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    Movie Review

    Dwayne Johnson's Rampage gives monster movies a bad name

    Alex Bentley
    Apr 12, 2018 | 3:54 pm
    Dwayne Johnson's Rampage gives monster movies a bad name
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    Dwayne Johnson has become a big enough movie star that it’s more than fair to start questioning his choices. With 10 out of his last 14 movies earning over $100 million, and many of them making well above that mark, he can get approval for almost any movie he wants to make.

    So why, apart from the obvious answer of money, does he continue to attach his name to such dreadful material? His latest awful outing is Rampage, which is very loosely based on the popular ‘80s video game. Johnson plays Davis Okoye, a primatologist at the San Diego Wildlife Park who works well with one of the park’s gorillas, George.

    When a weaponized version of the gene-editing serum called CRISPR (which is a real thing) gets plunked down at several spots in the U.S. after a space station accident, George, a wolf, and an alligator all inadvertently get transformed into gigantic, aggressive versions of themselves. They proceed to create havoc, and it’s up to Davis and rogue scientist Dr. Kate Caldwell (Naomie Harris) to find a way to stop them.

    The result is one of the most inane, uninspired, and lazy movies I have ever seen. And I’m not even talking about the story; it’s almost a given that this type of movie will have plot holes a mile wide. But the fact that director Brad Peyton and the quartet of writers (who include Lost’s Carlton Cuse) consistently go for the easy and dumb ways of trying to entertain the audience should be insulting to any moviegoer, discerning or not.

    They give us villains (Malin Akerman and Jake Lacy) who are evil for no apparent reason and whose motives appear to stem from the presence of the original Rampage video game in their offices. The wolf and alligator acquire wild side effects from the serum, but George only becomes bigger so that he doesn’t appear too monstrous. And, like Pacific Rim Uprising and other destructive movies, they expect us to get excited over the demolition of many buildings and vehicles, even if that means that we’re seeing hundreds or thousands of innocent people die in the process.

    Johnson puts on his usual charm offensive, but it’s in support of such a generic and uninteresting story that it takes him down. They pay lip service to Harris’ character being smart and capable on her own, but she never gets a chance to show it. The only truly entertaining actor is Jeffrey Dean Morgan, who chews the scenery as a government official with zeal, showing he’s the only one who understands what the movie should have been.

    Johnson has shown glimpses through the years of using his powers for the good of moviegoers, but Rampage indicates that he’s still much more interested in making money than making good movies. It’s possible he can change, but I wouldn’t bet on it anytime soon.

    Dwayne Johnson in Rampage.

    Dwayne Johnson in Rampage
    Photo courtesy of Warner Bros. Pictures
    Dwayne Johnson in Rampage.
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    New Theater

    Premieres lead the way in Dallas Theater Center's 2026-27 season

    Alex Bentley
    Mar 27, 2026 | 2:00 pm
    Aigner Mizzelle and Okieriete Onaodowan in the off-Broadway production of The Monsters
    Photo courtesy of Manhattan Theatre Club
    The Monsters, which started off-Broadway, will make its regional premiere as part of Dallas Theater Center's 2026-27 season.

    The 2026-2027 season for Dallas Theater Center will feature six productions, including three world premieres, a regional premiere, a returning favorite, and a to-be-determined sixth production.

    The inaugural season of incoming Enloe/Rose Artistic Director, Jaime Castañeda, will be marked by a renewed commitment to new work at Dallas Theater Center.

    That starts with with the world premieres of three new shows:

    • The Cold War thriller Reykjavik86 by Gabe McKinley, which brings the 1986 nuclear summit between Ronald Reagan and Mikhail Gorbachev to life on stage. It will be the initial production of the season, running September 11-27, 2026 at Wyly Theatre.
    • The dark comedy musical Kill Local, with a book by Mat Smart and music and lyrics by Liza Anne, is about Sheila and her sister, Abigail, who work together for their mother’s small family business, which just so happens to be assassins. It features killer songs about blood ties, revenge, and how hard it is to get unstuck. It will run March 26-April 11, 2027 in the Wyly Studio Theatre
    • The Making of a Saint by KJ Sanchez is theatrical exploration of faith and family in which KJ, a documentary writer/performer, sets out to understand the story of Sister Blandina, whom KJ's brother is helping to canonize. It will be the final scheduled show of the season, running May 14-June 6, 2027 in the Wyly Studio Theatre.

    Joining them will be the regional premiere of The Monsters by Ngozi Anyanwu, about a scrappy young fighter named Lil who is ready to enter the ring. She reconnects with her brother Big, an accomplished fighter in the local MMA scene and tries to earn his respect.

    The production, which just finished a critically acclaimed Off-Broadway run on March 22, runs October 9-November 1, 2026 in the Wyly Studio Theatre.

    A yet-to-be-named fifth production, which will be announced on June 1, will run February 5-21, 2027 in the Kalita Humphreys Theater.

    All of those productions will be part of the season subscriptions. Dallas Theater Center's annual holiday production of A Christmas Carol, running November 27-December 27, 2026 at Wyly Theatre, can be added on.

    “New work is the engine of the American Theater, and Dallas Theater Center will be a laboratory for artists who have something urgent and honest to express today,” said Enloe/Rose Artistic Director Jaime Castañeda in a statement. "These plays are about the now, and they are events for the stage that are in direct conversation with the audience."

    DTC’s Diane and Hal Brierley Resident Acting Company members will be featured throughout the 2025-26 season, including Christina Austin Lopez, Tiana Kaye Blair, Blake Hackler, Bob Hess, Liz Mikel, Alex Organ, Molly Searcy, Tiffany Solano, Sally Nysteun Vahle, Esteban Vilchez, Zachary J. Willis, and Bri Woods, who is the Linda and Bill Custard SMU Meadows Actor.

    Subscriptions for the 2026-27 season are available now, and can be purchased online at DallasTheaterCenter.org or by calling the DTC Box Office at 214-522-8499.

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