Gazebos similar to this will be on display when Dallas Arboretum unveils its new 12 Days of Christmas on November 16.
Photo by Karen Almond
Despite the calendar showing that it's still August, the Dallas Arboretum is getting us ready for the holiday season by revealing plans for a new exhibit called the 12 Days of Christmas.
Starting November 16, a dozen 15-foot-tall gazebos will pop up around the arboretum grounds, and each will be populated by life-size Victorian-costumed mannequins or whimsical animals to match the verses of the popular holiday song, "The 12 Days of Christmas."
The Dallas Arboretum is pulling out all the stops for this $1.6 million exhibition, with sets and costumes designed by Tommy Bourgeois, the Dallas Opera and Dallas Stage Scenery.
Some of the exhibits will have animated figures to act out the song's lyrics, and each gazebo will be protected by glass, so it will resemble a music box. Lighting upgrades to the garden that came with the Chihuly exhibit a couple of years ago will help showcase each gazebo.
The exhibit, free with regular admission, will be open every day from November 16 to January 4, 2015, save for Thanksgiving, Christmas Day and New Year's Day. As with the Chihuly exhibit, the arboretum also will be open on select nights throughout the run, giving visitors a chance to see a different kind of holiday lights display.
Tickets for the 12 Days of Christmas go on sale starting August 15; anyone who buys tickets prior to September 1 gets an early bird discount. Daytime admission costs $15 for adults and $10 for children, plus $10 for parking. Night tickets cost $20, and parking is included.
Arboretum members and children under the age of 2 get in free.
It’s not often that a return to a franchise after years of no activity results in an actual good movie, but 2025’s 28 Years Later proved successful by reuniting director Danny Boyle and writer Alex Garland, who made the original 28 Days Later. Another sequel, The Bone Temple, was filmed back-to-back with last year’s film, with Nia DaCosta taking over for Boyle in the directing chair.
The movie picks up soon after the end of the first film, with the young Spike (Alfie Williams) now an unwilling member of a group called the Jimmies, which are led by a man who calls himself Sir Jimmy Crystal (Jack O’Connell). Unlike the main group in the first film that was just looking to survive the zombie apocalypse, the Jimmies are a bloodthirsty bunch who gleefully attack any zombies they find and brutalize other survivors they come across.
The story also returns to Dr. Kelson (Ralph Fiennes), whose solitary time at his self-built bone temple is interrupted by a massive zombie he has dubbed Samson (Chi Lewis-Parry). Against the odds - and with the help of some morphine - Kelson is able to bond with Samson, giving Kelson some strange but welcome companionship. But with the Jimmies lurking nearby, any peace he’s found may soon be shattered.
DaCosta, working from a script by Garland, ably steps into Boyle’s shoes, putting the emphasis on the story rather than trying for lots of stylistic flourishes. That’s not to say that she doesn’t do great work, however. The creepiness and sadistic nature of the Jimmies comes through loud and clear under her direction, and she brings out the campy comedy that comes from the unexpected pairing of Kelson and Samson.
Like the first 28 Years Later, the story is somewhat of a slow burn. The film doesn’t have many plot developments over its 109 minutes, and so DaCosta must get by on mood rather than action for the most part. But when things do get ramped up, they can get very uncomfortable as the film does not shy away from extreme gore. The damage inflicted by Samson and other zombies is one thing, but when it’s sentient humans going savage, it becomes even more difficult to look at the screen.
The juxtaposition between the chaos of the Jimmies and the quiet existence of Dr. Kelson works well for the film. Their separation for the bulk of the story gives them plenty of time to have the characters come into their own. Sir Jimmy Crystal is the ringleader, but Jimmy Ink (Erin Kellyman) gets her own showcase. Samson was already a (literally) big presence from the first film, but this film gives him a degree of humanity that gives the story more depth.
O’Connell made a big impression as the lead vampire in Sinners, and he’s just as interesting/intimidating here. Fiennes plays a character where being over-the-top is the natural reaction, and yet he keeps Kelson grounded in a number of ways that make him much more than one-note. Lewis-Parry was likely cast for his physique, but he brings out more from a zombie than you’d ever expect. Williams fades into the background a bit after his starring role in the first film, but he’s still strong.
Releasing The Bone Temple in January was not a great sign given the month’s reputation as a dumping ground for bad movies, but it actually proves to be a great choice. With most other releases being Oscar hopefuls or truly awful films, it stands out for being another compelling entry for the franchise, one that will make anticipation high for whenever the third film in the 28 Years Later series comes out.
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28 Years Later: The Bone Temple opens in theaters on January 16.