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Behind Frenemy Lines

Would-be enemies find common ground in war movie Zaytoun

Dallas International Film Festival
Apr 13, 2013 | 10:00 am
Dallas International Film Festival, Zaytoun play icon
Abdallah El Akal and Stephen Dorff star in Zaytoun.
Photo courtesy of Dallas international Film Festival

During the 1982 war between Israel and Lebanon, many Palestinians were forced to flee to Beirut and live as refugees, with men, women and children setting up makeshift camps far from the battlefield. In Zaytoun (playing at Angelika Film Center April 14), the war literally comes crashing down on them one day as an Israeli fighter pilot (Stephen Dorff) lands outside the camp.

A group of gun-wielding pre-teens watches guard over this new prisoner of war. Among these displaced children is Fahed (Abdallah El Akal), whose father died in an Israeli air attack and left behind only a small potted olive tree from their homeland.

Fahed dreams of one day returning home and replanting the tree, while Yoni knows he must escape the camp or face death at the hands of his captors. So the unlikely duo makes a deal to escape.

Below, Zaytoun producer Fred Ritzenberg discusses the bond that Fahed and Yoni create, resulting in an engaging story of two would-be enemies who work together in search of home.

DIFF: Though Yoni and Fahed are never truly depicted “at war” on a battlefield, the two are certainly fighting against many things. What are they fighting against?

Fred Ritzenberg: I think Yoni and Fahed are very much “at war.” The war takes place in the refugee camp and on the road to Israel. Lebanon is in the middle of a 15-year civil war. Many factions are fighting one another.

Yoni is the object of Fahed’s anger directed toward the pilot who killed his father in an air raid. He is also at war with the people who make his life so difficult.

His frustration of not being able to return to the ancestral land and being a virtual prisoner in Beirut further fuels the hatred directed toward Yoni — so much so that he shoots the prisoner in the butt. He denies Yoni water when they first meet. He steals a picture of Yoni’s wife and taunts him with his freedom.

The turn is when they stop fighting each other and fight for their survival, which forces a bond between them.

DIFF: Which is more difficult: winning a war or winning hearts and minds?

FR: Zaytoun tells the story of two people with opposing points of view learning to see the other’s perspective. Yoni and Fahed are forced together by circumstances and learn to survive by gaining the trust of one another. That is the reason that Fahed and Yoni were able to walk away from this experience changed.

They won the hearts and minds of one another, which gives us hope. Sadly, the war escalates at the end of the story.

DIFF: What do Yoni and Fahed see in each other that allows them to overcome their roles as enemies?

FR: Yoni first sees Fahed as an impulsive, temperamental and dangerous boy who will eventually become a terrorist. Fahed sees Yoni as the pilot responsible for killing his father in an air raid. He sees him as a coward and the enemy.

Yoni and Fahed share a similar experience but aren’t aware of it until the end of the story: the tragedy of losing a father during war. This parallel story binds them in ways they don’t fully understand until the end of the film. They share a similar story but with opposite sides.

Abdallah El Akal and Stephen Dorff star in Zaytoun.

Dallas International Film Festival, Zaytoun
Photo courtesy of Dallas international Film Festival
Abdallah El Akal and Stephen Dorff star in Zaytoun.
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Movie Review

A collision of humor and dark history make an impact in Wild Horse Nine

Alex Bentley
Nov 5, 2026 | 10:58 am
Sam Rockwell and John Malkovich in Wild Horse Nine
Photo courtesy of Searchlight Pictures
Sam Rockwell and John Malkovich in Wild Horse Nine.

It’s difficult to nail English writer/director Martin McDonagh down when it comes to his interests. Prior to his new film, he has set films in Bruges, Belgium; Los Angeles; the fictional small town of Ebbing, Missouri, and a remote island in Ireland, with stories that deal with crime, grief, lifelong friendships, and a kidnapped Shih Tzu. What all his films have in common though, is comedy that is mined through absurdity, something that is on full display in Wild Horse Nine.

Chris (John Malkovich) and Lee (Sam Rockwell) are CIA agents in 1973, currently stationed in Chile, with a mission that Lee tries to hide but Chris broadcasts willingly. Their assignment is to undermine support for the newly-elected socialist president, Salvador Allende, but the film is not really about that. Instead, it follows the duo on a break from work as they decide to take a side trip to Rapa Nui (aka Easter Island) so that Chris can fulfill his dream of seeing “the big heads.”

Once they’re there, Chris and Lee bicker over various things, including Chris being too open with two younger women, Monica (Mariana di Girolamo) and Alicia (Ailín Salas); who gets control over their rental car; the long-distance interference of CIA station chief MJ (Steve Buscemi); and more. All the while, a mostly unspoken agreement between Chris and Lee colors every decision they make, including why they came to Rapa Nui in the first place.

McDonagh has full control over the narrative of the film from minute one, establishing the tone through the super-quick banter between Chris and Lee that points to the strong bond the two share. A later revelation deepens the meaning of the story without taking away from the humor that comes from Chris and Lee sniping at each other. Despite the two characters not getting much of an introduction, they become a very memorable movie twosome as the film goes along.

A good working knowledge of 20th century world history is helpful, as McDonagh drops in subtle and not-so-subtle hints about the CIA’s involvement in certain notable events (including the JFK assassination, which takes on larger importance as the story goes on). Using real history like the impending coup d'état in Chile as a backdrop for the fictional story grounds the film, allowing the characters to engage in sometimes farcical elements without ever seeming like unserious people. It’s also a sly commentary on current events, with the U.S. continuing to insert itself into other countries’ affairs.

The impact of the film is immeasurably improved by the fact that they filmed on location in Chile and Rapa Nui. Having Chris and Lee visit the “big heads” (aka moai) while referencing them in their dialogue is both awe-inspiring and hilarious. There’s just something about the characters being able to get up close and personal with the ancient sculptures that makes the film feel more important than if they had employed CGI to put them there.

Malkovich is a two-time Oscar nominee with a storied career, but this performance ranks as one his best. With a face that unashamedly shows his 73 years and pitch perfect line deliveries, he nails every scene that he’s in. Rockwell complements him extremely well, giving a performance that fits in with his previous work but rarely on such a high level. Buscemi is also a pleasure to watch, popping up to steal small moments just like he did in the recent The Only Living Pickpocket in New York.

Save for a few action scenes, Wild Horse Nine is mostly filled with characters talking, but the level of the conversations and the comical moments that McDonagh has created contain cannot be understated. With a tour-de-force performance by Malkovich, a real world setting, and a funny twist on history, it’s one of the best movies of the year.

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Wild Horse Nine opens in theaters on November 6.

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