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Movie Review

Hormonal teenagers journey in search of new planet in Voyagers

Alex Bentley
Apr 8, 2021 | 4:45 pm
Hormonal teenagers journey in search of new planet in Voyagers
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Plenty of films have dealt with the possibility of another habitable planet in the universe, as well as the existential need for such a place given how humans have not treated the Earth well over the course of history. While some films go the philosophical route or explore the dangers of space travel, the makers of the new film Voyagers figured they would be different and just make it about horny and angry teenagers.

In the world of the film, humanity has come up with a plan to send a group of people to a newly discovered Earth-like planet after Earth has grown too hot and filled with drought and disease to sustain life. But because it will take 86 years to reach said planet, the group is made up almost entirely of young people, born and raised in isolation, whose children and grandchildren will be the ones to actually set foot on the new world.

Mission leader Richard (Colin Farrell) does his best to keep the group in line, mostly through the use of a blue drink that suppresses the kids’ hormonal urges. But when two of them, Christopher (Tye Sheridan) and Zac (Fionn Whitehead), discover the truth about the drink, they stop taking it, setting in motion a series of events that allows the young people to experience their full range of emotions for the first time, for good and for bad.

Written and directed by Neil Burger, the film skips over a lot of ethical and practical questions about the space journey in favor of getting right to the juicy part of kids acting crazy in a confined space. The big problem is that because the group has been emotionally-stilted since birth, anyone who acts out seems supremely odd, and not in a good-for-the-story kind of way.

Burger seems to have given his cast permission to act as strange as possible, leading to a host of awkward moments where one person is acting over the top while another is staring blankly. What’s meant to be an interesting juxtaposition between characters who are finally seeing the light and those still under the drug’s spell comes off instead as goofy, laughable interactions.

And that’s to say nothing of Burger trying to inject a possible alien story into the mix. For kids who’ve been sheltered literally their entire lives, they sure seem to know a lot about things they’ve never seen before. The third act of the film succeeds somewhat as an action set piece, but because the film doesn’t establish many connections between characters earlier, there’s not much to hold on to in the end.

Both Sheridan (Ready Player One) and Whitehead (Dunkirk) are actors on the rise, but neither is done any favors by the inert script. Lily-Rose Depp, whose character is in a sort of love triangle with Christopher and Zac, has a nice presence that serves her well in her first major role. Most of the rest of the actors remain as anonymous as their characters.

Voyagers brings up a lot of questions about the future of humanity, the Earth, and space travel, but instead of trying to address those in any meaningful way, it instead throws a bunch of hormonal teenagers together merely to see what happens. The result is not exciting on any level, and should not be sought out by moviegoers desperate for a trip to the theater.

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Voyagers opens in theaters on April 9.

Tye Sheridan and Lily-Rose Depp in Voyagers.

Tye Sheridan and Lily-Rose Depp in Voyagers
Photo by Vlad Cioplea
Tye Sheridan and Lily-Rose Depp in Voyagers.
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Movie Review

The life of an actor is far from rosy in dramedy Misty Green

Alex Bentley
Oct 9, 2026 | 2:00 pm
Rosalind Eleazar in Misty Green
Photo courtesy of A24
Rosalind Eleazar in Misty Green.

For every well-known/successful actor in Hollywood, there are thousands of others whose lives are more tenuous as they struggle to find work. The new film Misty Green is about one such actor who, after a period in the limelight, now finds herself on the outskirts of the industry, just hoping to find her way back in.

Misty (Rosalind Eleazar) won an Emmy for a 2000s-era TV show that still gets her recognition, but not much work. Still living in the apartment of a recently-deceased man with whom she was having an affair, Misty spends her days sleeping in and her nights getting blitzed on alcohol and drugs. She seems to be heading nowhere fast until a few things coincide to break up her routine.

The man’s wife (Amy Landecker) shows up and tells her she has seven days to vacate the apartment; Misty’s brother, Jay (Daniel Kaluuya) — who is bipolar — arrives after being kicked out of his facility for non-payment; and Jordan (Chris Rock), a former colleague with whom she had a falling-out, reappears in her life, offering a possible chance to rehabilitate her image.

Written and directed by Rock (his first feature since 2014’s Top Five), the film is a funny and excruciating look at how the entertainment industry might actually work. Misty is her own worst enemy thanks to late nights fraternizing with unsavory characters like Zach (Adam Driver), who deals in drugs and women in equal measure, but her frustration proves warranted when her agent, Randy (Topher Grace), and casting directors like Rhonda (Tracie Thoms) hardly give her the time of day.

Misty tries her best to stay positive, but when jobs like singing in a bar are the best she can do, the mountain seems insurmountable. Rock does an effective job of demonstrating the elements that are within and without Misty’s control that affect her ability to regain her position in the industry. The chip on her shoulder is almost as big as the bias some have against her, and other negative circumstances don’t help matters much.

There are many small touches that Rock and his crew put in the film to give it an air of authenticity. Filming in Los Angeles (a rarity these days), Rock uses both subtle and overt shots of homeless people in the city, suggesting that the line between the haves and have-nots is a fine one, especially with Misty on the verge of not having a place to live. He also has cameos from a few of his funny friends, including a bit of meta-casting of Anthony Anderson (who has faded a bit after starring in Black-ish) in a bit part as a cop.

Eleazar, a British actor best known for appearing on the Apple TV show Slow Horses, is a magnetic presence as Misty. The character herself is somewhat cringey in her decision-making, and Eleazar sells every bit of her righteous indignation and self-defeating actions. The supporting cast is great across the board, including Rock, Driver, Kaluuya, Thoms, Grace, Anna Kendrick, and Rich Sommer.

Misty Green makes you rage against the Hollywood machine, laugh at the various ways different people deal with its maddening quirks, and hide behind your fingers as Misty chooses options that don’t help, either voluntarily or because her back is against the wall. It’s a powerhouse of acting that gives a unique angle on the inner workings of Hollywood, one that ironically might be competing for awards at year’s end.

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Misty Green is now playing in theaters.

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