Roger Daltrey and Pete Townshend, aka The Who, will return to Dallas on May 5.
Photo by William Synder Trinifold
The legendary rock band The Who will make their long-awaited return to Dallas as part of their 2022 tour, "The Who Hits Back!," playing at American Airlines Center on May 5.
The two-leg North American tour will start in Hollywood, Florida on April 22, hitting 15 cities over the course of a month, including Austin on May 3 and Houston on May 8. After dates in their native United Kingdom in June and July, they'll return to this side of the Atlantic for 14 more concerts in October and November.
It's been seven long years since The Who played in Texas, as their last Dallas concert was May 2, 2015. The band was scheduled to play in Dallas as part of their 2019-2020 "Moving On!" tour, but the first date on September 27, 2019 was postponed due to illness, and the makeup date on April 27, 2020 was canceled due to the COVID-19 pandemic.
Singer Roger Daltrey and guitarist/songwriter Pete Townshend, along with their backing band, will play many of their classic songs on the tour, as well as songs from their most recent album, 2019's WHO. The band has released 12 albums over their almost 60-year career, with WHO being their first new album in 13 years.
Tickets for all concerts will go on sale to the public beginning 10 am Friday, February 11 at LiveNation.com. American Express Card Members can purchase tickets in select markets before the general public beginning 10 am Monday, February 7 through 10 pm Thursday, February 10. The Who’s fan club presale starts 10 am Wednesday, February 9 and runs through 10 pm Thursday, February 10.
Writer/director John Carney is one of the great purveyors of movies featuring music (as opposed to musicals) in the 21st century. Starting with Once in 2007 (which was turned into a Broadway musical several years later), he has made music-themed stories like Begin Again, Sing Street, Flora and Son, and now Power Ballad.
Rick Power (Paul Rudd) is a former wannabe rock star who is now the lead singer of “Ireland’s #1 Wedding Band,” The Bride & Grooves. While they mostly play smaller weddings, a gig at a country estate leads to an encounter with Danny Wilson (Nick Jonas), a former boy band member struggling to make it as a solo artist. Rick and Danny wind up bonding in a booze- and pot-filled jam session, sharing various song ideas.
After returning to Los Angeles and desperate for a hit, Danny steals one of Rick’s songs, which miraculously turns into the No. 1 “How to Write a Song (Without You).” Rick, initially overjoyed that something he wrote has become big, is crushed when he finds out Danny didn’t give him credit. His quest to find a way to prove his worth sends him into a spiral, upending the ordinary life he had built.
Co-written by Peter McDonald, the film is a nice exploration of two men trying to hold on to their music dreams. Their individual circumstances could not be more different, but each of them knows the ups and downs of the business as well as the other, as well as the ineffable magic of creating that one great song. While the music scenes are hit-and-miss because of a reliance on lip synching, the scene featuring Rick and Danny trading ideas is electric with creativity.
Oddly, though, the film could have used a bit less music and more of a focus on the two men’s personal lives. Rick wound up living in Ireland after falling in love with his future wife, Rachel (Marcella Plunkett), while on tour with his former American band. He spends a decent amount of time with her and his daughter, Aja (Beth Fallon), but his story needed a few more family scenes to drive the point home. Danny’s personal life is all but nonexistent, giving his arc less impact than it could have had.
Instead of loved ones, Carney and McDonald try to give Rick and Danny more depth through friends and business associates. Rick’s bandmate Sandy (McDonald) is a ride-or-die kind of guy for him, but his presence is only good for a few humorous distractions. Danny’s manager Mac (Jack Reynor) is difficult to parse, as he goes to bat for Danny on multiple occasions, but also seems to keep him at arm’s length.
It’s long been joked that Rudd never ages, and that youthfulness serves him well in this role, in which his character is supposed to be much younger than his actual age of 57. His energy and enthusiasm make his character appealing throughout, even when Rick starts to go off the deep end. Jonas is decent in his role, selling the music side well, but there might be a reason his character doesn’t have many scenes requiring him to show emotions.
While Power Ballad has all the hallmarks of another great Carney music movie, it’s missing a few pieces that could have put it over the top. It’s still a fun film with an insanely catchy song at its center, but it’s not quite as memorable as most of the filmmaker’s previous efforts.