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Festival Season

Austin City Limits announces festival upgrades and late night lineup for 2017

Claudia Alarcon
Aug 24, 2017 | 10:30 am
Austin City Limits ACL Music Festival sign 2015
ACL Fest has some improvements in store for 2017.
Photo by Nicole Raney

Austin City Limits Music Festival has announced the official 2017 after-hours show lineup, as well as new amenities and changes for the festival, which returns to Zilker Park October 6-8 and 13-15.

This year's Official ACL Festival Late Night Shows will take place October 5-15 at some of Austin's favorite music venues, including Emo’s, Stubb’s, Antone's, and more. Music fans can catch intimate performances from top festival artists, including Ryan Adams, Run The Jewels, Spoon, Crystal Castles, Black Angels and Roky Erickson, and many more. The full list of shows is available online, and tickets go on sale August 25 at 10 am. A special pre-sale for C3 Presents email subscribers starts August 24.

The festival itself will feature a new-and-improved layout with more room for attendees, repositioned stages, a third entrance gate, a new wine experience, and enhanced Platinum amenities. The layout changes are designed to create better crowd flow, and the relocated stages should help with sound bleed issues.

To avoid entrance bottlenecks at peak times, there will be three entrances — the existing Lady Bird Lake entrance, a Barton Springs East entrance, and a Barton Springs West entrance — to choose from, as well as an additional box office for greater convenience.

After the success of last year’s shaded wine bar area, organizers have added a new ACL Fest wine tent where festivalgoers can select a nice bottle of wine or a cold glass of bubbly from an expanded selection of wines from around the world. There will also be wine-friendly bites for noshing.

Platinum ticket holders will have a new lounge located in the northeast area of Zilker Park with a private, elevated viewing deck; side stage viewing platforms at the two main stages; and food from award-winning chefs including Naomi Pomeroy, Aaron Sanchez, Andrew Curren, Tim Love, Mike Lata, and Andrew Wiseheart.

Select one-day tickets for both weekends and three-day tickets for the second weekend of the festival are still available. Three-day tickets for the first weekend are sold out.

music festivals vacation austin-city-limits
news/entertainment

Movie Review

Shaun the Sheep gets PG-spooky in new movie for the Halloween season

Alex Bentley
Sep 18, 2026 | 11:50 am
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

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Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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