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    Movie Review

    Hostility in Peter Rabbit undercuts abundance of cuteness

    Alex Bentley
    Feb 8, 2018 | 4:55 pm
    Hostility in Peter Rabbit undercuts abundance of cuteness
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    The key to any successful children's movie is cuteness. That's why many Disney characters have big eyes and why animals are often found in abundance — if you don't have cute, you don't have anything.

    That would normally be the reason why Peter Rabbit succeeds, as it contains a menagerie of adorable animals, led by the titular character (voiced by James Corden) and his family. As the film starts, Peter is already well into a rivalry with Mr. McGregor (Sam Neill), whose garden Peter and his siblings — Flopsy (Margot Robbie), Mopsy (Elizabeth Debicki), and Cotton-Tail (Daisy Ridley) — raid on a near daily basis.

    When Mr. McGregor is felled by a heart ailment, a distant relative, Thomas McGregor (Domhnall Gleeson), comes to take care of the property. He soon falls for a nearby neighbor, Bea (Rose Byrne), who has a "live and let live" attitude toward the animals' natural instincts. That's at odds with Thomas' vengeful behavior toward Peter in particular, which he tries to hide whenever the three of them are together.

    With the rabbits' family background and other introductory elements scattered throughout the film instead of put up front, writer/director Will Gluck and co-writer Rob Lieber hang their hat on antagonism rather than heroism. As depicted in the film, there's nothing noble or necessary about Peter grabbing food from the McGregor garden; it's all a game of one-upmanship in which both sides come off badly.

    In other words, while Peter is undeniably cute to look at, his words and actions make him seem like as much of a jerk as either of the McGregors. Consequently, the Home Alone-style torture that Peter puts them through comes off as mean rather than fun, significantly lessening the enjoyment of the story.

    The film isn't helped by its proximity in release to Paddington 2, a joy of a film in which the protagonist causes multiple problems but also always tries to see the good in people. There are few feel-good emotions coming out of Peter Rabbit, and those that do crop up are undercut by the negativity that exists for much of its running time.

    On the plus side, the computer animation in the film is close to flawless. Just as in Paddington, it's easy to completely believe that the animals are interacting with the humans and environment around them. The level of detail put into the animals' fur is astounding. It's also great that the animators made each creature look like a real animal instead of completely anthropomorphizing them.

    Cute usually wins the day in a movie like Peter Rabbit, but it's difficult to get past the level of hostility that exists here. Some may be entertained by it, but when there are much more positive options to see, the choice to pass on this film is simple.

    Peter Rabbit (James Corden) in Peter Rabbit.

    Peter Rabbit (James Corden) in Peter Rabbit
    Photo courtesy of Sony Pictures
    Peter Rabbit (James Corden) in Peter Rabbit.
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    Movie Review

    Amanda Seyfried and Sydney Sweeney go off in trashy film The Housemaid

    Alex Bentley
    Dec 19, 2025 | 12:24 pm
    Amanda Seyfried and Sydney Sweeney in The Housemaid
    Photo courtesy of Lionsgate
    Amanda Seyfried and Sydney Sweeney in The Housemaid.

    Both Amanda Seyfried (the upcoming The Testament of Ann Lee) and Sydney Sweeney (Christy) are starring in movies with Oscar ambitions this year. By sheer coincidence, the two actors are also co-starring in The Housemaid, a thriller coming out within weeks of their more ambitious works, one that is likely to be seen by many more people than those prestige plays.

    Sweeney is given top billing as Millie, a down-on-her-luck ex-convict looking to land any type of job so as not to break her parole. She finds a too-good-to-be-true lifeboat with Nina (Seyfried), who hires her to be a housemaid for her large house on Long Island, where she lives with her husband, Andrew (Brandon Sklenar), and daughter, Cecilia (Indiana Elle).

    After a warm interview, Nina almost immediately becomes highly erratic, whipping back-and-forth between happy-go-lucky and rageful. It seems clear that Nina is suffering from mental health issues, as she’ll often accuse Millie of misplacing or stealing items that she didn’t take. Andrew, apparently used to Nina’s tirades, tries to protect Millie from the worst, something that grows increasingly difficult as Nina ups the ante.

    Directed by Paul Feig (A Simple Favor) and adapted by Rebecca Sonnenshine from the bestselling book by Freida McFadden, the film is likely the trashiest mainstream movie to come out in 2025. The first half of the movie relies not on story but on moments as Nina embodies the word “hysterical” to an unbelievable extent. The resigned acceptance of the abuse by Millie, as well as the saintly patience of Andrew, make almost every scene laughable, as nobody seems to be acting anywhere close to how a person would normally react to such extreme situations.

    The scenes and the performance of Seyfried are so over-the-top, in fact, that it’s clear that the filmmakers are in on the joke. It’s next to impossible not to have a little bit of fun while watching the actors react to outrageous incidents as if nothing is out of the ordinary. The worse Nina acts, the more Millie and Andrew retreat into their chosen roles, and the funnier the film becomes.

    Fans of the book will know that the story changes course, eventually turning into a more stereotypical thriller that also has some relatively gnarly visuals to offer. But the trashiness continues, with Sweeney’s, um, assets repeatedly on display in both clothed and unclothed ways. The sex appeal of the R-rated movie makes it an outlier, as recent studio films have shied away from asking their big stars to disrobe completely.

    Both Seyfried and Sweeney are far from their Oscar hopeful roles here. Seyfried is given free rein to act as brazenly as she pleases, and she takes full advantage of that ability. Sweeney seems to have been told to be much more reserved, and unfortunately that results in too many wooden line readings. Sklenar continues his breakout streak (It Ends with Us, Drop) with a role that allows him to show more range than either Seyfried or Sweeney.

    The Housemaid is an unusual type of movie to be released at a time of year when most films are either those aiming for awards or more family-friendly fare. Despite its many flaws, it’s still an enjoyable watch that features a variety of crazy scenarios not typically seen in movies nowadays.

    ---

    The Housemaid is now playing in theaters.

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