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Movie Review

F9: The Fast Saga takes series' absurdity to new heights

Alex Bentley
Jun 24, 2021 | 9:00 am
F9: The Fast Saga takes series' absurdity to new heights
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At this point in the Fast & Furious franchise, which has improbably reached nine films plus one spin-off, all semblance of logical storytelling and real-world physics has long been thrown out the window. The filmmakers know what fans want, and that is action sequences where people and cars accomplish impossible feats, with any actual storytelling coming in a distant second or third.

The previous entry, The Fate of the Furious, found the franchise fully changing into a comic book style, and F9 (technically called F9: The Fast Saga) goes even further, straight up acknowledging the ridiculousness of what they’re presenting on screen and inviting the audience to laugh along with them.

Since family in its many forms has been the theme of the franchise since the beginning, it’s no surprise it’s at the center of this film as well. Dom (Vin Diesel), raising his son with now-wife Letty (Michelle Rodriguez) off the grid, is brought back into the, let’s say, spy game when his group of friends – which includes Roman (Tyrese Gibson), Tej (Chris “Ludacris” Bridges), and Ramsey (Nathalie Emmanuel) – get a message from Mr. Nobody (Kurt Russell) that a plane carrying something very important has crashed in Mexico.

Macguffin now in place, the group races into action, only to discover that another person is after the same mysterious object. Spoiler: It turns out to be Dom’s heretofore unknown brother, Jakob (John Cena), whom we come to learn has been at odds with Dom ever since their father died in a race car crash 30 years ago. Now, he’s teamed up with Otto (Thue Ersted Rasmussen), the son of a billionaire, and a captured Cipher (Charlize Theron) to use the device to … oh, who cares?

All that’s important is that framework allows writer/director Justin Lin and co-writer Daniel Casey to put the characters and their vehicles in all manner of fantastical situations, ones that involve … (checks notes) … a rickety rope bridge, a stealth bomber, super-powered magnets, and a space-bound Pontiac Fiero. The action finds the characters – and their cars – hopping around the world as easily as you or I would cross the street. Anyone trying to follow the progression of the plot would do better beating their head against a wall, because none of it makes sense.

Let’s be clear: F9 is not a good movie. But the filmmakers aren’t trying to make a “good” movie, at least not in the traditional sense. They’re trying to up the ante on all the stunts that have come in the previous films, and appeal to the base instincts of moviegoers, many of whom just want to be entertained without thinking. And the film certainly succeeds on those counts. Every other action movie that has been called “over-the-top” must now bow down in reverence to this one, which is sure to be topped by the forthcoming 10th installment.

In addition to the main group, the film brings back fan favorites like Twinkie (Shad Moss, aka Bow Wow), Sean (Lucas Black), and Han (Sung Kang), each of whom played a part in the series’ third entry, Tokyo Drift. And not including Theron, who shows up in a handful of scenes in one location and probably put in one day’s work, there are cameos by Helen Mirren, reprising her role from Hobbs & Shaw, and – why not? – Cardi B, Bad Bunny, and podcaster Bill Simmons.

Anyone willingly going to see F9 knows exactly what type of movie they’re going to get, and it ain’t high art. But the actors know exactly how to play their roles amid all the insane action sequences, and the filmmakers are in on the joke, so it’s best to just sit back and let the absurdity wash over you.

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F9: The Fast Saga opens in theaters on June 25.

Vin Diesel in F9: The Fast Saga.

Vin Diesel in F9: The Fast Saga
Photo courtesy of Universal Pictures
Vin Diesel in F9: The Fast Saga.
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Movie Review

A collision of humor and dark history make an impact in Wild Horse Nine

Alex Bentley
Nov 5, 2026 | 10:58 am
Sam Rockwell and John Malkovich in Wild Horse Nine
Photo courtesy of Searchlight Pictures
Sam Rockwell and John Malkovich in Wild Horse Nine.

It’s difficult to nail English writer/director Martin McDonagh down when it comes to his interests. Prior to his new film, he has set films in Bruges, Belgium; Los Angeles; the fictional small town of Ebbing, Missouri, and a remote island in Ireland, with stories that deal with crime, grief, lifelong friendships, and a kidnapped Shih Tzu. What all his films have in common though, is comedy that is mined through absurdity, something that is on full display in Wild Horse Nine.

Chris (John Malkovich) and Lee (Sam Rockwell) are CIA agents in 1973, currently stationed in Chile, with a mission that Lee tries to hide but Chris broadcasts willingly. Their assignment is to undermine support for the newly-elected socialist president, Salvador Allende, but the film is not really about that. Instead, it follows the duo on a break from work as they decide to take a side trip to Rapa Nui (aka Easter Island) so that Chris can fulfill his dream of seeing “the big heads.”

Once they’re there, Chris and Lee bicker over various things, including Chris being too open with two younger women, Monica (Mariana di Girolamo) and Alicia (Ailín Salas); who gets control over their rental car; the long-distance interference of CIA station chief MJ (Steve Buscemi); and more. All the while, a mostly unspoken agreement between Chris and Lee colors every decision they make, including why they came to Rapa Nui in the first place.

McDonagh has full control over the narrative of the film from minute one, establishing the tone through the super-quick banter between Chris and Lee that points to the strong bond the two share. A later revelation deepens the meaning of the story without taking away from the humor that comes from Chris and Lee sniping at each other. Despite the two characters not getting much of an introduction, they become a very memorable movie twosome as the film goes along.

A good working knowledge of 20th century world history is helpful, as McDonagh drops in subtle and not-so-subtle hints about the CIA’s involvement in certain notable events (including the JFK assassination, which takes on larger importance as the story goes on). Using real history like the impending coup d'état in Chile as a backdrop for the fictional story grounds the film, allowing the characters to engage in sometimes farcical elements without ever seeming like unserious people. It’s also a sly commentary on current events, with the U.S. continuing to insert itself into other countries’ affairs.

The impact of the film is immeasurably improved by the fact that they filmed on location in Chile and Rapa Nui. Having Chris and Lee visit the “big heads” (aka moai) while referencing them in their dialogue is both awe-inspiring and hilarious. There’s just something about the characters being able to get up close and personal with the ancient sculptures that makes the film feel more important than if they had employed CGI to put them there.

Malkovich is a two-time Oscar nominee with a storied career, but this performance ranks as one his best. With a face that unashamedly shows his 73 years and pitch perfect line deliveries, he nails every scene that he’s in. Rockwell complements him extremely well, giving a performance that fits in with his previous work but rarely on such a high level. Buscemi is also a pleasure to watch, popping up to steal small moments just like he did in the recent The Only Living Pickpocket in New York.

Save for a few action scenes, Wild Horse Nine is mostly filled with characters talking, but the level of the conversations and the comical moments that McDonagh has created contain cannot be understated. With a tour-de-force performance by Malkovich, a real world setting, and a funny twist on history, it’s one of the best movies of the year.

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Wild Horse Nine opens in theaters on November 6.

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