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Video News

Dallas Videofest to bestow award on comedian and ex-Senator Al Franken

Teresa Gubbins
Aug 3, 2022 | 11:58 am
Al Franken
Al Franken
Photo courtesy of Al Franken

For 2022, Dallas VideoFest will present its coveted comedy award to comedian and former US Senator Al Franken, of Saturday Night Live fame.

Franken will receive the Ernie Kovacs Award on Thursday September 22 at 7:30 pm, at Texas Theatre in Oak Cliff at 231 W. Jefferson Blvd.

The Ernie Kovacs Award recognizes television's greatest visionaries, and has been a key component of the Dallas VideoFest since the Festival began in 1987. With the festival currently retired, The Ernie Kovacs Award is now the primary component.

Franken will attend to receive the award from Dallas VideoFest founder Bart Weiss; Joshua Mills, son of Edie Adams and keeper of the Kovacs flame, will also attend.

Immediately following the award presentation, DVF will show the 2006 documentary, Al Franken: God Spoke. There'll also be a VIP meet-and-greet reception with Franken at Oak Cliff Cultural Center. Tickets can be purchases at VideoFest.org.

Al Franken the man the genius
Throughout the 15 years Franken was associated with Saturday Night Live, starting with the very first show in 1975, he wrote, performed in, and produced hundreds of sketches, including the well-known and often recited "Daily Affirmations with Stuart Smalley." Franken won five Emmys for writing and producing during his 15 seasons with SNL.

Franken was also author of four No. 1 New York Times bestsellers, including Rush Limbaugh is a Big Fat Idiot and Other Observations, Lies and the Lying Liars Who Tell Them – A Fair and Balanced Look at the Right, and Al Franken, Giant of the Senate.

Franken served Minnesota in the Senate from 2009-2018, "clobbering" his first opponent, incumbent Senator Norm Coleman, by 312 votes. But he won his second election by well over 200,000 votes. Franken served on the Judiciary, Energy, Indian Affairs, and HELP (Health, Education, Labor, and Pensions) Committees where he routinely embarrassed badly prepared witnesses and was a fierce opponent of media concentration, mandatory arbitration, and Betsy DeVos.

His career was on a fast track until he was forced to resign by fellow Democratic Senators following accusations of sexual misconduct during photo opps. Half were made anonymously and he denied them but never got a chance to settle in court. The New Yorker did a good story running down the facts.

He's since founded "The Al Franken Podcast," one of the top politically-themed podcasts with guests like Malcolm Nance, Sarah Silverman, Paul Krugman, and Chris Rock. His political action committee, Midwest Values PAC, supports progressive Democrats and voting rights.

The first Ernie Kovacs Award was handed out in 1997. Recipients have included comedian Joel Hodgson, Terry Gilliam, John Cleese, Robert Smigel, Paul "Pee-wee Herman" Reubens, Martin Mull, Mike Judge, George Schlatter (Rowan & Martin's Laugh-In creator) Harry Shearer, Michael Nesmith, Dave Foley and Kevin McDonald (The Kids in the Hall), and Amy Sedaris, the first woman to receive the Ernie Kovacs Award in 2018.

Franken says in a statement that he feels honored to receive the award.

"Ernie Kovacs' influence on comedians of my generation is not often told these days," Franken says. "I was maybe 10 years old when I first watched The Ernie Kovacs Show. Like many young avid fans of comedy, I was immediately struck by his wholehearted and brilliant embrace of absurdity."

Weiss traces the connection between Dallas VideoFest and Ernie Kovacs thusly:

"The very first program of our festival in 1987 was Edie Adams showing the work of Ernie Kovacs," Weiss says. "Ernie's innovative spirit has been with us these 35 years. The Kovacs Award became the perfect way to honor those whose comedy change the way we look at TV/Video much like Kovacs did."

Joshua Mills, Edie Adams’s son and keeper of Ernie Kovacs Estate, traces the connection between Ernie Kovacs and Al Franken thusly:

"Al Franken's humor, his dry wit and his irreverent characters are part of a long comedy continuum that connects everyone and everything from Ernie Kovacs to Monty Python to David Letterman, Conan O’Brien and others who helped shaped modern comedy," Mills says. "From Stuart Smalley to Medieval Barber Theodoric of York, it’s about time we usher in the Al Franken Decade in 2022 with The Ernie Kovacs Award."

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Movie Review

New biopic 'Jimmy' salutes Jimmy Stewart's service in World War II

Alex Bentley
Nov 6, 2026 | 11:41 am
KJ Apa in Jimmy
Photo courtesy of Papaian Studios
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Actor Jimmy Stewart, thanks to movies such as Mr. Smith Goes to Washington, The Shop Around the Corner, and The Philadelphia Story, had the reputation early in his career as the everyman in Hollywood, someone to whom most audiences could relate. That became even more true when Stewart entered the military during World War II, a period that is explored in the new biopic, Jimmy.

The film was co-produced with Fort Worth-based Papaian Studios and received a red-carpet premiere as part of the Lone Star Film Festival on Wednesday, November 4. Stewart had several ties to Fort Worth, which were celebrated at the event.

Stewart (KJ Apa) was riding high in 1941, coming off his first (and only) Oscar win for The Philadelphia Story. As depicted in the film, his life is upended when he receives a military draft notice as the U.S. prepares for war. He’s determined to serve, but people like studio head Louis B. Mayer (Jason Alexander) try to talk him out of it. Already an experienced pilot, he eventually joins the war in Europe, flying the B-24 bomber.

Despite his celebrity status, Stewart requests to be treated the same as any other soldier, which means flying multiple missions over enemy territory. He moves up the ranks, becoming a leader tasked with, among other things, reporting the deaths of service members to their families. He also starts a friendship that develops into a romance with Lady Julia (Kara Killmer), giving him a distraction from the horrors of war.

Directed by Aaron Burns and written by Justin Strawhand, the film has the clear goal of being a hagiography for Stewart, showing all of his good qualities and few of his bad ones. In fact, the character of Stewart is harder on himself than the actual movie is, chastising himself over the deaths of fellow soldiers that he likely could not have prevented. The filmmakers go to great lengths to show how good and well-respected Stewart was, something that may well be true, but doesn’t make for great drama.

The bulk of the film features Stewart at war, following him and others as they fly multiple missions and commiserate over the price of combat. The sequences are fine, but the film’s budget does not appear to be high, and so the CGI needed to recreate the scenes is noticeably subpar. Because Burns and Strawhand usually keep to surface-level storytelling and don’t go deep on any character besides Stewart, his time at war is engaging but slight.

The film is bookended by Stewart and Frank Capra (Max Casella) making It’s a Wonderful Life, Stewart’s first film after coming back from war. It’s here where the movie becomes most interesting as Stewart, still affected by his war experience, struggles to bring the character of George Bailey to life. The behind-the-scenes look at the film-within-the-film and the recreations of its iconic scenes are catnip for anyone who knows/loves the Christmas classic.

Apa, best known for starring as Archie on the TV show Riverdale, does extremely well as Stewart. He nails Stewart’s quavering voice and the way he ambles about plays right into the actor’s established persona. Casella and Killmer get the most play in supporting roles, and each does solid work as characters trying to understand Stewart. Alexander, Sarah Drew as Hedda Hopper, and Rob Riggle as a colonel each go a little too big in their respective parts.

Jimmy is probably best watched as an approximation of the man Stewart was in the 1940s, not as something that’s completely true to life. The film elides or stretches the truth on multiple occasions, which is par for the course in biopics. It could have used some stronger storytelling to make Stewart feel like a real person, not merely a replica of the famous actor.

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Jimmy is now playing in theaters.

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