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    Concert News

    The Chicks bring Taking the Long Way 20th anniversary tour to Texas

    Brianna Caleri
    May 27, 2026 | 1:46 pm
    The Chicks

    The Chicks are only set to play two cities from their home state on this tour: Austin and San Antonio.

    The Chicks/Facebook

    Country music icons The Chicks are embarking on a limited Taking the Long Way 20th Anniversary Tour with three stops in Texas - but none, so far, in Dallas-Fort Worth.

    The tour starts on September 30 in Detroit, Michigan, and ends with two nights, November 1 and 2, in Hollywood, California. Most cities will get the chicks for two nights, including San Antonio, where they'll play October 17 and 18 at the Majestic Theatre. Then they'll stop at Bass Concert Hall in Austin on Tuesday, October 20. Austin and San Antonio are the tour's only Texas dates.

    The Chicks, originally from Dallas, are one of the most defining groups in country music, and being outspoken about feminism and politics has made them both heroes and targets from different angles.

    Taking The Long Way, which was released on May 23, 2006, was The Chicks' seventh studio album and represented a return to creative life after controversy: it was the first studio album after singer Natalie Maines criticized President George W. Bush and the Allied invasion of Iraq, leading to a media firestorm and even death threats.

    The first song from The Long Way, "I Hope," benefited Hurricane Katrina relief. The first physical single, "Not Ready to Make Nice" made it clear that Maines and the rest of the band, who were co-writers, did not back down from Maines' criticism or regret anything. It wasn't all heavy. The title track, "The Long Way Around," embraced the same themes of nonconformity joyfully.

    "Not Ready to Make Nice" went 2x Platinum, won three Grammy Awards, and made Rolling Stone's list of the 100 best songs of the decade. Taking the Long Way won Album of the Year at the 2007 Grammy Awards and also went 2x Platinum.

    In 2020, The Chicks ended a 14-year hiatus to release Gaslighter, their first studio album since Taking the Long Way and their most recent to date. Gaslighter was co-produced by the prolific songwriter and producer Jack Antonoff.

    Ticket sales will begin with an artist presale Wednesday, June 3, at 10 am. Fans must sign up by May 31 at 1:59 am Central. The general on-sale begins Thursday, June 4, at 10 am at TheChicks.com.

    The Chicks' Taking the Long Way 20th Anniversary Tour dates:

    Wednesday, September 30, 2026 Detroit, MI Fox Theatre

    Saturday, October 3, 2026 Chicago, IL The Auditorium

    Sunday, October 4, 2026 Chicago, IL The Auditorium

    Tuesday, October 6, 2026 Washington, DC The Anthem

    Monday, October 12, 2026 New York, NY Beacon Theatre

    Tuesday, October 13, 2026 New York, NY Beacon Theatre

    Thursday, October 15, 2026 Nashville, TN The Truth

    Saturday, October 17, 2026 San Antonio, TX Majestic Theatre

    Sunday, October 18, 2026 San Antonio, TX Majestic Theatre

    Tuesday, October 20, 2026 Austin, TX Bass Concert Hall

    Sunday, October 25, 2026 Seattle, WA Benaroya Hall

    Monday, October 26,2026 Seattle, WA Benaroya Hall

    Thursday, October 29, 2026 San Francisco, CA The Masonic

    Friday, October 30, 2026 San Francisco, CA The Masonic

    Sunday, November 1, 2026 Hollywood, CA Dolby Theatre

    Monday, November 2, 2026 Hollywood, CA Dolby Theatre

    concertslive music
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    Movie review

    Nick Jonas steals song from Paul Rudd in music-heavy Power Ballad

    Alex Bentley
    Jun 5, 2026 | 1:30 pm
    Nick Jonas and Paul Rudd in Power Ballad
    Photo by David Cleary for Lionsgate
    Nick Jonas and Paul Rudd in Power Ballad.

    Writer/director John Carney is one of the great purveyors of movies featuring music (as opposed to musicals) in the 21st century. Starting with Once in 2007 (which was turned into a Broadway musical several years later), he has made music-themed stories like Begin Again, Sing Street, Flora and Son, and now Power Ballad.

    Rick Power (Paul Rudd) is a former wannabe rock star who is now the lead singer of “Ireland’s #1 Wedding Band,” The Bride & Grooves. While they mostly play smaller weddings, a gig at a country estate leads to an encounter with Danny Wilson (Nick Jonas), a former boy band member struggling to make it as a solo artist. Rick and Danny wind up bonding in a booze- and pot-filled jam session, sharing various song ideas.

    After returning to Los Angeles and desperate for a hit, Danny steals one of Rick’s songs, which miraculously turns into the No. 1 “How to Write a Song (Without You).” Rick, initially overjoyed that something he wrote has become big, is crushed when he finds out Danny didn’t give him credit. His quest to find a way to prove his worth sends him into a spiral, upending the ordinary life he had built.

    Co-written by Peter McDonald, the film is a nice exploration of two men trying to hold on to their music dreams. Their individual circumstances could not be more different, but each of them knows the ups and downs of the business as well as the other, as well as the ineffable magic of creating that one great song. While the music scenes are hit-and-miss because of a reliance on lip synching, the scene featuring Rick and Danny trading ideas is electric with creativity.

    Oddly, though, the film could have used a bit less music and more of a focus on the two men’s personal lives. Rick wound up living in Ireland after falling in love with his future wife, Rachel (Marcella Plunkett), while on tour with his former American band. He spends a decent amount of time with her and his daughter, Aja (Beth Fallon), but his story needed a few more family scenes to drive the point home. Danny’s personal life is all but nonexistent, giving his arc less impact than it could have had.

    Instead of loved ones, Carney and McDonald try to give Rick and Danny more depth through friends and business associates. Rick’s bandmate Sandy (McDonald) is a ride-or-die kind of guy for him, but his presence is only good for a few humorous distractions. Danny’s manager Mac (Jack Reynor) is difficult to parse, as he goes to bat for Danny on multiple occasions, but also seems to keep him at arm’s length.

    It’s long been joked that Rudd never ages, and that youthfulness serves him well in this role, in which his character is supposed to be much younger than his actual age of 57. His energy and enthusiasm make his character appealing throughout, even when Rick starts to go off the deep end. Jonas is decent in his role, selling the music side well, but there might be a reason his character doesn’t have many scenes requiring him to show emotions.

    While Power Ballad has all the hallmarks of another great Carney music movie, it’s missing a few pieces that could have put it over the top. It’s still a fun film with an insanely catchy song at its center, but it’s not quite as memorable as most of the filmmaker’s previous efforts.

    ---

    Power Ballad is now playing in theaters.

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