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    Movie Review

    Calculated nature of Cars 3 keeps it stuck in neutral

    Alex Bentley
    Jun 15, 2017 | 6:00 pm
    Calculated nature of Cars 3 keeps it stuck in neutral
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    It’s been 11 years since the release of Cars, Disney/Pixar’s ode to both racing and small town America told with the use of animated vehicles. Its fully realized world and somewhat familiar fish-out-of-water story wasn’t universally beloved by critics, but it’s become the studio’s most reliable property behind Toy Story.

    So it’s no surprise that it's the second Pixar film to reach three-quel status with Cars 3. This time around, Lightning McQueen (Owen Wilson) finds his ranking as one of the Piston Cup’s top racers threatened by up-and-comer Jackson Storm (Armie Hammer). Jackson leads a slew of sleek cars that have a technological advantage over Lightning’s somewhat old-school ways, making Lightning question whether he’s over-the-hill or not.

    Lightning aims to get back on top with the help of a new team owner, Sterling (Nathan Fillion), and trainer, Cruz Ramirez (Cristela Alonzo), along with his usual group of friends from Radiator Springs. But he soon discovers that a desire to succeed and the ability to do so are sometimes far apart.

    After the failure of Cars 2, which curiously turned into a Mater-centric spy story, the return to a focus on racing is welcome. Lightning’s hubris is once again on full display, but this time it’s matched and even exceeded by that of Jackson. Much of the humor and pathos in the film derives from Lightning’s inability to properly confront his own mortality, an idea that only works in fits and starts.

    But for the most part, the film seems to just be treading water. Using lines previously recorded by the late Paul Newman, Lightning reflects on his time being mentored by Doc Hudson. That idea should bring up the signature Pixar emotions, but they mostly fall flat. Lightning’s legacy is made clear to the audience well before he makes the realization, so the film feels stuck in neutral for much of its running time.

    Ultimately, what the film feels like is one big set-up for the inevitable Cars 4, where the next generation will get their chance to shine. Pixar’s films are typically much more organic than that, so the fact that the story seems so calculated and artificial makes it that much more of a disappointment.

    There are enough funny moments and familiar characters for Cars 3 to be a good summer diversion for kids, but it’s a far cry from best that Pixar has to offer.

    Jackson Storm and Lightning McQueen in Cars 3.

    Jackson Storm and Lightning McQueen in Cars 3
    Photo courtesy of Walt Disney Studios
    Jackson Storm and Lightning McQueen in Cars 3.
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    Movie Review

    Chris Hemsworth tries to steal diamonds and hearts in Crime 101

    Alex Bentley
    Feb 13, 2026 | 1:15 pm
    Chris Hemsworth in Crime 101
    Photo courtesy of Amazon Content Services
    Chris Hemsworth in Crime 101.

    The career of actor Chris Hemsworth is a curious one, as it feels like he’s a huge star (mostly from playing Thor in Marvel movies) and not at the same time, with most of the non-MCU movies featuring him in a lead role failing to become big successes. But he still has a certain presence about him, which is why he’s being given another chance to prove his star power in the new thriller, Crime 101.

    Hemsworth plays Davis, a talented thief who knows how to get what he wants without resorting to violence. When a job early in the movie turns slightly sideways, it makes him think twice about working with his handler (Nick Nolte), who seems to prefer someone with a stronger touch, like the up-and-coming Ormon (Barry Keoghan).

    Davis is the main character, but two others who come into his orbit get their own subplots. Lou (Mark Ruffalo) is a slightly schlubby LAPD detective who’s convinced he knows the pattern of an unknown thief that likes to hit places close to Highway 101. Sharon (Halle Berry) works for a high-end insurance agency known for working with ultra-wealthy clients, the types who might be a great target for a thief like Davis.

    Written and directed by Bart Layton, the film has a decent propulsion to it that comes with most crime thrillers. Davis and Ormon represent the yin and the yang of criminal approaches, and and it’s interesting to see the juxtaposition between the two as their simmering rivalry heats up over the course of the film. When the film commits to actually showing its crimes, it has an excitement that’s worth watching.

    Unfortunately, Layton displays a real lack of focus, taking the audience into subplots with each of the three main characters that prove unnecessarily distracting. Lou’s marriage problems may explain his disheveled appearance, but there’s no need to see him deal with them with wife Angie (Jennifer Jason Leigh). Sharon’s troubles with her male-dominated company prove slightly pivotal, but still don’t merit the time put into exploring them.

    The most baffling subplot is Davis pursuing a relationship with Maya (Monica Barbaro), a woman he randomly meets. At different points in the movie, including many of his interactions with Maya, Davis seems like the most uncomfortable, antisocial person in the world. And yet he somehow morphs into a suave smooth-talker who’s able to convince anyone to do what he wants at other key points, making it unclear exactly what kind of person he really is.

    Hemsworth does relatively well in the lead role, but he’s still missing that certain something to make his character, and therefore the movie, truly compelling. The rest of the cast is fine, too, but each of them seem to be putting in just the minimal amount of effort to make the film watchable. Ruffalo and Barbaro come off the best, but with the talent in the cast (11 Oscar nominations and one win), they could have been used better.

    Crime 101 has most of the ingredients to be another great entry in the genre, and it succeeds when it actually decides to deliver on its promise. But too much of the film is spent on things that have no real bearing on plot or character development, leaving the movie in the middle of the pack.

    ---

    Crime 101 is now playing in the theaters.

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