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Movie Review

Spider-Man: Far from Home gets too goofy for its own good

Alex Bentley
Jul 1, 2019 | 12:50 pm
Spider-Man: Far from Home gets too goofy for its own good
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The events in Avengers: Endgame left a void in the Marvel Cinematic Universe, which made it unclear which character would become the de facto leader. Tony Stark/Iron Man filled that role for 11 years, and his death is seismic both in how it impacts the storylines going forward and how the films themselves are perceived.

First out of the box in this new world is Spider-Man: Far from Home, which finds Peter Parker (Tom Holland), possible love interest M.J. (Zendaya), best friend Ned (Jacob Batalon), and others traveling to Europe for a class trip. After being blipped out of existence for five years, Peter would very much like to get away from being Spider-Man for a while, but Nick Fury (Samuel L. Jackson) will have none of it.

That’s because creatures that can control the elements are popping up all over the globe, and Fury needs Spider-Man to help a new hero, Mysterio (Jake Gyllenhaal), fight the creatures. Peter must find a way to keep his friends safe while trying to save the world from destruction, all while still trying to find a way to remain as normal a teenager as possible.

The appeal of Homecoming, the first Spider-Man film to officially be in the MCU, was how fun it was. For too long, the character had been mired in dark storylines that failed to show how fun he was supposed to be. But there’s a fine line between fun and goofy, and Far from Home crosses that line early and often.

Instead of clever moments, there are jokes coming from almost everyone on screen, turning the comedy into overkill. More importantly, though, the existential threat that is supposed to be the elemental monsters comes in the form of some of the worst computer graphics the MCU has delivered in quite some time. None of it feels real, even in a movie sense, and the film suffers because of it.

There’s another important fault that can’t be fully detailed without going into spoilers, but the film contains too little explanation about certain things in the beginning and way too much exposition later on. There’s a very good reason for this, but it doesn’t make up for the fact that the way director Jon Watts and writers Chris McKenna and Erik Sommers structured the film hinders its effectiveness.

Holland, however, remains the gold standard for the character of Peter Parker/Spider-Man. His good looks, charm, and boundless energy are a perfect fit for the superhero, and he keeps the movie afloat even when it drags. Gyllenhaal hams it up quite a bit, but his presence makes for a nice addition. Save for Zendaya and Batalon, the additional material given to other supporting characters this time around was, while not quite wasted, a tad misguided.

After the emotional blast of Endgame and the near-perfect fun of Homecoming, Spider-Man: Far from Home is a big letdown. While still completely watchable for anyone who loves these types of movies, it makes for a less-than-satisfying experience overall.

Tom Holland in Spider-Man: Far from Home.

Tom Holland in Spider-Man: Far from Home
Photo by Jay Maidment
Tom Holland in Spider-Man: Far from Home.
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Movie Review

Shaun the Sheep gets PG-spooky in new movie for the Halloween season

Alex Bentley
Sep 18, 2026 | 11:50 am
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

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Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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