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Movie Review

Jurassic World Dominion roars back with fun but needlessly complex story

Alex Bentley
Jun 9, 2022 | 3:30 pm
Chris Pratt in Jurassic World Dominion. play icon
Chris Pratt in Jurassic World Dominion.
Photo courtesy of Universal Pictures and Amblin Entertainment

The biggest problem with the first two Jurassic World movies was the lack of a compelling, coherent narrative. The first never bothered to explain how they went from the cataclysmic events of the original trilogy to a full-blown dinosaur theme park, and the second was two different movies that never coalesced into one. So now comes Jurassic World Dominion, which once again plays on nostalgia for the original Jurassic Park while attempting to bring something new to the table.

After their escape at the end of Fallen Kingdom, dinosaurs now populate every continent on Earth, bringing with them the expected good and bad actors. On the good side are Owen (Chris Pratt), who wrangles them for scientific purposes, and Claire (Bryce Dallas Howard), still hellbent on saving every dinosaur she can. The two are now an actual couple, shacked up in the wilderness, taking care of Maisie (Isabelle Sermon), who was left an orphan in the previous film.

On the bad side is Biosyn, led by Lewis Dodgson (Campbell Scott), a company that promises to use genetic advances to help feed the world, but which also unleashes monster locusts onto any crops not grown by them. Ian Malcolm (Jeff Goldblum) is employed by the company, and he invites his old friends Ellie Satler (Laura Dern) and Alan Grant (Sam Neill) to come tour Biosyn’s headquarters, and if they find anything nefarious, then so be it.

Directed by Colin Trevorrow and written by Trevorrow and Emily Carmichael, the film is packed full of ideas and subplots, some of them more well thought-out than others. Unlike the previous two films, they actually explain what transpired in the four years between the two films, grounding the audience before the chaos that follows. And the reintroduction of Ellie and Alan isn’t overdone, allowing the characters to reintegrate back into the story with little fuss.

The main roadblock of the film is how overcomplicated it gets. The Owen/Claire duo and Ellie/Alan duo are separated for most of the film, and they hop around to multiple different countries in service of subplots that only make a little bit of sense. Much of it feels like the filmmakers trying to justify the continued separation of the two groups, and so they give them a lot to do at different stops, even if what transpires there is ridiculous.

Amid the absurdity, however, the film does have the requisite exciting action scenes. One sequence that introduces a new character, pilot Kayla Watts (DeWanda Wise), takes on a James Bond feeling with chases through buildings and tight streets. And naturally there are lots of encounters with and fights among dinosaurs. They attempt to introduce yet another apex predator into the film, but its fearsomeness never really connects.

The film gets fast and loose toward the end, often making jumps in time that elide certain tense moments. It’s strange how they can make a movie that’s two-and-a-half hours long and still cut narrative corners in order to shoehorn in even more story. Still, most of them are forgivable, especially when they include callbacks to the original Jurassic Park that will have fans cheering.

No one goes to see a Jurassic World movie for the acting, but it’s still nice to see each of the main actors reprise their roles in believable and fun ways. Wise is a great addition, not only for her calm-under-pressure demeanor but also for her hypnotic eyes. Also scoring points is Mamoudou Athie, who plays Dodgson’s right-hand man, Ramsay Cole. You believe every word that he says even when it’s clear he’s lying, a smoothness that’s rare among actors.

It may be damning with faint praise to say that Jurassic World Dominion is the best of the Jurassic World trilogy, but at least it seems like they put in the extra effort toward telling a comprehensible story. They don’t always succeed, mind you, but at least the end result doesn’t make you wish for your time and money back.

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Jurassic World Dominion opens in theaters on June 10.

Chris Pratt in Jurassic World Dominion.

Chris Pratt in Jurassic World Dominion
Photo courtesy of Universal Pictures and Amblin Entertainment
Chris Pratt in Jurassic World Dominion.
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Movie Review

Shaun the Sheep gets PG-spooky in new movie for the Halloween season

Alex Bentley
Sep 18, 2026 | 11:50 am
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

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Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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