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    Movie Review

    The Old Man and the Gun sends Robert Redford off in style

    Alex Bentley
    Oct 5, 2018 | 2:15 pm
    The Old Man and the Gun sends Robert Redford off in style
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    One of Robert Redford’s first big roles was as an escaped convict in 1966’s The Chase, which also starred Marlon Brando and Jane Fonda. It’s only appropriate, then, that in his final film as an actor, The Old Man and the Gun, he is also playing someone who’s constantly on the run from the law.

    Redford plays Forrest Tucker, a real life criminal, who spent the majority of his life going in and out of prison. When we meet him, it’s the early 1980s and he’s robbing banks all over Texas, including Dallas. Only, given his age and easygoing demeanor, his style differs from the smash-and-grab antics of other robbers. In fact, most victims describe him as gentlemanly, the last person you’d expect to be robbing you.

    That low-key personality endears him to Jewel (Sissy Spacek), a woman he stops to help as a way of escaping another robbery. The two begin an uneasy-yet-strong relationship, even while Tucker continues to rob banks unbeknownst to Jewel. On the hunt for Tucker is Dallas police detective John Hunt (Casey Affleck), one of the few people who is able to see beyond Tucker’s friendly façade.

    Writer/director David Lowery, who seems to go back and forth between straightforward and inscrutable films, presents a real dilemma for Tucker. Robbing banks is almost literally all he’s ever known, but when faced with the possibility of a real relationship, his love of risk and adventure is put to the test.

    Befitting Tucker’s style, the various robberies in the film hold no real intrigue or excitement. But they’re still fascinating in showing that how a person behaves can influence other people to do things that they normally wouldn’t do. Few other actors could play Tucker with the same charm, guile, and vulnerability that Redford does.

    What really makes the movie sing is the chemistry between Redford and Spacek. The two veteran actors know how to make the most out of even the smallest moments, and every second they spend together is one to be cherished. Their relationship is a case study in how to establish a rock-solid emotional connection, both between their characters and between the film and the audience.

    Even if you didn’t know that The Old Man and the Gun will, according to the man himself, be Redford’s final time appearing on the big screen, the film is full of touches that seem to be offering a gentle valedictory to the legendary actor.

    In addition to the book-end allusion to The Chase with Redford’s character, Lowery inserts an actual scene from that film to drive the point home. There also are subtle references to Butch Cassidy and the Sundance Kid and The Sting, two of Redford’s most famous films in which he also played men with a charming way of breaking the law.

    If this is to be Redford’s last acting role, you couldn’t ask for a better send-off. He’s made a career out of being someone who could appeal to people of all ages and genders, and he goes out the way he came in with The Old Man and the Gun.

    Robert Redford in The Old Man and the Gun.

    Robert Redford in The Old Man and the Gun
    Photo by Eric Zachanowich
    Robert Redford in The Old Man and the Gun.
    movies
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    Movie Review

    The Invite delivers smart, sexy laughs with an all-star cast

    Alex Bentley
    Jul 10, 2026 | 11:40 am
    Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite
    Photo courtesy of A24
    Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite.

    Once upon a time, well before scandal embroiled him, Woody Allen made great comedies aimed at adults. That type of film - which is different from the raunchy, R-rated comedies of the 21st century - has fallen out of favor in Hollywood, but as the new film The Invite proves, when done well it can be as funny as anything else out there.

    Joe (Seth Rogen) and Angela (Olivia Wilde) are an unhappily married couple living in San Francisco. As we meet them, Joe has arrived home to Angela preparing for a visit from their upstairs neighbors, Hawk (Edward Norton) and Piña (Penélope Cruz), who have moved in relatively recently. Their impending arrival starts a new round of arguing between Joe and Angela, something they can barely contain once the other couple comes to their door.

    What proceeds is a getting-to-know-you process that is mostly awkward as Joe and Angela continue sniping at each other while Hawk and Piña put in their two cents in a much calmer manner. A sticking point between the two couples - the loud sex Hawk and Piña have on an almost nightly basis - turns the film on its head with an unexpected invitation.

    Directed by Wilde and written by Will McCormack and Rashida Jones, the film is a fast-paced chamber piece that takes place almost entirely in Joe and Angela’s apartment. Wilde, the writers, and the actors speed the story along not with action but through almost non-stop dialogue that often has the characters overlapping each other’s lines. The rapidity of the speech fuels the humor of the situation and establishes the differing personalities of each person.

    Sex is very much top of mind for each of the characters for most of the film, but the filmmakers approach the topic in such a way that it never feels salacious. Each of the characters is a rational adult who can talk about sex in a mature manner while also acknowledging their unique feelings on the matter. And it’s the discoveries each of them makes along the way that brings about the most comedy.

    But, like any comedy for adults, the film also has a dramatic tilt to it, and Wilde edges the story back-and-forth between the two tones extremely well. Joe and Angela fighting is played for laughs at times, but the sadness of their relationship comes through loud and clear. Hawk and Piña are much more intimate with each other, but the funniness of their openness is juxtaposed with a depth that arises through their conversations.

    In the 2020s, Rogen has managed to make the transition from goofy stoner to stoner with real acting chops. In a stacked cast, he is the one who sells every moment the best. That’s not to say that Wilde, Norton, and Cruz don’t measure up, though; each of them inhabits their respective roles magnificently. The four actors play off each other as if they had been working together for years.

    While The Invite will likely play better to those who have experience with long term relationships, its insights - and occasional bawdiness - make it a comedy that can be appreciated universally. With four actors at the top of their games and a razor-sharp script made even better by some well-done improv, it proves that you don’t need to go low to get great laughs.

    ---

    The Invite is now playing in theaters.

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