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    Movie Review

    The Old Man and the Gun sends Robert Redford off in style

    Alex Bentley
    Oct 5, 2018 | 2:15 pm
    The Old Man and the Gun sends Robert Redford off in style
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    One of Robert Redford’s first big roles was as an escaped convict in 1966’s The Chase, which also starred Marlon Brando and Jane Fonda. It’s only appropriate, then, that in his final film as an actor, The Old Man and the Gun, he is also playing someone who’s constantly on the run from the law.

    Redford plays Forrest Tucker, a real life criminal, who spent the majority of his life going in and out of prison. When we meet him, it’s the early 1980s and he’s robbing banks all over Texas, including Dallas. Only, given his age and easygoing demeanor, his style differs from the smash-and-grab antics of other robbers. In fact, most victims describe him as gentlemanly, the last person you’d expect to be robbing you.

    That low-key personality endears him to Jewel (Sissy Spacek), a woman he stops to help as a way of escaping another robbery. The two begin an uneasy-yet-strong relationship, even while Tucker continues to rob banks unbeknownst to Jewel. On the hunt for Tucker is Dallas police detective John Hunt (Casey Affleck), one of the few people who is able to see beyond Tucker’s friendly façade.

    Writer/director David Lowery, who seems to go back and forth between straightforward and inscrutable films, presents a real dilemma for Tucker. Robbing banks is almost literally all he’s ever known, but when faced with the possibility of a real relationship, his love of risk and adventure is put to the test.

    Befitting Tucker’s style, the various robberies in the film hold no real intrigue or excitement. But they’re still fascinating in showing that how a person behaves can influence other people to do things that they normally wouldn’t do. Few other actors could play Tucker with the same charm, guile, and vulnerability that Redford does.

    What really makes the movie sing is the chemistry between Redford and Spacek. The two veteran actors know how to make the most out of even the smallest moments, and every second they spend together is one to be cherished. Their relationship is a case study in how to establish a rock-solid emotional connection, both between their characters and between the film and the audience.

    Even if you didn’t know that The Old Man and the Gun will, according to the man himself, be Redford’s final time appearing on the big screen, the film is full of touches that seem to be offering a gentle valedictory to the legendary actor.

    In addition to the book-end allusion to The Chase with Redford’s character, Lowery inserts an actual scene from that film to drive the point home. There also are subtle references to Butch Cassidy and the Sundance Kid and The Sting, two of Redford’s most famous films in which he also played men with a charming way of breaking the law.

    If this is to be Redford’s last acting role, you couldn’t ask for a better send-off. He’s made a career out of being someone who could appeal to people of all ages and genders, and he goes out the way he came in with The Old Man and the Gun.

    Robert Redford in The Old Man and the Gun.

    Robert Redford in The Old Man and the Gun
    Photo by Eric Zachanowich
    Robert Redford in The Old Man and the Gun.
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    Movie Review

    Faces of Death returns with modern twist on cult horror film

    Alex Bentley
    Apr 10, 2026 | 10:30 am
    Dacre Montgomery in Faces of Death
    Photo courtesy of of IFC Films
    Dacre Montgomery in Faces of Death.

    True horror fans will likely be familiar with the 1978 cult film Faces of Death, which purported to be a documentary showing real-life killings in gory detail. It didn’t, of course, but that didn’t stop rumors from continuing to spread for decades. Now, almost 50 years and multiple sequels later, comes a new version of Faces of Death, an actual movie that pays homage to the original in interesting ways.

    Margot (Barbie Ferreira) works at a YouTube-like company called Kino as a content moderator, flagging videos that violate the company’s policies. This means her job often involves seeing some truly despicable things from all manner of depraved people. One day, though, she comes across a video that seems a little too real, and after seeing more similar videos, she starts to believe they’re genuine murders.

    Going against her company NDA, she starts to investigate the videos on her own, which puts her on the radar of Arthur (Dacre Montgomery), who is actually kidnapping people and killing them on camera through methods seen in the original Faces of Death film. It’s not long before Arthur tracks her down, with a plan to make her one of his next victims.

    Written and directed by Daniel Goldhaber (How to Blow Up a Pipeline) and co-written by Isa Mazzei, the film is not so much scary as it is creepy, with the occasional gross-out sequence. The idea of having someone emulate the killings in the cult film is a good idea, and pairing it with the modern-day attention economy - in which content creators go to increasing lengths for clicks - is a clever twist on a concept that other films have done.

    The film as a whole is a commentary on how social media and video sharing sites have often decided to prioritize profits over the well-being of their users. Margot is shown allowing videos involving violence and sexual assault to stay on the site while nixing ones depicting how to use Narcan or demonstrating putting on a condom on a banana. Josh (Jermaine Fowler), Margot’s boss, is even explicit in the company mandate that outrageous videos drive views.

    While Arthur has the makings of a good villain, there are few attempts to make him seem truly diabolical. His kidnappings often seem more spur-of-the-moment than calculated, and even though he has a well thought-out dungeon at home, the house’s location in the suburbs seems to make him vulnerable to easy discovery. Goldhaber and Mazzei leave more than a few unanswered questions along the way that take away from the intensity of the story.

    Ferreira is yet another actor from Euphoria who’s capitalizing on her exposure from that show. She plays Margot’s increasing anxiety well, and when the action ratchets up in the final act, she meets the moment in a satisfying way. Montgomery returns to the vibe he had while playing the evil Billy on Stranger Things, and even though his character doesn’t fully live up to his potential, Montgomery sells his evil for all it’s worth.

    The new Faces of Death may not be what some are expecting given the reputation of the previous films, but it’s a solid horror/thriller that uses the brand as a launching pad into something different. It doesn’t make much of a dent in the scare department, but it does give its violence and gore a degree of relevance in today’s often desensitized world.

    ---

    Faces of Death is now playing in theaters.

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