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    Weekend Event Planner

    These are the 10 best things to do in Dallas this weekend

    Alex Bentley
    Mar 7, 2019 | 6:00 am

    This weekend in Dallas will feature a nice mix of locally sourced events and national acts. Among the choices will be two new exhibits, two local theater productions, an Irish festival for a little early St. Patrick's Day fun, the reigning Album of the Year Grammy winner, a music icon making his final visit, and cute cats.

    Below are the best ways to spend your free time this weekend. Want more options? Lucky for you, we have a much longer list of the city's best events.

    Thursday, March 7

    George W. Bush Presidential Center presents "Away from the White House: Presidential Retreats"
    "Away from the White House: Presidential Retreats" will showcase presidential retreats as unique places of work and attempts at relaxation. Four featured retreats – Camp David in Frederick County, Maryland; Prairie Chapel Ranch in Crawford, Texas; LBJ Ranch in Stonewall, Texas; and Walker’s Point in Kennebunkport, Maine – will be highlighted in depth, revealing how U.S. presidents have used these special places for work, rejuvenation, and rest. The exhibit will be on display at the George W. Bush Presidential Center through October 6.

    Dallas Theater Center presents The Wolves
    The Wolves is about an elite squad of nine teenage girls who meet every Saturday to stretch before their games, where high school gossip rapidly evolves into mature meditations on the girls’ understanding of themselves and their place in the world. A 2017 Pulitzer Prize finalist, The Wolves is a fierce and unexpected play where girls are portrayed as athletes above all else. It will play at Wyly Theatre through April 14.

    Dallas Symphony Orchestra presents Pines of Rome
    Dallas Symphony Orchestra will present Respighi’s Fountains of Rome and Pines of Rome, Mendelssohn’s romantic Violin Concerto, and the grand Don Juan by Richard Strauss. The concert will be under the direction of Juraj Valčuha, with a special performance by violinist Stefan Jackiw. There will be four performances through Sunday at the Meyerson Symphony Center.

    The Classics Theatre Project presents Fool for Love
    Fool for Love by Sam Shepard focuses on May and Eddie, former lovers who have met again in a motel in the desert. How can love feel so right when you know it's so wrong? A surrealist, romantic, darkly comic, full-length one-act, the play was the winner of the 1983 Pulitzer and Obie Awards. It will play at Margo Jones Theatre at Magnolia Lounge through March 30.

    Friday, March 8

    Southwest Celtic Music Association Inc. presents North Texas Irish Festival
    One of the largest Irish festivals in the U.S., this family-friendly event features live music, dancing, storytelling, chef demonstrations, and more on 13 stages throughout Fair Park. New for this year is the first-ever North Texas Irish Festival Fun Run, taking place on Saturday morning. Attendees will also enjoy horse shows, sheepherding demonstrations, beer and whiskey tasting, genealogy research opportunities, shopping, animal rescue groups, child-friendly entertainment, and free arts and crafts for the kids. The festival takes place through Sunday.

    Kacey Musgraves in concert
    After upping her Grammy Award total to six this year, including a win for Album of the Year, it's a bit crazy that country singer Kacey Musgraves is still playing at small venues like the Bomb Factory. Enjoy it while you can, because Musgraves is about to go into superstardom that mandates nothing less than big venues from here on out. She's touring in support of that Grammy-winning album, Golden Hour.

    Hyena's Comedy Nightclub presents Jen Kirkman
    Comedian Jen Kirkman has appeared on Chelsea Lately, @Midnight, Conan, The Tonight Show with Jay Leno, and The Late Show with Stephen Colbert. She also has two critically acclaimed Netflix specials, I’m Gonna Die Alone and Just Keep Livin’?, and is a writer on the Amazon show The Marvelous Mrs. Maisel. She'll perform four times through Saturday at Hyena's Comedy Nightclub in Dallas.

    Saturday, March 9

    Crow Museum of Asian Art presents "Hands and Earth: Contemporary Japanese Ceramics" opening day
    The Crow Museum of Asian Art and The University of Texas at Dallas will present the exhibition "Hands and Earth: Contemporary Japanese Ceramics," featuring works by the country’s greatest ceramicists, including seven artists deemed “Living National Treasures” by the Japanese government. Visitors will enjoy a rare opportunity to see significant examples of avant-garde approaches to clay in a range of shapes and glazes. The exhibition will be on display through January 5, 2020.

    Bob Seger & The Silver Bullet Band in concert
    After a career that has spanned more than 50 years, Bob Seger & The Silver Bullet Band will come to the Dallas area one last time as part of their final tour. Inducted to both the Rock & Roll Hall of Fame and the Songwriters Hall of Fame, Seger has released such landmark albums as Night Moves, Stranger In Town, Against The Wind, Live Bullet, and Nine Tonight. Seger will play at The Ford Center at The Star in Frisco.

    Sunday, March 10

    Cat Video Fest
    Cat Video Fest is a compilation reel of the latest, best cat videos culled from countless hours of unique submissions and sourced animations, music videos, and, of course, classic internet powerhouses. Cat Video Fest is a joyous communal experience that raises money for cats in need through partnerships with local cat charities, animal welfare organizations, and shelters to best serve cats in the area. The screening will take place at Alamo Drafthouse Lake Highlands.

    Kacey Musgraves will play at the Bomb Factory on March 8.

    Kacey Musgraves
    Kacey Musgraves/Facebook
    Kacey Musgraves will play at the Bomb Factory on March 8.
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    Movie review

    Over-the-top The Bride! makes other Frankenstein movies seem subtle

    Alex Bentley
    Mar 6, 2026 | 12:15 pm
    Christian Bale and Jessie Buckley in The Bride!
    Photo by Niko Tavernise
    Christian Bale and Jessie Buckley in The Bride!.

    The story of Dr. Frankenstein and his monster is now over 200 years old, with Mary Shelley’s book having been adapted or referenced in close to 500 films. Less common is the character of The Bride of Frankenstein, which existed in the original text but has more often than not been excised in adaptations. Writer/director Maggie Gyllenhaal has tried to rectify that by giving the character a big showcase in her new film, The Bride!.

    Gyllenhaal has reimagined the story as one in which a woman named Ida (Jessie Buckley) becomes possessed by the spirit of Shelley (also Buckley). At the same time, the already-existing Frankenstein’s monster (Christian Bale) approaches Dr. Euphronius (Annette Bening), who specializes in reanimation, with the request to make him a wife. When Ida falls to her death in an “accident” involving her boyfriend (John Magaro), the ideal corpse becomes available.

    After Ida’s resurrection, she and the monster become restless being studied by Dr. Euphronius and decide to break out to experience the world. The world, naturally, is not exactly welcoming to them, and soon the couple are on the run for causing mayhem, including a few murders. In hot pursuit are detective Jake Wiles (Peter Sarsgaard) and his assistant, Myrna Mallow (Penélope Cruz), as well as other authorities.

    It’s clear that Gyllenhaal wanted to merge the Frankenstein story with Bonnie & Clyde, especially since she sets the film in the mid-1930s. And that wouldn’t have been a bad idea if having the monster and The Bride going on a crime spree was truly the focus of the movie. But most of the time there’s less intentionality in their misdeeds and more confusion, leading to a muddled plot with no clear direction or end goal in mind.

    One of the biggest problems is that Gyllenhaal starts the energy of the film at an 11, giving her and everyone else nowhere to go but down. She dabbles in multiple different tones, at times going the straight drama route and other times making what seems like full-on camp. At one point, she even has the monster and the Bride in a dance sequence set to “Puttin’ on the Ritz,” which would be hilarious as an homage to Young Frankenstein if the film weren’t so disjointed.

    Most baffling of all is what Gyllenhaal wants from The Bride character. She morphs multiple times over the course of the film, from close to unintelligible at the beginning to rough-and-tumble at the end. There are hints at the lack of control she has over her autonomy, including Shelley’s possession of her and the monster lying to her about her past, but any commentary that Gyllenhaal might be trying to make gets lost amid the oddity of the film as a whole.

    Both Buckley and Bale are all-in for their performances, which definitely fall in the “love it or hate it” dichotomy. Each scene is pitched so high that there’s little nuance to either of them, and neither is on par with their previous Oscar-caliber roles. The high-powered supporting cast of Bening, Sarsgaard, Cruz, and Jake Gyllenhaal is watchable based on previous roles, but none of them elevate this particular movie.

    Whatever intentions Maggie Gyllenhaal had in making The Bride! are only halfway legible in a film that can never find its tonal footing. There has rarely been subtlety in movies featuring Frankenstein’s monster and related characters, but this one makes all the others seem like stuffy dramas in comparison.

    ---

    The Bride! is now playing in theaters.

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