KidZania, an experiential learning center for children that has 24 locations in 19 cities around the world, has announced that it will open its first U.S. location at Stonebriar Centre in Frisco.
Expected to open in 2018, the 80,000-square-foot educational center will offer kids ages 4 to 14 a “mini-city” where they can try out more than 100 real-life professions, including firefighter, chef, doctor, pilot, artist, and reporter, among others.
More than just a chance to play, the center serves up hands-on opportunities to learn through activities that mimic their real-world counterparts. Every KidZania “mini-city” is tailored to the city in which it is located, complete with buildings, paved streets, and vehicles. In addition, it has a self-contained economy that uses a currency called “kidZos,” allowing children to get lessons in financial literacy.
Frisco will also be home to KidZania’s corporate headquarters, which the company expects will bring as many as 450 jobs to the area.
The brainchild of Mexican entrepreneur Xavier Lopez Ancona, KidZania was founded in 1999 and has locations in cities like Mexico City, London, Tokyo, Moscow, and more. Another U.S. location in Chicago is expected to open in 2019.
KidZania lets kids test out different professions — like being a firefighter.
Photo courtesy of KidZania
KidZania lets kids test out different professions — like being a firefighter.
Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite.
Once upon a time, well before scandal embroiled him, Woody Allen made great comedies aimed at adults. That type of film - which is different from the raunchy, R-rated comedies of the 21st century - has fallen out of favor in Hollywood, but as the new film The Invite proves, when done well it can be as funny as anything else out there.
Joe (Seth Rogen) and Angela (Olivia Wilde) are an unhappily married couple living in San Francisco. As we meet them, Joe has arrived home to Angela preparing for a visit from their upstairs neighbors, Hawk (Edward Norton) and Piña (Penélope Cruz), who have moved in relatively recently. Their impending arrival starts a new round of arguing between Joe and Angela, something they can barely contain once the other couple comes to their door.
What proceeds is a getting-to-know-you process that is mostly awkward as Joe and Angela continue sniping at each other while Hawk and Piña put in their two cents in a much calmer manner. A sticking point between the two couples - the loud sex Hawk and Piña have on an almost nightly basis - turns the film on its head with an unexpected invitation.
Directed by Wilde and written by Will McCormack and Rashida Jones, the film is a fast-paced chamber piece that takes place almost entirely in Joe and Angela’s apartment. Wilde, the writers, and the actors speed the story along not with action but through almost non-stop dialogue that often has the characters overlapping each other’s lines. The rapidity of the speech fuels the humor of the situation and establishes the differing personalities of each person.
Sex is very much top of mind for each of the characters for most of the film, but the filmmakers approach the topic in such a way that it never feels salacious. Each of the characters is a rational adult who can talk about sex in a mature manner while also acknowledging their unique feelings on the matter. And it’s the discoveries each of them makes along the way that brings about the most comedy.
But, like any comedy for adults, the film also has a dramatic tilt to it, and Wilde edges the story back-and-forth between the two tones extremely well. Joe and Angela fighting is played for laughs at times, but the sadness of their relationship comes through loud and clear. Hawk and Piña are much more intimate with each other, but the funniness of their openness is juxtaposed with a depth that arises through their conversations.
In the 2020s, Rogen has managed to make the transition from goofy stoner to stoner with real acting chops. In a stacked cast, he is the one who sells every moment the best. That’s not to say that Wilde, Norton, and Cruz don’t measure up, though; each of them inhabits their respective roles magnificently. The four actors play off each other as if they had been working together for years.
While The Invite will likely play better to those who have experience with long term relationships, its insights - and occasional bawdiness - make it a comedy that can be appreciated universally. With four actors at the top of their games and a razor-sharp script made even better by some well-done improv, it proves that you don’t need to go low to get great laughs.
