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Movie Review

Eddie Murphy is a dynamite performer in Dolemite is My Name

Alex Bentley
Oct 11, 2019 | 1:07 pm
Eddie Murphy is a dynamite performer in Dolemite is My Name
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Everybody loves a comeback story, and in Hollywood that goes double. Tales of actors or filmmakers falling out of public favor only to rise up again with the perfect project are almost as old as the film industry itself. Eddie Murphy was the comedy king in the ‘80s and early ‘90s thanks to hits like Beverly Hills Cop and 48 Hours. His transition into family fare like Doctor Dolittle was likely profitable, but did little to help his professional reputation.

Murphy supposedly had a comeback with 2006’s Dreamgirls, for which he earned an Oscar nomination. But after a series of critical and box office failures, he virtually disappeared. Now, thanks to the new Netflix movie Dolemite is My Name and a planned return to the standup comedy scene, Murphy may finally be finding his stride again.

Murphy plays Rudy Ray Moore, a down-on-his-luck performer in the ‘70s, stuck hustling his old records and telling corny jokes as the emcee at a local club. Determined to get out of his rut, he finds inspiration in the filthy bragging of local homeless men. Polishing up their one-liners and using a wig and outlandish clothes to change his style, Rudy soon transforms into the comic sensation known as Dolemite.

Directed by Craig Brewer and written by Scott Alexander and Larry Karaszewski, the film is notable for how much humor it wrings out of a relatively sincere story. Despite the film being based on a real person, it would be easy for Murphy and the filmmakers to sink into parody if they so chose. Instead, they play things close to the vest and let the Rudy’s preposterous life tell their story for them.

And everything about Rudy and his entourage plays larger than life. Though the budget for his various projects — stand-up sets, comedy albums, and eventually a movie — is usually miniscule, Rudy is able to pull them off thanks to his huge personality and the support that his gregariousness draws in.

Like the equally-entertaining The Disaster Artist, a basic knowledge of the film-within-the-film would likely pay dividends as the characters go through the making of the movie. Still, there is so much hilarious material that you wonder what moments they chose not to show. Obstacles abound at every turn, and the ingenious ways the group adapts to the challenges or overcomes them are a pleasure to watch every time.

Murphy was so famous for such an extended period of time that it’s easy to believe we, the audience, know everything about him. But that’s clearly not true, and there’s a case to be made that in making this film, Murphy is trying to tell us something about who he is. For Rudy, almost everything in his public life is an act, and he only reveals himself to those closest to him. Murphy plays him with such verve and joy that it feels like he has a kinship with Rudy and how he went through life.

In a bit of life-imitates-art moment, the film is absolutely lousy with well-known actors willing to back up Murphy. The main group, all of which deliver great performances, includes Keegan-Michael Key, Craig Robinson, Tituss Burgess, Mike Epps, and Wesley Snipes, who’s making his own return from Hollywood purgatory. But the standout is Da’Vine Joy Randolph, a relative unknown who gives as good as she gets in her scenes with Murphy.

For too long, Murphy delivered performances that only showed a shadow of his early talent. With Dolemite is My Name, Murphy is back at full force, honoring both a pioneer who’s been lost to time and showing that he still has plenty left in his tank as a performer.

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Dolemite is My Name will play exclusively at iPic Fairview and Studio Movie Grill Arlington before debuting on Netflix on October 25.

Eddie Murphy in Dolemite is My Name.

Eddie Murphy in Dolemite is My Name
Photo by Francois Duhamel
Eddie Murphy in Dolemite is My Name.
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Movie Review

Andrew Garfield leads peasant rebellion in medieval film The Uprising

Alex Bentley
Sep 10, 2026 | 12:15 pm
Andrew Garfield in The Uprising
Photo by Betina La Plante/Focus Features
Andrew Garfield in The Uprising.

Writer/director Paul Greengrass made his name with a cinéma vérité style of filmmaking that brought immediacy and depth to three Jason Bourne films, United 93, Captain Phillips, and more. In The Uprising, he uses those skills to tell the story of the so-called Peasants’ Revolt in 14th century England.

Greengrass wastes no time starting the main plot as Ploughman (Andrew Garfield) and his fellow villagers object to onerous taxes put on them by the country’s nobility, led by the young King Richard II (Woody Norman), to fund an ongoing war. Ploughman initiates a violent response over the tone-deaf — and unseemly — way the king’s guard go about their business, and the rebellion soon starts to spread across the countryside, with the citizens looking for a degree of autonomy.

The ever-expanding group makes their way toward London to try to make their case to the king himself. Meanwhile, the king’s top advisors, including Archbishop Sudbury (Stephen Dillane) and Treasurer Hales (Tom Hollander), try to usurp power from the inexperienced monarch even as the king’s mother (Katherine Waterston) tries to get him to be more assertive.

The history of the English monarchy is long and lurid, as Shakespeare detailed in multiple plays, including Richard II. Though the events in the film took place almost 650 years ago, it’s easy to see parallels between what the peasants were fighting for and modern-day politics. Greengrass’ storytelling intent is solid, and the righteous anger the citizens feel is initially relatable and palpable.

But the populism theme of the story soon gets bogged down in drudgery and minutiae that is difficult to understand, especially when the details are lost in the thick regional English accents. The leaders of the rebels — including John Ball (Jamie Bell), Wat Tyler (Cosmo Jarvis), and Alyce (Thomasin McKenzie) — are shown doing a lot of planning, but the strong feelings they have about their quest don’t come across well, leaving the audience as passive observers.

When there is action, Greengrass and his team employ a frenetic style that is not great for comprehension. While the gist of what is happening and what side is winning is legible, individual moments go by so quickly so as to be nearly meaningless. Save for Ploughman, any connection that has been made with various characters proves futile, as Greengrass doesn’t seem to have any time for emotion. Scenes that should feel thrilling or heartbreaking instead come off as empty.

Garfield is a two-time Oscar nominee who has done great work across multiple genres. He’s fine in this role, but whether it’s the story, the filmmaking, or something else, he’s not as captivating as usual. The same goes for other strong actors like Bell, McKenzie, Dillane, Hollander, and Waterston, who each seem to be giving their all to their performances but are somehow muted in the process.

Done right, The Uprising could have been a rip-roaring account of people standing up against their oppressors. What Greengrass has made, though, is a film that can’t translate its medieval story for a modern audience and concentrates too much on unexciting elements and too little on thrilling ones.

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The Uprising is now playing in theaters.

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