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SXSW Spillover

5 great shows coming through Dallas by way of SXSW music festival

Alan Ayo
Mar 13, 2013 | 2:14 pm
5 great shows coming through Dallas by way of SXSW music festival
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You don’t have to cruise down I-35 to experience some of the greatness that is SXSW. We wouldn’t blame you if you didn’t want to bother. The crowds! The traffic! And, well, you might have to work.

Luckily, we benefit from the music fest spillover as bands put on shows in Dallas on their way to — or from — Austin. Some of the bands featured in these shows live in our own backyard. But some are stationed thousands of miles away from Texas.

The real beauty, however, is how well they mesh — whether on the same bill or as a progressive music hop along our local stages.

There is so much to choose from, but we picked a few of the best live music opportunities currently upon us, courtesy of SXSW.

Thursday, March 14

Less Than Jake at Trees
This Florida band has brought pop punk to nearly every corner of the world since its inception (and subsequent national airplay) more than 12 years ago. Their show at Trees is adorned with relatively new Dallas ska powerhouse Rude King, young punksters Happy Alright (ranging in age from 14 to 18) and Fat by the Gallon.

Friday, March 15

Bajofondo at The Kessler
“This is going to be amazing,” reports The Kessler’s Jeff Liles. “Huge band fronted by the guy who wrote the scores for Brokeback Mountain and Babel.” Although they’ve been labeled as “electronica tango,” Bajofondo dismisses such labels — and rightly so. The inventive, world-influenced shows mesh modern and classic dance music styles. With upward of nine gifted performers onstage, you can bet it won’t just be the dance floor that’s packed.

Sunday, March 17

Spillover Fest at DoubleWide and Sandbar Cantina
Local promoter John Iskander’s event sums up the “runoff benefits” of having SXSW just down the road. Two venues, three stages, 20 bands from DFW and beyond — and it’s a steal at just $20. Although there are so many cool sounds to explore here, a couple of highlights include Mondo Generator (starring Nick Oliveri of Queens of the Stone Age) and local hard-rock-tronic innovators Pinkish Black.

Honky Tonk PBR-BQ at Club Dada
One of the best-kept secrets of the Dallas music scene is our unique brand of country rock. It’s outlaw, it’s Americana and it’s definitely rock-and-roll, soaked in cheap beer and slightly burnt meat. It’s shrouded in a little mystery because, from the outside, it simply looks like an elitist hipster scene. It’s not. It’s fun, loose and friendly. All the bands on the lineup are top-notch; as a bonus, Chris Shiflett (of Foo Fighters fame) and The Dead Peasants have just been added to the bill. Bring your dirty cowboy boots and your appetite.

Monday, March 18

Clairy Browne & The Bangin’ Rackettes at House of Blues
Cripes. They’re so good. And tough to describe, but we’ll give it a shot: sassy, big-booty soul music from Australia. A quadruple assault of sexy, hearty female vocals. If you like Aretha Franklin, Mihalia Jackson and Amy Winehouse, then these girls will blow you away. See them in a small room (the HOB’s Cambridge Room) while you still can.

Chris Shiflett and The Dead Peasants join the lineup at Honky Tonk PBR-BQ on March 17 at Club Dada.

Chris Shiflett and The Dead Peasants
Chris Shiflett and The Dead Peasants Facebook
Chris Shiflett and The Dead Peasants join the lineup at Honky Tonk PBR-BQ on March 17 at Club Dada.
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Movie Review

Shaun the Sheep gets PG-spooky in new movie for the Halloween season

Alex Bentley
Sep 18, 2026 | 11:50 am
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

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Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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