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Movie Review

Jurassic World Dominion roars back with fun but needlessly complex story

Alex Bentley
Jun 9, 2022 | 3:30 pm
Chris Pratt in Jurassic World Dominion. play icon
Chris Pratt in Jurassic World Dominion.
Photo courtesy of Universal Pictures and Amblin Entertainment

The biggest problem with the first two Jurassic World movies was the lack of a compelling, coherent narrative. The first never bothered to explain how they went from the cataclysmic events of the original trilogy to a full-blown dinosaur theme park, and the second was two different movies that never coalesced into one. So now comes Jurassic World Dominion, which once again plays on nostalgia for the original Jurassic Park while attempting to bring something new to the table.

After their escape at the end of Fallen Kingdom, dinosaurs now populate every continent on Earth, bringing with them the expected good and bad actors. On the good side are Owen (Chris Pratt), who wrangles them for scientific purposes, and Claire (Bryce Dallas Howard), still hellbent on saving every dinosaur she can. The two are now an actual couple, shacked up in the wilderness, taking care of Maisie (Isabelle Sermon), who was left an orphan in the previous film.

On the bad side is Biosyn, led by Lewis Dodgson (Campbell Scott), a company that promises to use genetic advances to help feed the world, but which also unleashes monster locusts onto any crops not grown by them. Ian Malcolm (Jeff Goldblum) is employed by the company, and he invites his old friends Ellie Satler (Laura Dern) and Alan Grant (Sam Neill) to come tour Biosyn’s headquarters, and if they find anything nefarious, then so be it.

Directed by Colin Trevorrow and written by Trevorrow and Emily Carmichael, the film is packed full of ideas and subplots, some of them more well thought-out than others. Unlike the previous two films, they actually explain what transpired in the four years between the two films, grounding the audience before the chaos that follows. And the reintroduction of Ellie and Alan isn’t overdone, allowing the characters to reintegrate back into the story with little fuss.

The main roadblock of the film is how overcomplicated it gets. The Owen/Claire duo and Ellie/Alan duo are separated for most of the film, and they hop around to multiple different countries in service of subplots that only make a little bit of sense. Much of it feels like the filmmakers trying to justify the continued separation of the two groups, and so they give them a lot to do at different stops, even if what transpires there is ridiculous.

Amid the absurdity, however, the film does have the requisite exciting action scenes. One sequence that introduces a new character, pilot Kayla Watts (DeWanda Wise), takes on a James Bond feeling with chases through buildings and tight streets. And naturally there are lots of encounters with and fights among dinosaurs. They attempt to introduce yet another apex predator into the film, but its fearsomeness never really connects.

The film gets fast and loose toward the end, often making jumps in time that elide certain tense moments. It’s strange how they can make a movie that’s two-and-a-half hours long and still cut narrative corners in order to shoehorn in even more story. Still, most of them are forgivable, especially when they include callbacks to the original Jurassic Park that will have fans cheering.

No one goes to see a Jurassic World movie for the acting, but it’s still nice to see each of the main actors reprise their roles in believable and fun ways. Wise is a great addition, not only for her calm-under-pressure demeanor but also for her hypnotic eyes. Also scoring points is Mamoudou Athie, who plays Dodgson’s right-hand man, Ramsay Cole. You believe every word that he says even when it’s clear he’s lying, a smoothness that’s rare among actors.

It may be damning with faint praise to say that Jurassic World Dominion is the best of the Jurassic World trilogy, but at least it seems like they put in the extra effort toward telling a comprehensible story. They don’t always succeed, mind you, but at least the end result doesn’t make you wish for your time and money back.

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Jurassic World Dominion opens in theaters on June 10.

Chris Pratt in Jurassic World Dominion.

Chris Pratt in Jurassic World Dominion
Photo courtesy of Universal Pictures and Amblin Entertainment
Chris Pratt in Jurassic World Dominion.
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Movie Review

John Turturro takes rare lead in The Only Living Pickpocket in New York

Alex Bentley
Oct 29, 2026 | 10:43 am
John Turturro in The Only Living Pickpocket in New York
Photo courtesy of Sony Pictures Classics
John Turturro in The Only Living Pickpocket in New York.

John Turturro is one of those people who embodies the term “character actor” the best. With over 120 credits in his nearly 50-year career, Turturro has rarely been the star of any of his projects. Instead, filmmakers have mostly used his unique face, New York accent, and inimitable acting style to help support the lead actors, a role for which Turturro seems well-suited.

Now 69, Turturro is taking the reins in The Only Living Pickpocket in New York, playing Harry, a long-in-the-tooth thief who still has skills but not as many opportunities. The plucking of wallets isn’t as lucrative in the mostly-cashless modern society, and Harry has little use for smartphones since he doesn’t know how to use them. However, a rare opportunity presents itself when he happens upon Dylan (Will Price), a young man who seems to be as oblivious as he is rich.

After a clever robbery of Dylan’s vintage car, though, Harry discovers he might be in over his head, especially when he finds a card-shaped USB drive. It's the contents of the drive that soon puts Harry and anyone around him in danger, including his wife, Rosie (Karina Arroyave), who’s suffering from unresponsive wakefulness syndrome; Ben (Steve Buscemi), who helps Harry sell stolen items; and even his estranged daughter Kelly (Tatiana Maslany).

Written and directed by Noah Segan, the film is a low-key thriller made to emulate the tempo of Harry’s life. While one of the plot points puts a degree of urgency into his actions, for the most part Harry is someone for whom slow and steady always wins the race. He is someone who has developed relationships over decades, including with NYPD Detective Warren (Giancarlo Esposito), and it’s those bonds that help him make it through each day.

Even though Harry is a criminal, the film treats him as an overall good guy, especially through the way he takes care of Rosie and the generosity he displays with his (stolen) money. Almost no one has a bad thing to say about him, and so Segan comes up with a couple of ways to give him more depth. His one scene with Kelly does the trick, providing a glimpse into a lesser man who clearly existed at one time.

One of the pleasures of the film for longtime movie fans are the reunions Turturro has with Buscemi (his co-star in The Big Lebowski) and Esposito (his co-star in Do the Right Thing). All three could be all-stars on a team of character actors, with each having made big impressions in all sorts of roles over the past 40 years. Seeing them back together again as very different characters from when they last collaborated underscores the level of talent each of them has.

Turturro ably carries the load in the lead role, but given his acting style and the type of role he’s called to play, his performance is far from showy. The same goes for Buscemi and Esposito, who are there to give great support to the classic supporting actor. When someone does go over-the-top, as Price does in most of his scenes, it stands out in a bad way. Maslany scores a lot of points in her brief appearance.

The Only Living Pickpocket in New York is a quiet film with big rewards despite its small ambitions. The beauty of the story lies in its small details, both character-related and not. Turturro rarely disappoints when he’s not the lead actor, and he demonstrates that he’s equally capable of making a movie great when he’s out front.

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The Only Living Pickpocket in New York opens in theaters on October 30.

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