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    Film to Inspire Action

    Infuriating Hunting Ground does what every good documentary should

    Alex Bentley
    Apr 3, 2015 | 12:00 am
    Infuriating Hunting Ground does what every good documentary should
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    Based on the title, more than a few people are bound to think that The Hunting Ground is the latest thriller to hit the scene, perhaps starring an aging actor looking to regain his former glory. Instead, it’s an infuriating documentary that takes a deep look at something more chilling than anything Hollywood could dream up.

    Directed by Kirby Dick (This Film is Not Yet Rated, The Invisible War), the film tackles the issue of sexual assaults on college campuses. More specifically, it goes into great detail about how many colleges and universities do everything in their power to discourage the reporting of rapes in order to keep their schools more attractive for current and potential students.

    Dick and his producing partner, Amy Ziering, interview a slew of women — and a few men — and their stories are distressingly similar. After their assaults, they approach people in their respective colleges’ administrations, assuming they can help file a report and catch the perpetrators. Instead, the victims receive a variety of unhelpful responses that essentially boil down to, “Wouldn’t it be best if you just forgot about it and moved on?”

    Unsurprisingly, the biggest reason for this treatment is money. If universities were to be honest about the number of rapes and sexual assaults that occur on campuses — and none is immune — then they run the risk of being labeled “the rape college.” Instead of doing the right and moral thing, many colleges insulate themselves in order to keep alumni donations and new students rolling in.

    Although the 90-minute film presents much to be angry about, Dick and Ziering do offer a sliver of hope. Annie Clark and Andrea Pino, two University of North Carolina students who were raped during their time there, have started End Rape on Campus, a crusade to hold universities responsible for non- or under-reporting of rapes.

    Using Title IX, which ensures equal treatment for men and women at schools that receive federal funding, they’ve filed complaints at colleges across the United States in the hope that administrations will change their ways when faced with the possibility of losing money. Given that it’s such a huge undertaking, their quest is left mostly unresolved, but they do seem to have galvanized enough people to keep the issue at the forefront for years to come.

    The Hunting Ground will leave you sad, enraged and dumbfounded about how some young women are still treated in this day and age. In other words, it does what any great documentary should: It inspires action.

    College campuses can be harrowing places for women.

    Scene from The Hunting Ground
    Photo courtesy of Radius-TWC
    College campuses can be harrowing places for women.
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    news/entertainment

    Movie Review

    Lust eclipses romance in new adaptation of 'Wuthering Heights'

    Alex Bentley
    Feb 12, 2026 | 2:15 pm
    Jacob Elordi and Margot Robbie in Wuthering Heights
    Photo courtesy of Warner Bros. Pictures
    Jacob Elordi and Margot Robbie in Wuthering Heights.

    Emily Brontë’s 1847 novel Wuthering Heights is one of those classic books assigned in high school English classes, and it has received a number of film adaptations over the years, each of which differ in numerous ways from the source material. Purists won’t receive any reprieve from Emerald Fennell’s 2026 adaptation, with a title that is stylized as "Wuthering Heights” for good reason.

    Cathy (played as an adult by Margot Robbie) and Heathcliff (Jacob Elordi) have known each other their entire lives, with Cathy’s alcoholic and inveterate gambler father (Martin Clunes) taking in Heathcliff on a whim when he was a boy. The two bond as they grow up together, although Cathy always seems to have an eye on moving up in society from their relatively impoverished lifestyle.

    Cathy finally gets her wish when the rich Linton familyled by Edgar (Shazad Latif), moves in down the road, Despite discovering she has feelings for the now grown-up Heathcliff, Cathy sees Edgar as her way out and agrees to marry him. A scorned Heathcliff flees, returning years later as mysteriously wealthy. His reappearance ignites something in Cathy’s soul, and the two engage in a perhaps unwise affair.

    Fennell (Promising Young Woman, Saltburn) infuses the dusty material with an energy that’s not typically present in stories set in this particular time and place. Aside from the occasional Charli XCX song (the singer created a whole concept album for the film), the film looks and feels like a period piece, albeit one that doesn’t get bogged down in the drudgery that can sometimes come from films set in the distant past.

    Much of that has to do with the lust the filmmaker puts into the story. Even if you’re not familiar with Brontë’s book, you can rest assured that Fennell has strayed far from the text, giving Cathy and Heathcliff thoughts and actions unthinkable in the 19th century. Fennell plays with expectations by opening the film with audio featuring creaking noises and a man grunting, conjuring up a situation far different than what is actually happening, and she also makes liberal use of rain, sweat, and tears to make the actors enticing.

    What she can’t do, however, is make the two lead characters compelling. Cathy is a striver who never seems to know what she wants out of life, and Heathcliff goes from a bore to a brute over the course of the film, with no clear indication that he likes anybody, much less Cathy. Anyone expecting some kind of grand romance will be disappointed as Fennell is much more interested in making the film weird, like having the walls of Cathy’s room look like her skin, complete with freckles.

    Robbie and Elordi do well enough with the material, and it’s clear that both of them are committed to bringing Fennell’s vision to life. Their styles tend to balance each other out, and if the story had been committed to their characters’ relationship, they might be lauded for their chemistry. In the end, though, the supporting actors feel more interesting, including ones played by Hong Chau, Alison Miller, and Clunes.

    This version of Wuthering Heights should never be construed as an alternative to reading the book for any high schoolers out there. While Fennell makes the film interesting with her technical filmmaking choices, the story never finds its footing as it fails to sell the one thing that it seems to promise.

    ---

    Wuthering Heights opens in theaters on February 13.

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