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    Movie Review

    Yes, God, Yes delivers big rewards that outstrip its small size

    Alex Bentley
    Jul 20, 2020 | 4:27 pm
    Yes, God, Yes delivers big rewards that outstrip its small size
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    Teen sex comedies have come a long way since the bawdy and, let’s face it, sexist days of the 1980 and 1990s. The majority of those featured male characters on a quest to lose their virginity or, at the very least, find an outlet for their ever-growing libido. It’s only been in the last few years, with films like Blockers, Booksmart, and now Yes, God, Yes that teen girls have been given their own showcases in the genre.

    Natalia Dyer of Stranger Things fame stars as Alice, who attends a Catholic high school that seems to have a preoccupation with sex, mostly on the anti side. Alice and her classmates, including best friend Laura (Francesca Reale), banter constantly about sex with barely any idea about what to do or what some racy terms actually mean. Meanwhile, they are subjected to sex ed classes led by Father Murphy (Timothy Simons) that go into intricate detail about the desires of boys and girls, only to insist that abstinence is the only acceptable route if they want to please God.

    Alice, who’s subjected to false rumors about a sexual encounter with a boy, is massively confused about the conflicting messages she’s receiving. She starts her exploration through an online chat with an anonymous stranger, and slowly but surely ramps up her search, even while she’s away at a church retreat. The push and pull between what her religion wants her to do and what her body is telling her is important threatens to drive her crazy.

    Written and directed by Karen Maine, who has a story credit on another button-pusher, Obvious Child, the film toes a fine line between being curious and being exploitative. With a setting of the early 2000s, the early scene with an anonymous online stranger gives off a queasy feeling, but Maine makes sure not to dwell on it, instead focusing on Alice’s unique urges.

    Similarly, even though Alice gives in to some self-love on a few occasions, the scenes are relatively chaste, with the only nudity coming courtesy of some online images and videos. Maine is more concerned with giving Alice the space to try to get all of her questions answered instead of objectifying her or giving the impression that she’s doing something wrong.

    Instead, the entire film is a condemnation of the hypocrisy of the teachings of the Catholic Church, with the leaders being some of the biggest hypocrites. Being a comedy, it keeps things on the light side, juxtaposing the self-righteousness of the supposed biggest believers with actions that severely undercut those beliefs.

    Dyer is an ideal person to play such an innocent yet inquisitive character. She has the look of someone who’s never stepped over the line in her whole life, so when she does run afoul of others, the push and pull of desire and guilt is palpable. Supporting actors like Alisha Boe and Wolfgang Novogratz play pious-but-not-spotless characters well, while Simons knocks the crucial role of Father Murphy out of the park.

    Taking inspiration from her own life, Maine gives a unique twist on a teen sex comedy while also exposing the fact that many authority figures don’t practice what they preach. Consequently, Yes, God, Yes is a small film that winds up delivering outsized rewards.

    ---

    Yes, God, Yes is screening via select virtual cinemas on July 24. It will debut on VOD/digital options like Vudu, Apple TV, and Google Play on July 28.

    Natalia Dyer in Yes, God, Yes.

    Natalia Dyer in Yes, God, Yes
    Photo courtesy of Vertical Entertainment
    Natalia Dyer in Yes, God, Yes.
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    New Theater

    Premieres lead the way in Dallas Theater Center's 2026-27 season

    Alex Bentley
    Mar 27, 2026 | 2:00 pm
    Aigner Mizzelle and Okieriete Onaodowan in the off-Broadway production of The Monsters
    Photo courtesy of Manhattan Theatre Club
    The Monsters, which started off-Broadway, will make its regional premiere as part of Dallas Theater Center's 2026-27 season.

    The 2026-2027 season for Dallas Theater Center will feature six productions, including three world premieres, a regional premiere, a returning favorite, and a to-be-determined sixth production.

    The inaugural season of incoming Enloe/Rose Artistic Director, Jaime Castañeda, will be marked by a renewed commitment to new work at Dallas Theater Center.

    That starts with with the world premieres of three new shows:

    • The Cold War thriller Reykjavik86 by Gabe McKinley, which brings the 1986 nuclear summit between Ronald Reagan and Mikhail Gorbachev to life on stage. It will be the initial production of the season, running September 11-27, 2026 at Wyly Theatre.
    • The dark comedy musical Kill Local, with a book by Mat Smart and music and lyrics by Liza Anne, is about Sheila and her sister, Abigail, who work together for their mother’s small family business, which just so happens to be assassins. It features killer songs about blood ties, revenge, and how hard it is to get unstuck. It will run March 26-April 11, 2027 in the Wyly Studio Theatre
    • The Making of a Saint by KJ Sanchez is theatrical exploration of faith and family in which KJ, a documentary writer/performer, sets out to understand the story of Sister Blandina, whom KJ's brother is helping to canonize. It will be the final scheduled show of the season, running May 14-June 6, 2027 in the Wyly Studio Theatre.

    Joining them will be the regional premiere of The Monsters by Ngozi Anyanwu, about a scrappy young fighter named Lil who is ready to enter the ring. She reconnects with her brother Big, an accomplished fighter in the local MMA scene and tries to earn his respect.

    The production, which just finished a critically acclaimed Off-Broadway run on March 22, runs October 9-November 1, 2026 in the Wyly Studio Theatre.

    A yet-to-be-named fifth production, which will be announced on June 1, will run February 5-21, 2027 in the Kalita Humphreys Theater.

    All of those productions will be part of the season subscriptions. Dallas Theater Center's annual holiday production of A Christmas Carol, running November 27-December 27, 2026 at Wyly Theatre, can be added on.

    “New work is the engine of the American Theater, and Dallas Theater Center will be a laboratory for artists who have something urgent and honest to express today,” said Enloe/Rose Artistic Director Jaime Castañeda in a statement. "These plays are about the now, and they are events for the stage that are in direct conversation with the audience."

    DTC’s Diane and Hal Brierley Resident Acting Company members will be featured throughout the 2025-26 season, including Christina Austin Lopez, Tiana Kaye Blair, Blake Hackler, Bob Hess, Liz Mikel, Alex Organ, Molly Searcy, Tiffany Solano, Sally Nysteun Vahle, Esteban Vilchez, Zachary J. Willis, and Bri Woods, who is the Linda and Bill Custard SMU Meadows Actor.

    Subscriptions for the 2026-27 season are available now, and can be purchased online at DallasTheaterCenter.org or by calling the DTC Box Office at 214-522-8499.

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