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    Ewings Go Boom

    Oil rigs blow up and people fall down in post-J.R. era of Dallas

    Elaine Liner
    Mar 18, 2013 | 10:59 pm

    So begins the post-J.R. era of Dallas on TNT. This week’s episode, “Ewings United!,” written by Bruce Rasmussen and directed by Steve Robin, had plots and characters tripping all over each other. Watch those stairs! Get off that oil platform!

    Too briefly we got a glimpse of Charlene Tilton as Lucy, delivering her mother, Valene “I’m only visiting from Knots Landing” Ewing, played by Joan Van Ark, to Southfork. We also got the reading of J.R.’s will. Seems Miss Ellie, the late Ewing matriarch (played way back when by the great Barbara Bel Geddes and then briefly by Donna Reed), left special instructions to grant half of Southfork to grandson John Ross (Josh Henderson) in the event of J.R.’s death.

    With that, Bobby Ewing (Patrick Duffy) lost his control of the sub-Southfork oil well. “We can turn the oil back on,” Bobby announced wearily to his son and nephew. He made it sound so easy.

    Judith Ryland (Judith Light) fell or was pushed down the stairs. If they kill her off, the show will be short one potentially awesome villain.

    Other highlights (watch your step):

    Major smooch-fu: Turning the oil back on must have turned John Ross’ libido back on. J.R.’s son got busy on his daddy’s bed with young Emma, Bobby’s wife Annie’s long-lost daughter (played by Emma Bell). Then he got a second wind for a night of hot pash with flame-haired city official Allison Jones (Annie Wersching). But John Ross was only setting Allison up for blackmail so she’d award him a city methane contract. That’s how those things are done here, right?

    J.R.’s bequests: The old scamp left his boot collection to brother Bobby; his prize bottle of Scotch to brother Gary (a recovering alcoholic); and a copy of Machiavelli’s The Prince to nephew Christopher, with the note that “being smart and sneaky is an unbeatable combination.” His favorite dove-hunting gun went to Annie (Brenda Strong, who had so little to do this week, she didn’t have time to shed any tears).

    On location: On an impromptu date, Emma and bad-boy Drew Ramos (Kuno Becker) ate food truck tacos in Klyde Warren Park.

    On a bender: Sue Ellen (Linda Gray) is back on the sauce, and brother-in-law Gary (Ted Shackelford) tried and failed to get her back on the program of recovery. She said she appreciated his concern and then turned around and called his estranged wife, Valene, to come get him, even though that marriage, unlike Sue Ellen’s favorite cocktail, is on the rocks.

    Best dialogue this week: “Once a bitch, always a bitch,” snarled Valene to Sue Ellen. “Yes, it has been a long time,” answered Sue Ellen. That had better not be all we’re going to see of the deliciously simpering Valene. She’d be an excellent foil for Sue Ellen, whose cool nastiness is amplified by booze.

    WTF moment No. 1: After barking at her son Harris that he had disappointed her yet again, monster-mom Judith Ryland (Judith Light) fell or was pushed down the stairs of the Ryland manse. If they kill her off, the show will be short one potentially awesome villain.

    WTF moment No. 2: This reboot of the series has busted the mythology of the original a few times already, but this week really had Twitter tittering with the mention of the original Pamela Barnes Ewing (Victoria Principal) being alive and her sister Katherine Wentworth being dead.

    In the original series, Katherine, always alive, was played by the gorgeous Morgan Brittany. Now writing conservative political columns online, Brittany has expressed interest in returning to Dallas. Principal, whose character died in a fiery car crash back in the 1980s, has said she would not.

    Now with the show hinting that Bobby’s son Christopher is searching for his birth mom, Pamela, could they slip Brittany into that role? Dallas likes to mess around with the living and dead. Remember the “dream season”?

    WTF moment No. 3: With a bomb planted on the Ewing Energies oil rig at the behest of Ewing enemy Cliff Barnes (Ken Kercheval), he was notified that his pregnant daughter (Julie Gonzalo) was on the platform along with Bobby, Christopher (Jesse Metcalf), Elena (Jordana Brewster) and other Ewings. Cliff gave the order to blow it up anyway, and the screen faded to black.

    Coming up: Previews show that Bobby and Christopher survive the explosion. But who else did? Is this Ewing Energies’ BP oil spill disaster?

    ---

    New episodes of Dallas air at 8 pm Mondays on cable’s TNT, with frequent reruns.

    The Ewings in hard hats don't know they're standing on a ticking time bomb.

    Photo courtesy of TNT
    The Ewings in hard hats don't know they're standing on a ticking time bomb.
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    Movie Review

    The Super Mario Galaxy Movie chases nostalgia for shiny but shallow sequel

    Alex Bentley
    Apr 1, 2026 | 12:37 pm
    Yoshi, Mario, and Luigi in The Super Mario Galaxy Movie
    Photo courtesy of Nintendo and Illumination
    Yoshi, Mario, and Luigi in The Super Mario Galaxy Movie.

    When The Super Mario Bros. Movie came out in 2023, it had two big things going for it. Audiences had little experience with a fully-animated video game adaptation, and certainly not from a property as revered as Super Mario Bros. And coming from Illumination Entertainment and featuring an all-star cast, the massive budget for the film was on the screen, showing how much effort the filmmakers put into at least the visuals.

    Three years later comes the sequel, The Super Mario Galaxy Movie, passing over a massive number of Mario games to go straight to 2007’s Super Mario Galaxy, originally put out for Nintendo’s Wii system. This time, the returning Mario (Chris Pratt), Luigi (Charlie Day), Princess Peach (Anya Taylor-Joy), and Toad (Keegan-Michael Key), now joined by Yoshi (Donald Glover), are sent on a mission to save Princess Rosalina (Brie Larson) from the evil clutches of Bowser Jr. (Benny Safdie), who’s trying to prove his worth to his dad, Bowser (Jack Black).

    And that is about as much actual story there is to be found in a film that feels like a slog even at a brief 98 minutes. The filmmakers - directors Aaron Horvath and Michael Jelenic, co-directors Pierre Leduc and Fabien Polack, and writer Matthew Fogel - have lots of fun inserting references from a bunch of different Mario games, but they pay little attention to giving the characters anything to do that makes sense.

    Instead, small groups are shuttled around different points in the galaxy - sometimes using game mechanics, sometimes not - to accomplish minor goals that are forgotten almost as soon as they’re named. Nothing they do rises to the level of exciting or even interesting; everything is merely an excuse to showcase another part of Mario lore for the masses.

    It’s impossible to call the filmmaking lazy, as the visuals remain top notch and it’s clear the entire crew put a lot of effort into making every scene as appealing as possible. But the film is certainly cynical, throwing out empty treats like Fox McCloud (Glen Powell) or Bowser Jr.’s magic paintbrush to give Nintendo mega-fans a rush of serotonin without attaching those elements to anything substantial.

    I have long railed against using big-name actors in voiceover roles, arguing that few people know or care whose voice they’re hearing in animated films. Somehow, this film makes the idea worse, as the voices of people like Key, Glover and Safdie are changed so that you would never know it’s them, something that’s especially strange for Glover since Yoshi only says one word - “Yoshi.”

    Even stranger is that, after making a joke in the first film about Mario not having an Italian accent, Pratt goes in and out of an accent in this film. At least he and Day feel like they’re having fun. Bowser is sidelined for a good amount of this film, giving Black not much to do overall. Taylor-Joy and Larson might as well be anonymous actors for all the impact they make on their roles.

    The Super Mario Galaxy Movie is the worst kind of fan service, delivering a shiny product that might make some people feel good in the moment, but something that is forgotten the second they step out of the theater. If Nintendo is to continue adapting their properties, they’d do well to give their fans a film they want to see more than once.

    ---

    The Super Mario Galaxy Movie is now playing in theaters.

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