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    Movie Review

    Tom Hanks and intense story make Greyhound another WWII winner

    Alex Bentley
    Jul 10, 2020 | 12:09 pm
    Tom Hanks in Greyhoundplay icon
    Tom Hanks in Greyhound.
    Photo courtesy of Apple TV+

    No modern-day actor is more inextricably linked to World War II films than Tom Hanks. In addition to starring in Saving Private Ryan, he also served as a writer, director, and producer for the miniseries Band of Brothers, and produced and narrated the miniseries The Pacific. He now returns to the war he knows so well with Greyhound.

    Having tackled the lives of men in the Army and Marines in other projects, Hanks now turns to the Navy. He stars as Captain Krause, who’s at the helm of the U.S. destroyer Greyhound, which is charged with protecting a convoy of ships delivering supplies to the troops in Europe early in the war. Their enemy is a seemingly never-ending stream of German U-boats, aka submarines.

    The film, directed by Aaron Schneider and adapted by Hanks from the C.S. Forester novel The Good Shepherd, takes the day-in-the-life approach to the story. After a brief prologue involving Krause and his girlfriend Evelyn (Elisabeth Shue), the film takes place entirely on the water, with Krause doing everything in his power to keep the convoy and his own ship afloat. Although the story transpires over several days, the effort by Krause and his crew is non-stop, giving the film a constant tension.

    There have been plenty of submarine movies over the years, but relatively few have centered on naval ships. That alone turns out to be enough reason for Hanks and the rest of the film’s team to return to the well-worn subject matter of World War II, which is one of most covered subjects in film history, if not the leader.

    The film is full of naval jargon that sounds impressive but will likely go straight over the heads of 99 percent of viewers. The cumulative effect is of a commander in full charge of his men and the battles at hand, and of a crew that has been expertly trained for situations like the ones they’re facing. Sure, mistakes are made, but they’re rarely fatal ones.

    The firefights are almost all-CGI, but they are impressive nonetheless. The barrage of gunfire large and small, depth charges, and torpedoes combine to make the majority of the film tense and intense. But the filmmakers almost always concentrate on the larger picture, forgoing most individual heroics for a picture of a group that works together seamlessly.

    One character that is highlighted turns out to be a misstep, as it’s a half-hearted inclusion of a black character, mess mate George Cleveland (Rob Morgan). His official duty appears to be to bring the captain food whenever he needs it, and the portrayal has a wrong stench right from the start. There’s lip service paid to some off-screen heroism by him, but overall it would’ve been better to leave this particular character out of the film altogether.

    Hanks is completely at home in the role of the calm, steady, and virtuous Captain Krause, but that’s not to say that his acting is not impressive. He doesn’t have any individual standout moments, but few could inhabit a role like this with such ease and precision. Also great are Stephen Graham as executive officer Charlie Cole, Tom Brittney as Lt. Watson, and a handful of others who help Hanks be all that he can be.

    There’s little need for more World War II movies in this day and age, but Greyhound is an example of how riveting they can still be over seven decades after the fighting ceased. And with Tom Hanks leading the way in every sense, you know you’re in good hands.

    ---

    Greyhound is playing exclusively on Apple TV+.

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    Movie Review

    Marty Supreme cements Timothée Chalamet as his generation's movie star

    Alex Bentley
    Dec 23, 2025 | 11:23 am
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also got nominated for an Oscar for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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