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    Not the Brady Bunch

    Drew Barrymore makes Adam Sandler slightly more tolerable in Blended

    Alex Bentley
    May 23, 2014 | 8:56 am
    Drew Barrymore makes Adam Sandler slightly more tolerable in Blended
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    Adam Sandler is not in the business of surprising people. The vast majority of films released under his Happy Madison Productions banner are comedies that aim for cheap, easy laughs with little character development or logical storytelling.

    So it’s hardly a shocker that his latest, Blended, falls right in line with those that have preceded it. This time around Sandler plays Jim, a widower who is set up on a disastrous blind date with Lauren (Drew Barrymore), a recent divorcee.

    Blended is not as bad as most of Sandler’s films, but it is the weakest of his outings with Barrymore.

    Through a far-fetched series of events, the two separately manage to score a trip to Africa for themselves and their respective children. Once there, however, they discover that the trip is designed to bring blended families together for some bonding time. Thus, two people who can’t stand each other are forced to spend nearly every waking minute together for a solid week.

    Sandler and Barrymore previously co-starred in two of Sandler’s better movies, The Wedding Singer and 50 First Dates, so it’s reasonable to hope she’ll bring out the best in him. And there are definitely moments of real emotion, along with more than a few scenes that strike the right chord of hilarity.

    But because this is Sandler — who once again teams up with director Frank Coraci — anything that resembles normalcy is overshadowed by all manner of ridiculousness. A lot of it is funny the first time around, but Sandler and Coraci beat many funny bits into the ground long after the laughs have expired.

    The plot is straightforward and so transparent it might as well be cellophane. Instead of giving us scenes where characters can actually breathe and grow, we’re treated to random ones in Africa that serve no purpose other than to trick the audience into thinking there’s actually something meaningful going on.

    Sandler and Barrymore still play well off of each other, but early in the film both are so wooden that it seems like they’re reading cue cards. They get better as the film goes along, making the proceedings at least somewhat watchable. Supporting turns by Disney star Bella Thorne, who plays Jim’s tomboy daughter Hilary, and Terry Crews, playing an over-the-top entertainer at the African resort, are the best of the bunch.

    Blended is not as bad as most of Sandler’s films, but it is the weakest of his outings with Barrymore. Sandler has the potential to make a movie that’s both funny and emotionally honest; he just doesn’t seem to want to do it.

    Drew Barrymore and Adam Sandler in Blended.

    Drew Barrymore and Adam Sandler in Blended
    Photo courtesy of Warner Bros. Pictures
    Drew Barrymore and Adam Sandler in Blended.
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    Dallas alt hip-hop group wins prestigious Tiny Desk Contest by NPR

    Brianna Caleri
    May 13, 2026 | 3:00 pm
    Cure for Paranoia
    Cure for Paranoia/Facebook
    As winners of the Tiny Desk Contest, Cure for Paranoia will record their own Tiny Desk concert and go on tour.

    Few live recording studios or musical web series have the cultural sway of NPR's Tiny Desk, and a Dallas band is poised to make an impactful debut: Cure For Paranoia, an alternative hip-hop project by rapper Cameron McCloud and producers Tomahawk Jonez and Jay Analo, has won the high-stakes annual Tiny Desk Contest for 2026.

    They'll record their official Tiny Desk show "soon," the announcement by NPR says.

    Winning the concert also means Cure for Paranoia is going on tour. The only Texas stop will be at Emo's Austin on June 24.

    Tiny Desk is known for platforming both niche and majorly successful artists — NPR posted a new Foo Fighters set on YouTube on May 13 — for stripped-down sets that are literally played behind former All Things Considered director Bob Boilen's old desk. (Fun fact for Texans: Tiny Desk was created because folk artist Laura Gibson was disappointed with the sound at her South by Southwest show in Austin in 2008, and she wanted a redo.)

    Most artists who appear on Tiny Desk more than 15 years later are already well-known, at least in their specific circles. But the Tiny Desk Contest, which launched in 2015, helps a growing group of newer, unsigned artists get their foot in the door. Contestants record one video of them performing a single song behind a desk, and a jury of radio staff and musicians chooses their favorite.

    In their audition video, Cure for Paranoia gathered 11 musicians around a truly tiny desk and in front of downtown Dallas' iconic gigantic eyeball sculpture. They played the song "No Brainer," a frenetic track that starts with clever boasts and becomes a criticism of racism in the United States.

    McCloud, a pre-school teacher, is known independently of Cure for Paranoia for rapping to his social media following about politics and current events. Some of those lyrics made it into "No Brainer." He says he started the group because he found that music was more helpful than medication for coping with bipolar depression and paranoid schizophrenia.

    Alex Marrero, host of the Austin-based KUTX show Horizontes, was one of the judges this year. He was impressed with the visuals in Cure for Paranoia's audition.

    “When this popped up, I immediately felt something different," he wrote in a blurb for the announcement. "It just jumped out. The visuals were super cool and creative, BUT I could still totally envision them bringing the heat behind the Desk.”

    Madison McFerrin, jazz vocalist and daughter of the famous singer Bobby McFerrin, was one of the musical judges.

    "Cure For Paranoia’s energy is infectious, fresh and distinctly theirs — exactly what you want in a Contest winner!" she wrote.

    McCloud's post on Instagram announcing the group's win has only been up for three hours at the time of this article's publication, and it already has more than 8,000 likes. The YouTube audition has garnered 74,000 views.

    musicmusic videonprradiolive musicconcerts
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