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    Award Winning Films

    Dallas International Film Festival spreads love with array of audience and jury awards

    Alex Bentley
    Apr 14, 2014 | 12:10 pm

    The 2014 Dallas International Film Festival has come and gone, but in its wake are the films that left big impressions on both the audiences and jury that saw them. DIFF presented its Audience and Jury Awards this weekend, and although the two groups didn't see eye to eye on the winners, that just allowed for more films to get a little love.

    The Audience Awards went to Noble for Best Narrative Feature, Queens & Cowboys: A Straight Year on the Gay Rodeo for Best Documentary Feature and Verbatim for Best Short Film.

    The DIFF jury awarded Grand Prizes to Hellion for Best Narrative Feature and Flutter for Best Texas Feature.

    The DIFF jury awarded Grand Prizes to Hellion for Best Narrative Feature, The Special Need for Best Documentary Feature, Flutter for Best Texas Feature, Afronauts for Best Short Film, The Missing Scarf for Best Animated Short Film and A Grand Canal for Best Student Short Film.

    The jury also gave out special prizes to Brazilian Western for Narrative Feature Directing, 1982 for Narrative Feature Ensemble Performance, Evolution of a Criminal for Documentary Feature Directorial Vision, Tomato Republic for Texas Feature, Easy for Short Film and Ni-ni for Student Short Film.

    The Silver Heart Award, given to the film that best exemplifies the dedication to fighting injustices and/or creating social change for the improvement of humanity, was given to Private Violence, with a special jury prize going to Above All Else.

    The jury Grand Prize winners all received encore screenings on Saturday, while the audience winners were shown again on Sunday. In all, the filmmakers responsible for the award-winning films received more than $50,000 in prizes and grants.

    If you happened to miss any of these films, you'll soon have an opportunity to see at least a couple of them again. Ni-ni will also be playing as part of the Student Shorts program at the upcoming USA Film Festival, while Hellion, which stars Aaron Paul and Juliette Lewis, will be released later in 2014 after being picked up by Sundance Selects.

    Hellion won the Grand Prize from the Dallas International Film Festival jury.

    Hellion
    Photo by Lauren Logan
    Hellion won the Grand Prize from the Dallas International Film Festival jury.
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    news/entertainment

    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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