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    Movie Review

    Spirit Untamed tries to run roughshod over unsuspecting parents

    Alex Bentley
    Jun 3, 2021 | 11:25 am
    Girls and horses in Spirit Untamedplay icon
    Girls and horses make for big adventures in Spirit Untamed.
    Photo courtesy of DreamWorks Animation LLC

    Animated properties in the 21st century often blur the lines between movies and TV. There are numerable examples of an animated movie being spun off into a TV show, sometimes making the journey back into theaters. The trail the Spirit franchise has followed is unusual, as the 2002 Oscar-nominated Spirit: Stallion of the Cimarron stood on its own for 15 years until it was revived as a Netflix show, Spirit Riding Free, in 2017, a show that has now yielded its own movie, Spirit Untamed.

    What purpose the movie serves, however, is unclear. It centers on Fortuna “Lucky” Prescott (Isabela Merced), a young girl in the 1800s who has lived most of her life in the city after her mother died when Lucky was a baby and her father, Jim (Jake Gyllenhaal), was unable to look after her properly. A trip back west with her Aunt Cora (Julianne Moore) to visit him upends her life, as she bonds with a wild mustang she names Spirit.

    The film quickly splits into the good — Lucky and her two friends, Pru Granger (Marsai Martin) and Abigail Stone (McKenna Grace) – and the bad – a horse wrangler (Walton Goggins) intent on stealing Spirit and other horses. The story only has one direction it can go, and it follows that blueprint exactly.

    What’s curious, though, is that it’s also the exact story put forth in the animated show, which has had 12 mini-seasons and two specials since its debut. The filmmakers, led by co-directors Elaine Bogan and Ennio Toresan, might be trying to re-introduce the main plot for anyone who hasn’t watched the show, but in so doing they forego the opportunity to take the characters in any new or interesting directions.

    And if you haven’t watched the TV episodes, you might be surprised that this version has only one thing in common with the original 2002 film – the horse, Spirit. And even that’s changed greatly, as the first film was focused on the horse and had him speak with the voice of Matt Damon. Now, he doesn’t talk at all, with the story more interested in the spunkiness and adventurousness of Lucky and her friends.

    It’s obvious that young children are the one and only audience for the film, but that aim raises multiple other questions. Why continue to propagate the idea that a parent dying is the only way for a child to face adversity in an animated film? Why cast well-known actors like Gyllenhaal, Moore, Goggins, and Andre Braugher over the original cast from the TV show? It’s not like kids are going to know the difference, and the actors don’t provide any extra attraction for parents bringing their kids to the movie.

    Anyone who’s gotten used to animation continuing to make leaps and bounds in movies will find themselves wanting here, as it’s relatively unsophisticated. It looks and feels as if they just used the same method employed on the TV show, adding to the idea that there was no real reason to turn it into a feature film.

    Spirit Untamed has a good message about being fearless and believing in yourself, but it comes in a package that is uninspiring. The intended kid audience may have a good time, but anyone else is better off waiting for the next Pixar movie to come out.

    ---

    Spirit Untamed opens in theaters on June 4.

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    Movie review

    Nick Jonas steals song from Paul Rudd in music-heavy Power Ballad

    Alex Bentley
    Jun 5, 2026 | 1:30 pm
    Nick Jonas and Paul Rudd in Power Ballad
    Photo by David Cleary for Lionsgate
    Nick Jonas and Paul Rudd in Power Ballad.

    Writer/director John Carney is one of the great purveyors of movies featuring music (as opposed to musicals) in the 21st century. Starting with Once in 2007 (which was turned into a Broadway musical several years later), he has made music-themed stories like Begin Again, Sing Street, Flora and Son, and now Power Ballad.

    Rick Power (Paul Rudd) is a former wannabe rock star who is now the lead singer of “Ireland’s #1 Wedding Band,” The Bride & Grooves. While they mostly play smaller weddings, a gig at a country estate leads to an encounter with Danny Wilson (Nick Jonas), a former boy band member struggling to make it as a solo artist. Rick and Danny wind up bonding in a booze- and pot-filled jam session, sharing various song ideas.

    After returning to Los Angeles and desperate for a hit, Danny steals one of Rick’s songs, which miraculously turns into the No. 1 “How to Write a Song (Without You).” Rick, initially overjoyed that something he wrote has become big, is crushed when he finds out Danny didn’t give him credit. His quest to find a way to prove his worth sends him into a spiral, upending the ordinary life he had built.

    Co-written by Peter McDonald, the film is a nice exploration of two men trying to hold on to their music dreams. Their individual circumstances could not be more different, but each of them knows the ups and downs of the business as well as the other, as well as the ineffable magic of creating that one great song. While the music scenes are hit-and-miss because of a reliance on lip synching, the scene featuring Rick and Danny trading ideas is electric with creativity.

    Oddly, though, the film could have used a bit less music and more of a focus on the two men’s personal lives. Rick wound up living in Ireland after falling in love with his future wife, Rachel (Marcella Plunkett), while on tour with his former American band. He spends a decent amount of time with her and his daughter, Aja (Beth Fallon), but his story needed a few more family scenes to drive the point home. Danny’s personal life is all but nonexistent, giving his arc less impact than it could have had.

    Instead of loved ones, Carney and McDonald try to give Rick and Danny more depth through friends and business associates. Rick’s bandmate Sandy (McDonald) is a ride-or-die kind of guy for him, but his presence is only good for a few humorous distractions. Danny’s manager Mac (Jack Reynor) is difficult to parse, as he goes to bat for Danny on multiple occasions, but also seems to keep him at arm’s length.

    It’s long been joked that Rudd never ages, and that youthfulness serves him well in this role, in which his character is supposed to be much younger than his actual age of 57. His energy and enthusiasm make his character appealing throughout, even when Rick starts to go off the deep end. Jonas is decent in his role, selling the music side well, but there might be a reason his character doesn’t have many scenes requiring him to show emotions.

    While Power Ballad has all the hallmarks of another great Carney music movie, it’s missing a few pieces that could have put it over the top. It’s still a fun film with an insanely catchy song at its center, but it’s not quite as memorable as most of the filmmaker’s previous efforts.

    ---

    Power Ballad is now playing in theaters.

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