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    Cheaters Never Prosper

    Breathe In brings nothing new to infidelity genre

    Alex Bentley
    Mar 28, 2014 | 12:00 am
    Breathe In brings nothing new to infidelity genre
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    There have been so many different books, movies and television shows that explore illicit relationships between older men and younger women that the storyline could probably be considered its own genre.

    What that means, however, is that anyone who wants go down that well-trodden road again better bring something truly special to the table.

    Unfortunately for Breathe In, there’s nothing particularly memorable about it. It centers on the Reynolds family — father Keith (Guy Pearce), mother Megan (Amy Ryan) and daughter Lauren (Mackenzie Davis) — who welcome in a friend’s daughter, Sophie (Felicity Jones), as an exchange student from England.

    There are lots of small moments that add up to the ultimate attraction, so by they cross that line, it’s no real surprise.

    Keith is a high school music teacher hoping to make it as a full-time orchestra member, and Sophie, who shows much promise on the piano, seems to understand exactly what it takes to be great in that field.

    As Sophie shows more and more interest in him and his work, he finds himself inexorably drawn to her.

    To his credit, writer/director Drake Doremus takes his time trying to establish a connection between Keith and Sophie. There are lots of small moments that add up to the ultimate attraction, so by the time they decide to cross that line, it’s no real surprise.

    But what Doremus forgets to include is any true-to-life emotion. Although the film has some original flourishes, it’s hard to escape the paint-by-numbers feel that comes with this kind of story. And because none of the four main characters stands out in any way, it’s difficult to root for or against any of them.

    Doremus and co-writer Ben York Jones never give Keith any big reason to stray from his family, which is perfectly fine except that it doesn’t really make for a compelling film. The movie doesn’t seem to contain any kind of overarching message, at least not one that’s been said a million times before, so Keith just comes off as your average cheater.

    None of the story problems are the fault of the actors, however. Pearce, Jones, Ryan and Davis all acquit themselves well even when the situations don’t live up their standards. Jones appears on her way to becoming Doremus’ muse, as she was also at the center of his last film, Like Crazy.

    If seeing two people make poor choices that cause a family to fall apart sounds like your cup of tea, by all means put Breathe In at the top of your list. But for all of you who have seen this kind of film many times before, it’s not worth your time.

    Felicity Jones in Breathe In.

    Felicity Jones in Breathe In
    Photo courtesy of Cohen Media Group
    Felicity Jones in Breathe In.
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    Critics' choice

    DFW film critics name One Battle After Another best movie of 2025

    Alex Bentley
    Dec 17, 2025 | 9:32 am
    Leonardo DiCaprio in One Battle After Another
    Photo courtesy of Warner Bros. Pictures
    Leonardo DiCaprio in One Battle After Another.

    The Dallas-Fort Worth Film Critics Association has voted Paul Thomas Anderson's action thriller One Battle After Another the best film of 2025, according to the results of its 32nd annual critics’ poll released on Wednesday, December 17.

    The top award was one of five wins for the film in the poll, including Leonardo DiCaprio as Best Actor, Teyana Taylor as Best Supporting Actress, and Anderson for both Best Director and Best Screenplay.

    After One Battle After Another, the rest of the top 10 films in the poll were, in order, Sinners, Marty Supreme, Hamnet, Sentimental Value, Train Dreams, Frankenstein, Jay Kelly, Bugonia, and It Was Just an Accident.

    In addition to DiCaprio and Taylor, other acting awards included Rose Byrne as Best Actress for If I Had Legs, I'd Kick You and Stellan Skarsgård as Best Supporting Actor for Sentimental Value.

    The two other behind-the-scenes awards both went to Sinners, including Best Cinematography for Autumn Durald Arkapaw and Best Score for Ludwig Göransson.

    Sentimental Value also took home the award for Best Foreign Language Film, while Netflix got double wins with The Perfect Neighbor for Best Documentary and KPop Demon Hunters for Best Animated Film.

    The Russell Smith Award, given annually by the DFWFCA to the best low-budget or cutting-edge independent film, went to It Was Just an Accident.

    The Dallas-Fort Worth Film Critics Association consists of 26 broadcast, print, and online journalists from throughout North Texas. For more information, visit dfwcritics.com.
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    Author Alex Bentley is a member of the Dallas-Fort Worth Film Critics Association.

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