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    Real Housewives Recap

    For Real Housewives of Dallas, threat level is as high as the hair

    Kaitlin Steinberg
    Sep 25, 2017 | 10:10 pm
    Real Housewives Stephanie, Brandi, Cary, and Kameron in Mexico
    Real Housewives Stephanie, Brandi, Cary, and Kameron soak up the sun in Playa del Carmen, Mexico.
    Cary Deuber/Instagram

    All season, The Real Housewives of Dallas has had me alternately pinned to the edge of my seat, eager for more, and gingerly falling backward onto my fainting couch, overwhelmed by the Texas-sized drama.

    This week was a little different. With a few exceptions, the most exciting parts of this episode were the previews for next week — specifically when Brandi, waving a large black dildo, chases Kameron around a Mexican beach, and when Cary confronts LeeAnne about threatening to kill her. But I’m getting ahead of myself.

    Let’s rewind to Mark and Cary once again arguing about the fact that Cary wants to spend less time at the office and more time with her daughter, Zuri. Mark is seeming less and less likable as this season wears on. First, we had last week’s dinner, during which he seemed incapable of understanding that a child at a dinner table will act like a child. And now we have him giving his wife crap for wanting to hang out with their offspring. What a turd.

    Cary reveals that Mark freaked out when she got pregnant because he didn’t want to lose her to their daughter. Clearly, the competing-for-mommy’s-attention angst is still raging on, even though Mark is a grown-ass man and Zuri is four. I hope these two are saving up for Zuri’s therapy now.

    Meanwhile, in other questionable parenting decisions, Stephanie and Travis visit the hideous new house Travis purchased without Stephanie’s input and without considering the practicality of having a pool in the living room. They agree to compromise and cover the pool, but not before Travis and the two boys push Stephanie into it. Gross. I do not even want to know the last time that stagnant water was cleaned.

    The next day, Brandi picks LeeAnne up for the boob surgery she’s getting from a “vagina doctor.” If you recall, during last week's “Honestea,” Cary revealed this doctor isn’t a board-certified plastic surgeon, but Brandi insists Cary is just “a lot of talk.”

    “Well, you know what that talk is going to get her?” LeeAnne asks, rhetorically. “Big. Trouble.”

    And that, ladies and gents, is our first threat of the episode. More to come!

    Inside the doctor’s office, LeeAnne spots a level on the counter and jokingly asks what it’s for. The doctor replies very seriously that they want everything to be “as level as possible,” and sometimes, “it can be a little confusing.” I’m starting to think Cary was right about this quack.

    When LeeAnne disrobes for the doctor to take his final measurements, Brandi is surprised to learn that LeeAnne’s nipples point straight up to the sky, which she says is a real “statement piece.” So now we know what LeeAnne’s role in the carnival was. She was the freaky nipple girl. Cool.

    Once the doctor and the cameras have left the room, LeeAnne starts whispering to Brandi about Cary, and the resulting scene is like something out of a low-budget horror flick.

    A solid closed door, and from behind it, hushed tones: “She’s gonna come for me one day, and it isn’t gonna be pretty … I grew up with a lot of things in my hands, and they’re not knives … They’re just hands, but they work … quite … well …”

    I’m almost glad they don’t have actual footage of LeeAnne saying those words between gritted teeth, two inches from Brandi’s face, fully nude. That, my friends, is pure nightmare fuel. To combat the demon clearly trying to claw its way out of LeeAnne, Brandi says a quick prayer over her buddy, then promptly leaves, most likely to scrub out her eyes.

    In another doctor’s office, Mark and Cary are prepping a patient for surgery, and Cary reveals to the camera that this will be her last surgery, as she’s planning to take some time off to be more present for her child. The only problem is Cary hasn’t told Mark yet, and she’s determined to break the news at work, hoping he’ll be less angry that way. Boy, is she wrong.

    Mark is convinced that being a stay-at-home mom will make Cary “blow her brains out,” and he wishes her good luck.

    Elsewhere, Brandi and Stephanie shop for bathing suits, sip champagne, and Brandi mentions that, oh yeah, LeeAnne went full-out psycho while naked at the doctor’s office. Stephanie suggests Brandi tell Cary, because gossip makes everything better.

    Cary, evidently, can hold her own, though, as she proves at a gun range outing with D’Andra, Jeremy, and Mark. D’Andra and Cary put the men to shame with their marksmanship, and Mark warns Cary not to run out on the range, lest he accidentally shoot her. Please note: That is not an appropriate response to your wife wanting to spend more time with your daughter.

    While Mark tries in vain to hit the target, Cary Facetimes with Brandi, who relays LeeAnne’s threatening message. By the time Cary tells D’Andra and Mark about what happened, LeeAnne’s vague threat has turned into “LeeAnne wants to kill me,” and “LeeAnne said she’d strangle me.” Slow your roll there, Cary. D’Andra sort of tries to defend LeeAnne, but you can tell she’s also pretty pissed at her “reformed” friend.

    Later, Stephanie tries to work with her son, Cruz, who is dyslexic, and it’s all very touching. Thank goodness she and Brandi aren’t so codependent anymore so she can focus on her children.

    When we finally catch up with Dallas Barbie, she’s lamenting the fact that flying commercial is going to ruin her fuzzy, leopard-print suitcase. “I always prefer flying private,” Kameron says, “but who wouldn’t?” And now my concern has moved from the rift between LeeAnne and Cary to the fate of Kameron’s fuzzy bag.

    In the rest of the packing-for-Mexico montage, we learn that Brandi is going to wear pink, even though it’s Kameron’s color; D’Andra’s stepson Keatin has a job interview with Lowe’s; and Cary is relieved that LeeAnne’s threat has made Mark forget that she quit.

    A short commercial flight later, the ladies land in Playa del Carmen, Mexico and, unlike the other Housewives, they have no problem deciding who will be in what room. There’s no fighting over the best suites or jostling over roommates. The girls clearly haven’t reached peak Bravo diva level yet. Give it time.

    After settling in, roommates LeeAnne and D’Andra sip cocktails in their room, while the rest of the ladies gossip by the pool. Brandi fills in Kameron, Stephanie, and Cary on LeeAnne’s antics, and also lets them know that LeeAnne’s doctor told her to go buy a compact from the drugstore to tape into her boobs to keep them separated while they heal. Does this seem like good medical advice? No. Does the gossip offend Kameron’s delicate sensibilities? Of course it does.

    Kameron wonders why Brandi, who claims to be LeeAnne’s friend, would be talking about her behind her back. LeeAnne wonders if she’ll ever stop being her own worst enemy. D’Andra wonders if her mother will ever croak and leave her the family business. Stephanie and Brandi each wonder who is more obsessed with the other.

    And Cary — poor, sweet Cary — smiles outwardly, but deep down she wonders which carny game LeeAnne will use to kill her.

    My money is on Whack-A-Mole.

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    Movie Review

    Ryan Gosling tries to save the universe in Project Hail Mary

    Alex Bentley
    Mar 19, 2026 | 10:00 am
    Ryan Gosling in Project Hail Mary
    Photo by Jonathan Olley
    Ryan Gosling in Project Hail Mary

    The reasons behind the success of 2015’s The Martian, which earned over $630 million worldwide and got nominated for seven Oscars, had as much to do with the novel written by Andy Weir as it did with star Matt Damon and director Ridley Scott. Weir’s commitment to making an entertaining story that was also scientifically accurate proved to be easy to translate into a blockbuster movie.

    The same is true for Weir’s 2021 novel, Project Hail Mary, now a film starring Ryan Gosling. Gosling plays Dr. Ryland Grace, who opens the film waking up from an induced coma, alone on an interstellar spaceship named the Hail Mary. As his foggy mind clears, he - and the audience - learn that he was recruited to help an initiative to save the world after it’s discovered that a mysterious phenomenon is causing the sun to cool down, threatening all life on Earth.

    The film toggles back and forth between Grace’s time on the ship and his whirlwind journey of scientific discovery on Earth, with revelations coming on both sides. On Earth, he mostly deals with Eva Stratt (Sandra Hüller), the unflappable and unstoppable leader of the international coalition dedicated to solving the problem. And in space, orbiting the far-off star known as Tau Ceti, he encounters another being he names Rocky, a five-limbed creature that looks like a boulder which teams up with him to try to save both of their worlds.

    Directed by Phil Lord and Christopher Miller, and written by Drew Goddard (who also wrote The Martian), the film melds multiple genres into an astonishingly great whole. It starts off as a mystery, morphs into science fiction, transitions into actual science, becomes a thriller, adds in plenty of drama, and - for good measure - features plenty of comedy along the way. Shifting tones like this film does is tricky for many filmmakers, but Lord and Miller prove to be masterful at knowing just how much of each to include before it becomes too much.

    One of the biggest keys to the story is the fact that Grace is not a hero in the movie sense of the word. He’s very smart, but he’s also an everyman, teaching middle school science after being shunned from academia. The circumstances of how he ended up on the Hail Mary are doled out in pieces over the course of the film, but it’s clear from the start that Grace’s talents are not the ones found in your typical astronaut. Ironically, it’s him being forced to do heroic stuff that imbues him with an atypical type of bravery.

    The relationship between Grace and Rocky is unique, and Rocky ends up being as endearing an alien that’s been featured in movies despite the fact that he has no face and speaks only in musical tones. The film does a very effective job of putting the audience in Grace’s shoes, having to figure out ways to communicate with Rocky at the same time as he’s trying to figure out how to complete a mission he wasn’t trained to do.

    Gosling is the ideal actor to portray a man like Grace. Essentially alone for much of the film, his innate charm and humorous delivery keep the film from feeling like an extended monologue. The flashback scenes to his time on Earth feature solid performances from people like Hüller (Anatomy of a Fall), Lionel Boyce (The Bear), and more, who fill in the pieces of the story without feeling out of place.

    Project Hail Mary is a crowd-pleaser in all the right ways, delivering plenty of thrilling action and funny moments while also digging deep into science nerd elements. With a movie star like Gosling in the lead and successful filmmakers like Lord, Miller, and Goddard behind the scenes, the film makes an early case for being one of best of the year.

    ---

    Project Hail Mary opens in theaters on March 20.

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