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    Super Superheroes

    Batman v Superman reaches super status with knockout action

    Alex Bentley
    Mar 25, 2016 | 12:00 am
    Batman v Superman reaches super status with knockout action
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    Prior to seeing Batman v Superman: Dawn of Justice — and can a brother buy an “s” or a period for that title? — I was skeptical. Could director Zack Snyder and his filmmaking team make a coherent narrative out of their bald-faced attempt at keeping up with Marvel in the ongoing war for your moviegoing dollars?

    The previous Superman movie, Man of Steel, was tone-deaf, laying waste to much of Metropolis and its residents without so much as a second thought. Ben Affleck’s taking over Batman’s cowl and cape from Christian Bale is also questionable. Could they really overcome their previous missteps and deliver an entertaining film?

    The answer is yes, with a few caveats. Snyder and screenwriters Chris Terrio and David S. Goyer have created a world in which a rivalry between the two superheroes at least makes narrative sense. In fact, Batman’s anger at Superman (Henry Cavill) almost seems to be an apology from Snyder for Man of Steel, as it stems from Superman’s climactic fight with General Zod (Michael Shannon).

    There’s little nuance to anything in the movie, as the filmmakers prefer to show their cards up front and let them fall where they may. Explanations for everything from Batman’s dinosaur voice to how close Metropolis and Gotham City are to each other are laid bare, leaving little mystery to anything in the story.

    With multiple characters to serve, including Lois Lane (Amy Adams), Lex Luthor (Jesse Eisenberg), and Diana Prince/Wonder Woman (Gal Gadot), the danger existed that there would be too much going on for the film to be enjoyable. But the filmmakers keep things relatively simple, and the performances by the main actors are more than enough to sustain momentum.

    The simplification of the plot does lead to more than a few “just go with it” moments, as characters luckily — magically? — turn up at the right place at the right time. But because it is a superhero movie, you need to be willing to turn up your sense of disbelief if you’re going to get any enjoyment out of it at all.

    And somehow, much to my surprise, the on-the-nose nature of the film is superseded by the sheer entertainment value, especially the action scenes.

    Two elements in particular stand out. Eisenberg is perfectly cast as Luthor, giving him an uneasy smarminess that makes the character one of the few reasons to smile in the movie. Meanwhile, Gadot doesn’t get a lot to do, but when it comes time for her big moment, it’s as iconic an entrance as anyone could hope for, replete with her own rockin’ theme music.

    As for the two big guys, both Affleck and Cavill give solid, if not earth-shattering, performances. They’re hamstrung a bit by the limits of the story and their characters, so there’s never a feeling of rooting for one over the other. But they do nothing to embarrass themselves and prove that their continued inhabitation of the roles should be something to anticipate, not dread.

    Yes, Batman v Superman is almost unrelentingly dark, making the two-and-a-half hour movie tougher to get through than the lighter-toned Marvel movies. But it ultimately earns its superhero stripes thanks to great performances and some truly knockout action scenes.

    Ben Affleck and Henry Cavill in Batman v Superman: Dawn of Justice.

    Ben Affleck and Henry Cavill in Batman v Superman
    Photo by Clay Enos/ TM & © DC Comics
    Ben Affleck and Henry Cavill in Batman v Superman: Dawn of Justice.
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    Movie Review

    The Invite delivers smart, sexy laughs with an all-star cast

    Alex Bentley
    Jul 10, 2026 | 11:40 am
    Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite
    Photo courtesy of A24
    Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite.

    Once upon a time, well before scandal embroiled him, Woody Allen made great comedies aimed at adults. That type of film - which is different from the raunchy, R-rated comedies of the 21st century - has fallen out of favor in Hollywood, but as the new film The Invite proves, when done well it can be as funny as anything else out there.

    Joe (Seth Rogen) and Angela (Olivia Wilde) are an unhappily married couple living in San Francisco. As we meet them, Joe has arrived home to Angela preparing for a visit from their upstairs neighbors, Hawk (Edward Norton) and Piña (Penélope Cruz), who have moved in relatively recently. Their impending arrival starts a new round of arguing between Joe and Angela, something they can barely contain once the other couple comes to their door.

    What proceeds is a getting-to-know-you process that is mostly awkward as Joe and Angela continue sniping at each other while Hawk and Piña put in their two cents in a much calmer manner. A sticking point between the two couples - the loud sex Hawk and Piña have on an almost nightly basis - turns the film on its head with an unexpected invitation.

    Directed by Wilde and written by Will McCormack and Rashida Jones, the film is a fast-paced chamber piece that takes place almost entirely in Joe and Angela’s apartment. Wilde, the writers, and the actors speed the story along not with action but through almost non-stop dialogue that often has the characters overlapping each other’s lines. The rapidity of the speech fuels the humor of the situation and establishes the differing personalities of each person.

    Sex is very much top of mind for each of the characters for most of the film, but the filmmakers approach the topic in such a way that it never feels salacious. Each of the characters is a rational adult who can talk about sex in a mature manner while also acknowledging their unique feelings on the matter. And it’s the discoveries each of them makes along the way that brings about the most comedy.

    But, like any comedy for adults, the film also has a dramatic tilt to it, and Wilde edges the story back-and-forth between the two tones extremely well. Joe and Angela fighting is played for laughs at times, but the sadness of their relationship comes through loud and clear. Hawk and Piña are much more intimate with each other, but the funniness of their openness is juxtaposed with a depth that arises through their conversations.

    In the 2020s, Rogen has managed to make the transition from goofy stoner to stoner with real acting chops. In a stacked cast, he is the one who sells every moment the best. That’s not to say that Wilde, Norton, and Cruz don’t measure up, though; each of them inhabits their respective roles magnificently. The four actors play off each other as if they had been working together for years.

    While The Invite will likely play better to those who have experience with long term relationships, its insights - and occasional bawdiness - make it a comedy that can be appreciated universally. With four actors at the top of their games and a razor-sharp script made even better by some well-done improv, it proves that you don’t need to go low to get great laughs.

    ---

    The Invite is now playing in theaters.

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