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Movie Review

Female-centric Gunpowder Milkshake fizzles with story and action

Alex Bentley
Jul 14, 2021 | 10:39 am
Female-centric Gunpowder Milkshake fizzles with story and action
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If the past 20 years of movies have proven anything, it’s that plenty of women have shown the ability to carry an action film just as well as men can. They include Angelina Jolie, Jennifer Lawrence, Uma Thurman, Charlize Theron, Michelle Rodriguez, and Marvel stars like Zoe Saldana, Scarlett Johansson, and Karen Gillan, all of whom owe a debt of gratitude toward Sigourney Weaver and Linda Hamilton for paving the way.

So it’s no surprise that another female-centric action movie, Gunpowder Milkshake, is being released, with one of those Marvel stars – Gillan – as the star. Gillan plays Sam, a contract killer who works for a shadowy group known simply as The Firm, which is led by Nathan (Paul Giamatti). It’s the same group her mom, Scarlet (Lena Headey), worked for before mysteriously disappearing 15 years earlier, leaving Sam to fend for herself as a teenager.

Like all good contract killers, Sam doesn’t question her orders until one day she kills a man whom she discovers was simply trying to pay a ransom to get his daughter back. Soon, Sam finds herself trying to rescue that girl herself and retreating back to a safe house known as The Library to avoid repercussions. There, three “librarians” who are old friends of her mom – Madeleine (Carla Gugino), Anna May (Angela Bassett), and Florence (Michelle Yeoh) – are able to provide her with any gun she requires.

Written and directed by Navot Papushado and co-written by Ehud Lavski, the film is like John Wick combined with Atomic Blonde and Hotel Artemis. It’s clear the filmmakers are going for a high degree of stylization, from the odd, nonsensical title to funky locales like a diner being used as a gang meeting place to the unconventional costume choices for many of the main characters. What they don’t seem to understand is that substance is equally as important as style.

When you’re essentially a copycat of previous action movies, you need to show creativity with your fight scenes and shootouts. While there is some inventiveness to be had in the film, there is nothing that makes you stand up and go wow. In fact, the sequences are so uninspiring that it often feels like the actors are fighting on stage instead of for a movie.

What makes the lackluster action worse is that Sam is given a generic collection of bad guys to go up against. Almost to a man, the actors playing villains engage in goofy, over-the-top acting, leaving no doubt as to the result of the fights and dulling the impact of the film overall. What might come off as fun in a better-made movie is instead inert, with everybody going through the paces so they can move along to the next uninteresting scene.

Gillan, as she’s shown in the Guardians of the Galaxy and Jumanji movies, has a great presence to her that should work well in a role like this. But she, and every other well-known actor in the film, is undone by a story that doesn’t make any sense and action that is mostly lifeless.

Women are not given a chance to lead action movies as often as they should, so when one like Gunpowder Milkshake underwhelms, it’s extra disappointing. The inexperienced filmmakers are unable to make good use of their actors’ talent, and instead of exploding, the action just fizzles away.

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Gunpowder Milkshake is now playing on Netflix. It is also showing in select theaters.

Karen Gillan and Chloe Coleman in Gunpowder Milkshake.

Karen Gillan and Chloe Coleman in Gunpowder Milkshake
Photo by Reiner Bajo/Netflix
Karen Gillan and Chloe Coleman in Gunpowder Milkshake.
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Movie Review

A collision of humor and dark history make an impact in Wild Horse Nine

Alex Bentley
Nov 5, 2026 | 10:58 am
Sam Rockwell and John Malkovich in Wild Horse Nine
Photo courtesy of Searchlight Pictures
Sam Rockwell and John Malkovich in Wild Horse Nine.

It’s difficult to nail English writer/director Martin McDonagh down when it comes to his interests. Prior to his new film, he has set films in Bruges, Belgium; Los Angeles; the fictional small town of Ebbing, Missouri, and a remote island in Ireland, with stories that deal with crime, grief, lifelong friendships, and a kidnapped Shih Tzu. What all his films have in common though, is comedy that is mined through absurdity, something that is on full display in Wild Horse Nine.

Chris (John Malkovich) and Lee (Sam Rockwell) are CIA agents in 1973, currently stationed in Chile, with a mission that Lee tries to hide but Chris broadcasts willingly. Their assignment is to undermine support for the newly-elected socialist president, Salvador Allende, but the film is not really about that. Instead, it follows the duo on a break from work as they decide to take a side trip to Rapa Nui (aka Easter Island) so that Chris can fulfill his dream of seeing “the big heads.”

Once they’re there, Chris and Lee bicker over various things, including Chris being too open with two younger women, Monica (Mariana di Girolamo) and Alicia (Ailín Salas); who gets control over their rental car; the long-distance interference of CIA station chief MJ (Steve Buscemi); and more. All the while, a mostly unspoken agreement between Chris and Lee colors every decision they make, including why they came to Rapa Nui in the first place.

McDonagh has full control over the narrative of the film from minute one, establishing the tone through the super-quick banter between Chris and Lee that points to the strong bond the two share. A later revelation deepens the meaning of the story without taking away from the humor that comes from Chris and Lee sniping at each other. Despite the two characters not getting much of an introduction, they become a very memorable movie twosome as the film goes along.

A good working knowledge of 20th century world history is helpful, as McDonagh drops in subtle and not-so-subtle hints about the CIA’s involvement in certain notable events (including the JFK assassination, which takes on larger importance as the story goes on). Using real history like the impending coup d'état in Chile as a backdrop for the fictional story grounds the film, allowing the characters to engage in sometimes farcical elements without ever seeming like unserious people. It’s also a sly commentary on current events, with the U.S. continuing to insert itself into other countries’ affairs.

The impact of the film is immeasurably improved by the fact that they filmed on location in Chile and Rapa Nui. Having Chris and Lee visit the “big heads” (aka moai) while referencing them in their dialogue is both awe-inspiring and hilarious. There’s just something about the characters being able to get up close and personal with the ancient sculptures that makes the film feel more important than if they had employed CGI to put them there.

Malkovich is a two-time Oscar nominee with a storied career, but this performance ranks as one his best. With a face that unashamedly shows his 73 years and pitch perfect line deliveries, he nails every scene that he’s in. Rockwell complements him extremely well, giving a performance that fits in with his previous work but rarely on such a high level. Buscemi is also a pleasure to watch, popping up to steal small moments just like he did in the recent The Only Living Pickpocket in New York.

Save for a few action scenes, Wild Horse Nine is mostly filled with characters talking, but the level of the conversations and the comical moments that McDonagh has created contain cannot be understated. With a tour-de-force performance by Malkovich, a real world setting, and a funny twist on history, it’s one of the best movies of the year.

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Wild Horse Nine opens in theaters on November 6.

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