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    Weekend Event Planner

    These are the 10 best things to do in Dallas this weekend

    Alex Bentley
    Mar 1, 2018 | 6:00 am

    Things are split evenly between local and national events in Dallas this weekend. On the local front are a new exhibit about famous women, two theater events, a cultural festival, and a great local band. Among the national events rolling through town are a Broadway jukebox musical, a reality TV show judge, sexy dancers, a late night band leader, and a singing clown.

    Below are the best ways to spend your free time this weekend. Want more options? Lucky for you, we have a much longer list of the city's best events.

    Thursday, March 1

    George W. Bush Presidential Center presents "First Ladies: Style of Influence"
    This special exhibit examines how the role of the first lady has evolved over time, and how first ladies have used their position to advance diplomacy and other social, cultural, and political initiatives. The impact of first ladies, including Laura Bush, Barbara Bush, Dolley Madison, Michelle Obama, and Eleanor Roosevelt, will be explored, showing how they have served as hostess, teammate, champion, and policy advocate. The exhibit will be on display through October 1.

    WaterTower Theatre presents Detour: A Festival of New Work
    The Detour Festival is indicative of WaterTower Theatre’s renewed investment in the creation and development of new work. The festival will consist of four new play readings, three devised works, and two “late nite” performances. Prism Movement Theater, Cry Havoc Theater Company, and Dark Circles Contemporary Dance will be among the groups featured at the festival, taking place in Addison through Sunday.

    Dallas Summer Musicals presents On Your Feet! The Story of Emilio & Gloria Estefan
    From their humble beginnings in Cuba, Emilio and Gloria Estefan came to America and broke through all barriers to become a crossover sensation at the very top of the pop music world. From international superstardom to life-threatening tragedy, On Your Feet!, playing through March 11 at the Music Hall at Fair Park, takes audiences behind the music and inside the real story of this record-making and groundbreaking couple.

    Kitchen Dog Theater presents The Royale
    A talented, charismatic African-American boxer dreams of being the undisputed heavyweight champion of the world. But it’s 1905, so his chances are as good as knocked out before he ever steps foot into the ring. A winner of multiple theater awards, The Royale is inspired by the often overlooked story of Jack Johnson, a boxer who, at the height of the Jim Crow era, became the most famous and the most notorious black man on Earth. The production will run at Trinity River Arts Center through March 18.

    Friday, March 2

    Southwest Celtic Music Association presents North Texas Irish Festival
    St. Patrick's Day may still be two weeks away, but you can celebrate all things Irish at the annual North Texas Irish Festival. Irish music, dance, and cultural talent will be showcased on 13 stages over three days at Fair Park. The festivities will also include whiskey tastings, blacksmithing demonstrations, horse displays, Celtic storytelling, traditional food, chef demonstrations, and kids' activities and entertainment.

    Blake Shelton in concert with Brett Eldredge, Carly Pearce, and Trace Adkins
    With The Voice starting its new season this week, country superstar Blake Shelton is back at the top of pop culture news. But since the audition episodes are pre-taped, he still has plenty of time to tour the country, making a stop in Dallas at American Airlines Center on Friday. He'll play in support of his new album, Texoma Shore, alongside opening acts Brett Eldredge, Carly Pearce, and Trace Adkins.

    Toadies in concert with Helmet
    It's always a good day when Fort Worth originals Toadies take the stage again. This concert, at the Bomb Factory, will highlight the group's 2017 album, The Lower Side of Uptown, along with their greatest hits from their previous six albums. They'll be joined by New York City alt-metal band Helmet.

    Saturday, March 3

    "Magic Men Live!"
    The release of Magic Mike in 2012 has led to a resurgence in interest in the, um, artistry of male dancers. "Magic Men Live!" is the first live stage production to bring the phenomenon of Magic Mike, Fifty Shades of Grey, and similar works to life with a high-energy and breathtaking experience. The performance will take place at Verizon Theatre in Grand Prairie.

    Jon Batiste in concert
    Prior to starting his stint as bandleader on The Late Show with Stephen Colbert, Jon Batiste was well known in jazz circles but not as much elsewhere. The nightly national platform has changed all that for the acclaimed musician, bandleader, and composer. He'll play at the Kessler as a solo act, minus his usual backing band, Stay Human.

    Sunday, March 4

    Puddles Pity Party
    After wowing the judges and nation with his unexpected singing abilities on America's Got Talent​, Puddles, the "Sad Clown with the Golden Voice," will perform at Majestic Theatre with his heartfelt anthems and a suitcase full of Kleenex. This Pity Party is not all sadness and longing. The show is peppered with a brilliant sense of the absurd, mixing lots of humor with the awkward, tender moments.

    Blake Shelton will play at American Airlines Center on March 2.

    Blake Shelton at Houston Rodeo March 2015
    Photo by © Michelle Watson/CatchLightGroup.com
    Blake Shelton will play at American Airlines Center on March 2.
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    Movie Review

    Her Private Hell descends into an art-house fever dream

    Alex Bentley
    Jul 23, 2026 | 11:45 am
    Sophie Thatcher in Her Private Hell
    Photo courtesy of Neon
    Sophie Thatcher in Her Private Hell.

    Danish filmmaker Nicolas Winding Refn is not someone who plays nice with the general film world. His 2011 film Drive introduced him to American audiences in a big way, but that pulsating thriller was followed up with artier films like Only God Forgives and The Neon Demon that eschewed coherent plots in favor of moody, atmospheric pieces.

    Winding Refn, who hasn’t made a feature film in 10 years, has gone fully down the rabbit hole with Her Private Hell. Taking place in a liminal space that kind of resembles Earth but also feels like someone’s dreams/nightmares, the film focuses on Elle (Sophie Thatcher), an actor currently starring in a sci-fi film. Staying at a hotel with newcomer Hunter (Kristine Froseth), the two bond over their shared passion and the legend of Elle’s father, Johnny Thunders (Dougray Scott), who’s now married to Elle’s friend Dominique (Havana Rose Liu).

    After spending a good amount of (mostly incomprehensible) time with that group, Refn introduces Private K (Charles Melton), who seems to be living in post-World War II Japan. He is looking for his daughter, who might have been taken by a mysterious figure known as “Leatherman,” and he will stop at nothing to find her, fighting whoever stands in his way.

    It becomes clear almost right away that Winding Refn has no desire to engage in traditional storytelling in this film. The main characters wander through neon-drenched streets and buildings, which are often surrounded by a mist that is referred to on multiple occasions but never explained. Everyone speaks as if in a constant state of wonderment, and there are many moments where it’s unclear if events are actually happening, part of a movie-within-a-movie, or something else entirely.

    Unlike his previous films, Winding Refn has taken the characters in this film completely out of the real world, with every scene taking place in a sparsely decorated room or street that is obviously a movie set. While there are moments where this decision really works, especially the striking first shot of a human-like figure mixed in with a cityscape and clouds, most of the time it only adds to the stilted nature of the film as a whole.

    In fact, the entire movie has the feel of an avant-garde theater exercise. Every actor seems to be trying to outdo the others with awkward performances and out-sized reactions. Two very specific characters make appearances in both sides of the story for seemingly no reason other than to inject their weirdness into both spaces. The shocking violence that crops up on occasion would have more of an impact if it was related to anything intelligible.

    Thatcher (Companion) and Liu (Tuner) are among the young stars who have had breakout moments in recent years, but neither of them is served well by this hot mess of a movie. They, along with Melton, still demonstrate the talent they possess, but the oddity of the film weighs them down. Scott makes an impression for all the wrong reasons, while Froseth is called upon to play a character who might as well not be there at all.

    If there’s any kind of message that Winding Refn was trying to convey with Her Private Hell, it’s lost among the flashing lights, overload of pink, and jewel-like structures. Filmmakers who try to make art for art’s sake have a place in the world, but this film too often feels like people are making things up as they go, with no real goal in mind.

    ---

    Her Private Hell opens in theaters on July 24.

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