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    Zom-Com Done Wrong

    Zombie flick Life After Beth should have stayed buried

    Alex Bentley
    Sep 5, 2014 | 12:00 am
    Zombie flick Life After Beth should have stayed buried
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    Despite the glut of zombie-related entertainment these days, a clever twist on dealing with the undead is always welcome, such as 2013’s Warm Bodies. Unfortunately, the only thing interesting about the latest, Life After Beth, is its title.

    The film does have promise at the start. We join the story soon after the death of Beth (Aubrey Plaza), as her boyfriend Zach (Dane DeHaan) and her parents (John C. Reilly and Molly Shannon) struggle to come to terms with her being gone.

    There are a number of comedic possibilities with a story such as this, but writer/director Jeff Baena has difficulty making any of them connect.

    When Beth’s parents start being distant, Zach becomes suspicious and soon discovers something impossible: Beth has come back from the dead. However, her behavior is, shall we say, a little erratic, and even though Zach loves having her back, he finds out that having a zombie for a girlfriend has more than its fair share of challenges.

    There are a number of comedic possibilities with a story such as this, but writer/director Jeff Baena has difficulty making any of them connect. Beth’s confusion over why Zach and her parents are treating her differently now is more sad than anything else, and any quirks that come along with her being undead seem random and ho-hum.

    Instead of being satisfied with telling the story of Beth’s rising from the dead, Baena chooses to portray it as an epidemic, with multiple dead people making reappearances. Sometimes this is good for a chuckle, but most of the time all it elicits is a shrug. Any time devoted to other undead takes away from what’s supposed to be the point of the film, which is probably the biggest reason the film doesn’t succeed.

    Plaza’s usual monotone shtick would seem to work well for playing a zombie, but the deadly dull script keeps her from reaching her potential. DeHaan makes the most of his role, but he too is held back by the story.

    It’s fun to see Paul Reiser and Cheryl Hines as Zach’s parents, even if their roles are not all that crucial. And why Anna Kendrick, who plays a ditzy love interest for Zach late in the movie, chose to take this dud of a supporting part is beyond me.

    Zombies may still be all the rage in Hollywood, but if films like Life After Beth are the best they can offer, the undead are better left buried.

    ---------------------

    Life After Beth opens exclusively at the Texas Theatre on September 5.

    Dane DeHaan and Aubrey Plaza in Life After Beth.

    Dane DeHaan and Aubrey Plaza in Life After Beth
    Photo courtesy of A24
    Dane DeHaan and Aubrey Plaza in Life After Beth.
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    Critics' choice

    DFW film critics name One Battle After Another best movie of 2025

    Alex Bentley
    Dec 17, 2025 | 9:32 am
    Leonardo DiCaprio in One Battle After Another
    Photo courtesy of Warner Bros. Pictures
    Leonardo DiCaprio in One Battle After Another.

    The Dallas-Fort Worth Film Critics Association has voted Paul Thomas Anderson's action thriller One Battle After Another the best film of 2025, according to the results of its 32nd annual critics’ poll released on Wednesday, December 17.

    The top award was one of five wins for the film in the poll, including Leonardo DiCaprio as Best Actor, Teyana Taylor as Best Supporting Actress, and Anderson for both Best Director and Best Screenplay.

    After One Battle After Another, the rest of the top 10 films in the poll were, in order, Sinners, Marty Supreme, Hamnet, Sentimental Value, Train Dreams, Frankenstein, Jay Kelly, Bugonia, and It Was Just an Accident.

    In addition to DiCaprio and Taylor, other acting awards included Rose Byrne as Best Actress for If I Had Legs, I'd Kick You and Stellan Skarsgård as Best Supporting Actor for Sentimental Value.

    The two other behind-the-scenes awards both went to Sinners, including Best Cinematography for Autumn Durald Arkapaw and Best Score for Ludwig Göransson.

    Sentimental Value also took home the award for Best Foreign Language Film, while Netflix got double wins with The Perfect Neighbor for Best Documentary and KPop Demon Hunters for Best Animated Film.

    The Russell Smith Award, given annually by the DFWFCA to the best low-budget or cutting-edge independent film, went to It Was Just an Accident.

    The Dallas-Fort Worth Film Critics Association consists of 26 broadcast, print, and online journalists from throughout North Texas. For more information, visit dfwcritics.com.
    ---

    Author Alex Bentley is a member of the Dallas-Fort Worth Film Critics Association.

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