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    bring on the bunnymen

    Influential '80s band Echo & The Bunnymen bring on a Dallas stop in new tour

    Steven Devadanam
    May 18, 2022 | 9:12 am
    Ian McCulloch Echo & The Bunnymen
    Lead singer Ian McCulloch hits Dallas with the band this August.
    Echo & The Bunnymen/Facebook

    In yet another jolt to Gen-Xers’ “it’s been how long!?” sensibilities, one of the most influential bands in modern British music history has just announced a North American tour celebrating 40 — yes, 40 — years.

    Innovative pop-New Wave act Echo & The Bunnymen will visit three Texas cities during the tour, including Dallas’ House of Blues on Friday, August 19. They'll also hit up Houston at House of Blues on Wednesday, August 17 and Austin’s Austin City Limits Live at The Moody Theater on Tuesday, August 20.

    Tickets for the 2022 North American tour will be available at 10 am Friday, May 20 online.

    Fans can expect at least 20 of the Bunnymen’s top-20 hits, such as “The Killing Moon,” “Lips like Sugar,” “Bring On the Dancing Horses,” “Never Stop,” “Seven Seas,” and “Nothing Lasts Forever.” The band also boasts nine, seminal, top-20 albums, including Crocodiles, Heaven Up Here, Porcupine, and Ocean Rain — all of which have served as inspiration and foundations for modern acts such as Coldplay (who covered “Lips Like Sugar,”), The Killers, Hole, and The Flaming Lips.

    Led by lead singer Ian McCulloch (no, he’s not “Echo”) and his gravity-defying hair and Bowie-esque crooning, Echo & The Bunnymen were smart, stylish leaders of the ’80s post-punk movement, crafting irresistibly catchy hooks and instrumentation.

    Singles such as the poppy, anthemic “Bring On the Dancing Horses” were perfectly defining matches in 1980s teen movies such as Pretty in Pink, while the moodily upbeat “The Killing Moon” is widely considered the band’s biggest hit.

    Most recently, the band dropped the album The Stars, The Oceans & The Moon in 2018, with Q Magazine anointing the release as “magical.”

    “I can’t wait for this upcoming tour of America and Toronto,” said McCulloch in a statement. “It will be a continuation of the U.K. tour we did in February/March of this year which was my favourite ever tour, and talking to fans and friends after shows and reading loads of brilliant comments from Bunnymen and Bunnywomen, all saying pretty much what I was feeling … that some new magical ingredient had been added to the starlight and the moonbeams and the angels and the devils that live inside the songs.”

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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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