
    May 12, 2026 | 3:42 pm
    The KickAround hosts Andy Swift and Peter Welpton
    Photo courtesy of Cumulus Media
    The KickAround hosts Andy Swift and Peter Welpton will be working overtime during the 2026 World Cup.

    The long-running radio soccer program The KickAround, which currently airs on Cumulus Media’s Sportsradio 96.7 and 1310 The Ticket every Saturday, will expand to a nightly broadcast during the upcoming 2026 FIFA World Cup.

    According to a release, every night during the quadrennial competition - which runs from June 11 to July 19 - hosts Andy Swift and Peter Welpton will provide recaps of the day’s matches, previews of upcoming fixtures, and real-time analysis of the biggest stories shaping the tournament.

    Coverage will include an enhanced focus on the U.S. Men’s National Team, with select match days featuring live, on-location broadcasts and fan events tied to U.S. games, they say.

    They'll be joined by longtime contributor and European soccer journalist Lars Sivertsen in studio to give the show an international perspective.

    In all, the program will produce 36 shows and 44 hours of original programming throughout the tournament.

    The KickAround started as a daily program during the 2014 World Cup in Brazil. Its success led to it becoming a weekly program later that year, and the show has since returned in expanded daily form for the World Cup every four years.

    With the United States serving as the main host of the 2026 World Cup, and with nine matches being played at AT&T Stadium in Arlington, the program expansion makes more sense than ever.

    "Interest this year is at an all-time high with key tournament games being played in Dallas-Fort Worth," said Jeff Catlin, Program Director, Sportsradio 96.7 and 1310 The Ticket, in a statement. "The KickAround will be a destination for Ticket listeners and both soccer fans and casuals.”

    The KickAround will air weeknights at 7 pm in addition to its regular 2-4 pm Saturday slot and select Sunday broadcasts. Special programming is also planned for the tournament final, including both a pregame preview show and post-match recap.

    For a complete programming schedule and to stream The Ticket, fans can go to theticket.com.

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