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    Movie Review

    Hostility in Peter Rabbit undercuts abundance of cuteness

    Alex Bentley
    Feb 8, 2018 | 4:55 pm
    Hostility in Peter Rabbit undercuts abundance of cuteness
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    The key to any successful children's movie is cuteness. That's why many Disney characters have big eyes and why animals are often found in abundance — if you don't have cute, you don't have anything.

    That would normally be the reason why Peter Rabbit succeeds, as it contains a menagerie of adorable animals, led by the titular character (voiced by James Corden) and his family. As the film starts, Peter is already well into a rivalry with Mr. McGregor (Sam Neill), whose garden Peter and his siblings — Flopsy (Margot Robbie), Mopsy (Elizabeth Debicki), and Cotton-Tail (Daisy Ridley) — raid on a near daily basis.

    When Mr. McGregor is felled by a heart ailment, a distant relative, Thomas McGregor (Domhnall Gleeson), comes to take care of the property. He soon falls for a nearby neighbor, Bea (Rose Byrne), who has a "live and let live" attitude toward the animals' natural instincts. That's at odds with Thomas' vengeful behavior toward Peter in particular, which he tries to hide whenever the three of them are together.

    With the rabbits' family background and other introductory elements scattered throughout the film instead of put up front, writer/director Will Gluck and co-writer Rob Lieber hang their hat on antagonism rather than heroism. As depicted in the film, there's nothing noble or necessary about Peter grabbing food from the McGregor garden; it's all a game of one-upmanship in which both sides come off badly.

    In other words, while Peter is undeniably cute to look at, his words and actions make him seem like as much of a jerk as either of the McGregors. Consequently, the Home Alone-style torture that Peter puts them through comes off as mean rather than fun, significantly lessening the enjoyment of the story.

    The film isn't helped by its proximity in release to Paddington 2, a joy of a film in which the protagonist causes multiple problems but also always tries to see the good in people. There are few feel-good emotions coming out of Peter Rabbit, and those that do crop up are undercut by the negativity that exists for much of its running time.

    On the plus side, the computer animation in the film is close to flawless. Just as in Paddington, it's easy to completely believe that the animals are interacting with the humans and environment around them. The level of detail put into the animals' fur is astounding. It's also great that the animators made each creature look like a real animal instead of completely anthropomorphizing them.

    Cute usually wins the day in a movie like Peter Rabbit, but it's difficult to get past the level of hostility that exists here. Some may be entertained by it, but when there are much more positive options to see, the choice to pass on this film is simple.

    Peter Rabbit (James Corden) in Peter Rabbit.

    Peter Rabbit (James Corden) in Peter Rabbit
    Photo courtesy of Sony Pictures
    Peter Rabbit (James Corden) in Peter Rabbit.
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    Critics' choice

    DFW film critics name One Battle After Another best movie of 2025

    Alex Bentley
    Dec 17, 2025 | 9:32 am
    Leonardo DiCaprio in One Battle After Another
    Photo courtesy of Warner Bros. Pictures
    Leonardo DiCaprio in One Battle After Another.

    The Dallas-Fort Worth Film Critics Association has voted Paul Thomas Anderson's action thriller One Battle After Another the best film of 2025, according to the results of its 32nd annual critics’ poll released on Wednesday, December 17.

    The top award was one of five wins for the film in the poll, including Leonardo DiCaprio as Best Actor, Teyana Taylor as Best Supporting Actress, and Anderson for both Best Director and Best Screenplay.

    After One Battle After Another, the rest of the top 10 films in the poll were, in order, Sinners, Marty Supreme, Hamnet, Sentimental Value, Train Dreams, Frankenstein, Jay Kelly, Bugonia, and It Was Just an Accident.

    In addition to DiCaprio and Taylor, other acting awards included Rose Byrne as Best Actress for If I Had Legs, I'd Kick You and Stellan Skarsgård as Best Supporting Actor for Sentimental Value.

    The two other behind-the-scenes awards both went to Sinners, including Best Cinematography for Autumn Durald Arkapaw and Best Score for Ludwig Göransson.

    Sentimental Value also took home the award for Best Foreign Language Film, while Netflix got double wins with The Perfect Neighbor for Best Documentary and KPop Demon Hunters for Best Animated Film.

    The Russell Smith Award, given annually by the DFWFCA to the best low-budget or cutting-edge independent film, went to It Was Just an Accident.

    The Dallas-Fort Worth Film Critics Association consists of 26 broadcast, print, and online journalists from throughout North Texas. For more information, visit dfwcritics.com.
    ---

    Author Alex Bentley is a member of the Dallas-Fort Worth Film Critics Association.

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