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    The Bachelorette Recap

    Bachelorette Rachel is a Swiss miss this week in the Alps

    Kaitlin Steinberg
    Jul 10, 2017 | 9:58 pm
    Bachelorette episode 7, Rachel and Peter
    Hang on, folks, it's going to be a bumpy ride.
    Photo courtesy of ABC

    Whew, it’s been two whole weeks since we left Rachel in Scandinavia, and now we’re in Geneva, Switzerland, “an amazing city to fall in love in” (but aren’t they all?).

    It’s the week before hometowns, and Rachel announces that, because things are coming down to the wire, there will be no rose ceremony this week — she will just give out roses on three one-on-one dates and a three-on-one group date. Bryan is the lucky recipient of the first date, which is great because he has to go change clothes to get ready, which means he has to take his shirt off. Thanks, baby.

    Rachel and Bryan’s date is a high-end extravaganza that begins with driving a Bentley around town to get immersed in the luxurious Geneva culture. Bentleys are British, but whatever. Rachel does know that the electronic quartz wristwatch was invented in Switzerland, though, so props for that. She and Bryan try on super swanky watches, and Rachel insists upon buying watches for both of them, but I suspect it was the show that just bought Bryan a multi-thousand-dollar watch, not Rachel.

    Back at the super fabulous Swiss hotel, Matt (I know, I know, who the hell is Matt?) explains that he wants to be the broom that sweeps Rachel off her feet. Great analogy, bro.

    A date card arrives, and Dean gets his second one-on-one date, but he reveals he doesn’t really want to introduce Rachel to his family. It seems there is some sort of yet-to-be-revealed skeleton in young Dean’s closet.

    At dinner, Rachel reiterates that Bryan is too good to be true. She has some questions about his history, and he says he came from a wonderful, loving household, because of course you did, perfect Bryan. He admits that his last relationship was “passionate and hot and heavy in a short amount of time.” The girl ended up breaking up with him because she didn’t see eye-to-eye with his mom, so meeting families is a big deal for him. To no one’s surprise, though, he readily accepts the hometown date rose when Rachel offers it. And then a live string quartet starts playing, because this is Swiss luxury, kiddos.

    The next day, Dean’s date begins with a trip to attend Catholic mass ... in French. Evidently Rachel hates Dean. Mass in English is difficult enough to sit through, but at least I know what they’re saying. But faith is an important part of Rachel’s life, so she wants a partner who can hang with her in church. After the service, they stroll around the streets, and Rachel masters walking on cobblestones in spike heels. She even manages to dance while a street musician with a huge, fluffy cat plays a wind-up music box.

    In an aside to the camera, Dean reveals that his family is “not traditional,” and he’s worried about their dynamics should he bring Rachel home to meet them.

    “Rachel has no idea what she would be walking into, if she would commit to a hometown,” Dean says ominously. Man, I hope the show throws a curve ball and his parents are cannibals or nudists or something.

    Rachel tries to have a serious conversation with Dean, and he completely deflects by asking her if she believes in the tooth fairy and what her favorite dinosaur is. She laughs at first, but then becomes visibly frustrated. Dean looks incredibly uncomfortable and replies simply with “You’re so pretty.” COME ON, DEAN.

    Back at the hotel, the men get a date card, and even though neither Adam nor Matt have ever had a one-on-one, they’re stuck on another group date with Eric.

    At dinner, Rachel calls Dean out on his inability to have a serious conversation. He starts visibly sweating and says, “I really, really like you.” Use your words, Dean! He finally admits that the potential of a hometown date is freaking him out and making him nervous. Apparently after his mother passed away, his father failed to provide him with the affection he needed. He describes his father as “eccentric” and claims that his father abandoned him at the most vulnerable part of his life.

    Rachel assures him that she’s not looking for a family exactly like her own and that she appreciates him opening up. And even though Dean seems to have few redeeming qualities at this point, Rachel offers him a rose, and he accepts. So I guess next week we’re going to Aspen to meet Dean’s weirdo father.

    On Peter’s date, Rachel commandeers a helicopter for a trip to the Alps. They land on Glacier 3000 for a cozy, romantic cuddle in a dog sled with the sled captain hovering silently behind them.

    Peter says that he definitely wants to bring Rachel home to meet his family, and while he has never dated a black woman, he knows it won’t be an issue. He also tells Rachel about the end of his last relationship, in which he left his ex-girlfriend standing on a street corner while he drove away with all his things. Very dramatic.

    Rachel is a little scared by his honesty, though, because she worries he’ll once again find himself in a place where he can’t commit. She’s concerned that he won’t be ready to propose to her at the end of this, but I would give extra props to a guy who won’t propose to a woman he’s only been dating — along with 30 other men — for six weeks. But I don’t know, that’s just me. Regardless, Peter gets the rose.

    On the group date, Rachel and her fellas hop on a boat across Lake Geneva to France. In an aside to the camera, Rachel reveals she has a “soft spot” for Matt. When has she ever spoken more than two words to that dude?

    Rachel and Matt talk privately, and Rachel almost immediately starts crying, telling him that he reminds her so much of herself. She wishes they had time to cultivate the relationship more and get to know each other better, and she sends him home through some pretty intense tears. Matt bows out gracefully, taking his champagne with him.

    Adam gives Rachel a long, heartfelt talk, only half of which I registered, because it was just a little too genuine for this show. Eric admits that he’s never brought a girl home, and on top of that, he’s never seen a healthy relationship from his parents or family members, as he had a rough upbringing in Baltimore. Rachel appreciates his honesty, though, because she offers up the final hometown rose to Eric.

    This episode ends with very little fanfare, as there is no rose ceremony or lingering drama. What we get instead is a preview of Dean’s dad, who appears to be some sort of Eastern spiritual leader, complete with long beard, turban, and decorative scarves littering the living room. This is so much better than my cannibal theory. I can’t wait.

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    Movie Review

    Remake of Schwarzenegger classic The Running Man stumbles

    Alex Bentley
    Nov 13, 2025 | 2:21 pm
    Glen Powell in The Running Man
    Photo courtesy of Paramount Pictures
    Glen Powell in The Running Man.

    For all its cheesy ‘80s greatness, the original version of The Running Man starring Arnold Schwarzenegger was a very loose adaptation of the novel by Stephen King. For the new remake, writer/director Edgar Wright has tried to hue much closer to the story laid out in the book, a decision that has both its positive and negative aspects.

    Glen Powell takes over for Schwarzenegger as Ben Richards, a family man/hothead who can’t seem to hold a job in the dystopian America in which he lives. Desperate to take care of his family, he applies to be on one of the many game shows fed to the masses that promise riches in exchange for humiliation or worse. Thanks to his temper, Ben is chosen for the most popular one of all, The Running Man, in which contestants must survive 30 days while hunters, as well as the general population, track them down.

    Given a 12-hour head start, Ben earns money for every day he survives, as well as every hunter he eliminates. Since he only has a relatively small amount of money to use as he pleases, Ben must rely on friendly citizens who are willing to put their own lives on the line to help him. That’s a task made even more difficult as the gamemakers, led by Dan Killian (Josh Brolin), use advanced AI to manipulate footage of Ben to make him seem like a guy for which no one should root.

    Co-written by Michael Bacall, the film is shockingly uninteresting, working neither as an exciting action film, a fun quippy comedy, or social commentary. The biggest problem is that Wright seems to have no interest in developing any of his characters, starting with Ben. Our introduction to the protagonist is him trying to get his job back, a situation for which there is little context even after we’re beaten over the head with exposition.

    The situation in which Ben finds himself should be easy to make sympathetic, but Wright and Bacall speed through scenes that might have emphasized that aspect in favor of ones that make the story less personal. The filmmakers really want to showcase the supposed antagonistic relationship between Ben and Dan (and the system which Dan represents), but all that effort results in little drama.

    Ben has a number of close calls, and while those scenes are full of action and violence, almost every one of them feels emotionally inert, as if there was nothing at stake. It doesn’t help that Wright doesn’t set the scene well, making it unclear how far Ben has traveled or who/what he’s up against. There are times when Ben feels surrounded and others when he can walk freely, weird for a society that’s supposed to be under almost complete surveillance.

    Powell has been touted as a movie star in the making for several years following his turn in Top Gun: Maverick, but he does little here to make that label stick. With no consistent co-star thanks to the structure of the story, he’s required to carry the film, and he just doesn’t have the juice that a true movie star is supposed to have. Nobody else is served well by the scattershot film, including normally reliable people like Brolin, Colman Domingo, Michael Cera, and Lee Pace.

    The Running Man is a big misfire by Wright and a blow to Powell’s star power. On the surface, it has all the hallmarks of an action thriller with a side of social commentary, but nothing it does or says lands in any meaningful way. Schwarzenegger’s one-liners in the original film may have been goofy and over-the-top, but at least they made the movie memorable, which is way more than can be said of the remake.

    ---

    The Running Man opens in theaters on November 14.

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