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Festival Season

Austin City Limits announces festival upgrades and late night lineup for 2017

Claudia Alarcon
Aug 24, 2017 | 10:30 am
Austin City Limits ACL Music Festival sign 2015
ACL Fest has some improvements in store for 2017.
Photo by Nicole Raney

Austin City Limits Music Festival has announced the official 2017 after-hours show lineup, as well as new amenities and changes for the festival, which returns to Zilker Park October 6-8 and 13-15.

This year's Official ACL Festival Late Night Shows will take place October 5-15 at some of Austin's favorite music venues, including Emo’s, Stubb’s, Antone's, and more. Music fans can catch intimate performances from top festival artists, including Ryan Adams, Run The Jewels, Spoon, Crystal Castles, Black Angels and Roky Erickson, and many more. The full list of shows is available online, and tickets go on sale August 25 at 10 am. A special pre-sale for C3 Presents email subscribers starts August 24.

The festival itself will feature a new-and-improved layout with more room for attendees, repositioned stages, a third entrance gate, a new wine experience, and enhanced Platinum amenities. The layout changes are designed to create better crowd flow, and the relocated stages should help with sound bleed issues.

To avoid entrance bottlenecks at peak times, there will be three entrances — the existing Lady Bird Lake entrance, a Barton Springs East entrance, and a Barton Springs West entrance — to choose from, as well as an additional box office for greater convenience.

After the success of last year’s shaded wine bar area, organizers have added a new ACL Fest wine tent where festivalgoers can select a nice bottle of wine or a cold glass of bubbly from an expanded selection of wines from around the world. There will also be wine-friendly bites for noshing.

Platinum ticket holders will have a new lounge located in the northeast area of Zilker Park with a private, elevated viewing deck; side stage viewing platforms at the two main stages; and food from award-winning chefs including Naomi Pomeroy, Aaron Sanchez, Andrew Curren, Tim Love, Mike Lata, and Andrew Wiseheart.

Select one-day tickets for both weekends and three-day tickets for the second weekend of the festival are still available. Three-day tickets for the first weekend are sold out.

music festivals vacation austin-city-limits
news/entertainment

Movie Review

The Magic Faraway Tree is a whimsical family lark that fails to take root

Alex Bentley
Aug 21, 2026 | 11:44 am
Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree
Photo courtesy of Vertical Entertainment
Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree.

With kids and families always on the hunt for entertainment, it’s typically a safe bet for a movie studio to offer up something new, even if it is a film based on an old property. The Magic Faraway Tree, based on a series of books that started in the 1930s, is a very old property, one that its filmmakers have tried to liven up with a few stars, a lot of whimsy, and a boatload of CGI.

The Thompson family, led by stay-at-home dad Tim (Andrew Garfield) and breadwinner mom Polly (Claire Foy), are forced to move to a rundown country home when Polly gets laid off. The kids - Joe (Phoenix Laroche), Fran (Billie Gadson), and Beth (Delilah Bennett-Cardy) - are used to the perks of city life like wifi and electricity, and each of them rebels in their own way to their new lot in life.

Fran, enticed by a fairy named Silky (Nicola Coughlan), is the first to venture out of the house, making her way to a magic tree that transports her to a world full of strange characters like Moonface (Nonso Anozie), Saucepan Man (Dustin Demri-Burns), Dame Washalot (Jessica Gunning), and more. Her adventures there not only broaden the world she thought she knew, but may be the key to helping her ailing family.

Directed by Ben Gregor and written by Simon Farnaby (Paddington 2, Wonka), the film is a pleasant enough lark, but it fails to fully capture the imagination. The five-member family has a lot going on, from an initially-mute Fran to a domestic situation that raises more questions than it answers. The film tries to incorporate an anti-technology message through Tim’s hatred of a smart refrigerator (voiced by Judi Dench!) and the kids' addictions to devices, but it’s quickly shed in favor of other options.

Once Fran makes it to the Magic Faraway Tree, there’s a nice shift in the storytelling, but it’s unclear what the ultimate goal is. It’s a good idea to have Fran, the youngest of the children, convince her older, more cynical siblings about the virtues of the magic world, but the conflict in the real world doesn’t seem to rise to the level needed for the escape the tree provides.

There also seems to be a missing link in the storytelling for viewers to understand the importance of the fantastical characters. The visuals of seeing Moonface and his crescent moon-shaped hair, a man with a suit full of banging pots, and more are fun for a while, but not enough to carry the whole film. A last-minute revelation feels like it was something that should have been disclosed much earlier to help strengthen the emotions of the story.

A two-time Oscar nominee, Garfield is making his first foray into family movies (if you don’t count playing Spider-Man), and while he does a good job, he doesn’t make the best fit for the semi-goofy role. The same goes for the Emmy-winning Foy, who isn’t given much of anything to do. The movie puts the story on the shoulders of the three child actors, and while each of them acquit themselves well, none of them are so outstanding as to be noteworthy.

With nearly 90-year-old source material, The Magic Faraway Tree needed to be something truly special to stand out in the 21st century movie world. Unfortunately, it features a mostly forgettable story that features some fun visuals, a couple of cute kids, and not much else.

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The Magic Faraway Tree is now playing in theaters.

movies film
news/entertainment

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