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    Movie Review

    Top Gun: Maverick cruises past summer blockbusters with its need for real speed

    Alex Bentley
    May 25, 2022 | 3:45 pm
    Tom Cruise in Top Gun: Maverick.play icon
    Tom Cruise in Top Gun: Maverick.
    Photo courtesy of Paramount Pictures

    So many different movie and TV properties from the 1980s have been rebooted or reimagined over the years that it’s a wonder the decade still has anything to offer. But when Top Gun: Maverick, the sequel to 1986’s Top Gun, was announced, it marked something special, both because it had been over 30 years since the original, and because star Tom Cruise is still operating at the peak of his entertaining powers, a rarity for any longtime Hollywood A-lister.

    Cruise returns as Pete “Maverick” Mitchell, stuck at Captain in the ranks of Naval officers because he still has a penchant for disobeying orders from his superiors. One such stunt that opens the film in a stellar way has Maverick sent back to North Island in San Diego to train the best of the best Top Gun graduates for a special mission overseas, a teaching job that his superior, Beau “Cyclone” Simpson (Jon Hamm), promises will be Maverick’s last post ever.

    Of course, Maverick has no intention of teaching “by the rules,” and so he guides his trainees — which include Jake “Hangman” Seresin (Glen Powell), Bradley “Rooster” Bradshaw (Miles Teller), and Natasha “Phoenix” Trace (Monica Barbaro) — through a series of increasingly risky flight sessions, all to get them prepared for a seemingly impossible scenario.

    Directed by Joseph Kosinski and written by Ehren Kruger, Eric Warren Singer, and Christopher McQuarrie, this is the final major movie that was scheduled for release in 2020 to finally make it to the big screen. And even though some have been frustrated by its multiple delays, the wait was well worth it, as the high-flying action, with the audience right there in the planes for much of it, can only properly be enjoyed in an all-encompassing environment.

    Some sequels try to change things up to offer something new, and some say “if it ain’t broke, don’t fix it.” Maverick falls squarely in that second category, as it essentially offers up the greatest hits from the original in a slightly repackaged manner. You have Rooster, the son of Goose (Anthony Edwards), singing “Great Balls of Fire” just like his dad. You have Maverick romancing Penny (Jennifer Connelly), a bar owner who’s his equal in many ways, just as Charlie (Kelly McGillis) was. You have the Top Gun pilots engaging in a game of shirtless beach football, a tip of the hat to the shirtless beach volleyball game from the first film.

    But what everyone really wants is to be wowed by the fighter plane action, and the film does not disappoint. There’s nothing quite like the thrill of seeing planes fly at hundreds of miles an hour in close proximity to one another, and the effect increases exponentially when we’re put in the cockpit with Cruise or others. Seeing the actors actually experience the debilitating effects of g-force while in a steep ascent ups the verisimilitude of the film so much that you find yourself holding your breath due to the tension.

    The actual mission the pilots are training for is a bit nebulous. The filmmakers make sure that the target, a uranium facility that’s about to become operational, is located in an unnamed country to thwart any unnecessary hand-wringing about maligning a certain area of the world or its people. This lack of specificity keeps that part of the story from meaning all that much, but in the end all we care about is the pilots and their skills.

    I’ve said it many times before, but no other superstar actor gives more to his chosen craft than Cruise. He’s right there in the plane, on the motorcycle, and on the beach, mixing it up with people 25-30 years younger than him, and not seeming out of place in the slightest. The young pilots are all cast well, from established people like Teller and Powell to lesser-knowns like Barbaro, Lewis Pullman, and Jay Ellis.

    What makes Top Gun: Maverick as successful as the original is the willingness to go against the grain of 21st century moviemaking and forgo obvious CGI. The planes, the pilots, and their need for real speed is what makes a Top Gun movie special, and the filmmakers deliver in almost every possible way.

    ---

    Top Gun: Maverick opens in theaters on May 27.

    Tom Cruise in Top Gun: Maverick.

    Tom Cruise, Top Gun Maverick
    Photo courtesy of Paramount Pictures
    Tom Cruise in Top Gun: Maverick.
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    Movie Review

    Amanda Seyfried and Sydney Sweeney go off in trashy film The Housemaid

    Alex Bentley
    Dec 19, 2025 | 12:24 pm
    Amanda Seyfried and Sydney Sweeney in The Housemaid
    Photo courtesy of Lionsgate
    Amanda Seyfried and Sydney Sweeney in The Housemaid.

    Both Amanda Seyfried (the upcoming The Testament of Ann Lee) and Sydney Sweeney (Christy) are starring in movies with Oscar ambitions this year. By sheer coincidence, the two actors are also co-starring in The Housemaid, a thriller coming out within weeks of their more ambitious works, one that is likely to be seen by many more people than those prestige plays.

    Sweeney is given top billing as Millie, a down-on-her-luck ex-convict looking to land any type of job so as not to break her parole. She finds a too-good-to-be-true lifeboat with Nina (Seyfried), who hires her to be a housemaid for her large house on Long Island, where she lives with her husband, Andrew (Brandon Sklenar), and daughter, Cecilia (Indiana Elle).

    After a warm interview, Nina almost immediately becomes highly erratic, whipping back-and-forth between happy-go-lucky and rageful. It seems clear that Nina is suffering from mental health issues, as she’ll often accuse Millie of misplacing or stealing items that she didn’t take. Andrew, apparently used to Nina’s tirades, tries to protect Millie from the worst, something that grows increasingly difficult as Nina ups the ante.

    Directed by Paul Feig (A Simple Favor) and adapted by Rebecca Sonnenshine from the bestselling book by Freida McFadden, the film is likely the trashiest mainstream movie to come out in 2025. The first half of the movie relies not on story but on moments as Nina embodies the word “hysterical” to an unbelievable extent. The resigned acceptance of the abuse by Millie, as well as the saintly patience of Andrew, make almost every scene laughable, as nobody seems to be acting anywhere close to how a person would normally react to such extreme situations.

    The scenes and the performance of Seyfried are so over-the-top, in fact, that it’s clear that the filmmakers are in on the joke. It’s next to impossible not to have a little bit of fun while watching the actors react to outrageous incidents as if nothing is out of the ordinary. The worse Nina acts, the more Millie and Andrew retreat into their chosen roles, and the funnier the film becomes.

    Fans of the book will know that the story changes course, eventually turning into a more stereotypical thriller that also has some relatively gnarly visuals to offer. But the trashiness continues, with Sweeney’s, um, assets repeatedly on display in both clothed and unclothed ways. The sex appeal of the R-rated movie makes it an outlier, as recent studio films have shied away from asking their big stars to disrobe completely.

    Both Seyfried and Sweeney are far from their Oscar hopeful roles here. Seyfried is given free rein to act as brazenly as she pleases, and she takes full advantage of that ability. Sweeney seems to have been told to be much more reserved, and unfortunately that results in too many wooden line readings. Sklenar continues his breakout streak (It Ends with Us, Drop) with a role that allows him to show more range than either Seyfried or Sweeney.

    The Housemaid is an unusual type of movie to be released at a time of year when most films are either those aiming for awards or more family-friendly fare. Despite its many flaws, it’s still an enjoyable watch that features a variety of crazy scenarios not typically seen in movies nowadays.

    ---

    The Housemaid is now playing in theaters.

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