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    TV news

    Texas' Chip and Joanna Gaines unveil long-awaited launch date of new Magnolia Network

    Stephanie Allmon Merry
    Feb 15, 2021 | 1:08 pm
    Joanna Gaines Magnolia Table
    Joanna Gaines is making dinner.
    Facebook/Magnolia Network

    UPDATE 7-15-2021: Magnolia Network officially launched today, available for streaming with a Discovery+ subscription. Of special interest to DFW viewers, one episode of Self-Employed, starring Fort Worth's Jonathan Morris, is included, with more to drop August 27.

    ---

    Fans of Chip and Joanna Gaines have been ready to see their Fixer Upper reboot — and the rest of their Magnolia Network content — since they announced their new cable network in 2018.

    After a couple of coronavirus-related delays, they've finally revealed a launch date. Two launch dates, actually.

    • On July 15, 2021, Magnolia Network will debut on a new Magnolia app and the streaming platform Discovery+.
    • In January 2022, the new Magnolia Network will debut on cable TV.

    “In what has been the most unconventional of years, our plan and timing for the network launch has evolved, but our original vision for this network has remained the same," the Waco-based reality TV-entrepreneurs said in a statement February 11.

    That vision, they say, is still to "tell good stories — stories that unite instead of divide; stories that serve to inspire and uphold beauty; stories that entertain and draw out curiosities; stories that feel like home in all the ways a home should feel," they say on the network's website.

    Notably, the Magnolia Network will feature their Fixer Upper reboot, as well as Joanna Gaines' cooking show called (what else?) Magnolia Table with Joanna Gaines, and Self Employed, a series about entrepreneurs hosted by Fort Worth resident Jonathan Morris.

    The first 10 Magnolia Network shows were unveiled in a TV special last spring. Content focuses on people who are living life passionately and authentically, the Gaineses say, and covers topics the couple themselves are passionate about: home design, restoration, and renovation, gardening, cooking, wellness, business, family, and traditions.

    According to Deadline, Magnolia Network was supposed to take over DIY Network in October 2020, followed by a direct-to-consumer product at a later date. COVID-19 shut down Hollywood production, which pushed everything back.

    "Meanwhile, Discovery launched their SVOD platform Discovery+ last month as the pandemic accelerated traditional media companies’ shift to streaming as a leading distribution method," Deadline says. "The Magnolia brand has been a key — and growing — part of the Discovery+ lineup with previews of many of its original series, led by the new season of the Gaines’ hit Fixer Upper."

    While Fixer Upper: Welcome Home can be seen now on Discovery+, starting July 15, the platform will stream an expanded lineup of Magnolia shows. The Gaines' Magnolia app is expected to stream their original series and over 150 hours of unscripted content.

    Discovery+ currently costs $4.99 per month, with a free trail available here.

    Those who don’t want to stream yet another service will have to wait patiently for about another year until Magnolia Network launches as a rebranded DIY Network on their cable or satellite provider. In January 2022, the new TV network will carry not only Magnolia originals but new seasons of favorite DIY shows, they say.

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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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