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Movie Review

Eddie Murphy is a dynamite performer in Dolemite is My Name

Alex Bentley
Oct 11, 2019 | 1:07 pm
Eddie Murphy is a dynamite performer in Dolemite is My Name
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Everybody loves a comeback story, and in Hollywood that goes double. Tales of actors or filmmakers falling out of public favor only to rise up again with the perfect project are almost as old as the film industry itself. Eddie Murphy was the comedy king in the ‘80s and early ‘90s thanks to hits like Beverly Hills Cop and 48 Hours. His transition into family fare like Doctor Dolittle was likely profitable, but did little to help his professional reputation.

Murphy supposedly had a comeback with 2006’s Dreamgirls, for which he earned an Oscar nomination. But after a series of critical and box office failures, he virtually disappeared. Now, thanks to the new Netflix movie Dolemite is My Name and a planned return to the standup comedy scene, Murphy may finally be finding his stride again.

Murphy plays Rudy Ray Moore, a down-on-his-luck performer in the ‘70s, stuck hustling his old records and telling corny jokes as the emcee at a local club. Determined to get out of his rut, he finds inspiration in the filthy bragging of local homeless men. Polishing up their one-liners and using a wig and outlandish clothes to change his style, Rudy soon transforms into the comic sensation known as Dolemite.

Directed by Craig Brewer and written by Scott Alexander and Larry Karaszewski, the film is notable for how much humor it wrings out of a relatively sincere story. Despite the film being based on a real person, it would be easy for Murphy and the filmmakers to sink into parody if they so chose. Instead, they play things close to the vest and let the Rudy’s preposterous life tell their story for them.

And everything about Rudy and his entourage plays larger than life. Though the budget for his various projects — stand-up sets, comedy albums, and eventually a movie — is usually miniscule, Rudy is able to pull them off thanks to his huge personality and the support that his gregariousness draws in.

Like the equally-entertaining The Disaster Artist, a basic knowledge of the film-within-the-film would likely pay dividends as the characters go through the making of the movie. Still, there is so much hilarious material that you wonder what moments they chose not to show. Obstacles abound at every turn, and the ingenious ways the group adapts to the challenges or overcomes them are a pleasure to watch every time.

Murphy was so famous for such an extended period of time that it’s easy to believe we, the audience, know everything about him. But that’s clearly not true, and there’s a case to be made that in making this film, Murphy is trying to tell us something about who he is. For Rudy, almost everything in his public life is an act, and he only reveals himself to those closest to him. Murphy plays him with such verve and joy that it feels like he has a kinship with Rudy and how he went through life.

In a bit of life-imitates-art moment, the film is absolutely lousy with well-known actors willing to back up Murphy. The main group, all of which deliver great performances, includes Keegan-Michael Key, Craig Robinson, Tituss Burgess, Mike Epps, and Wesley Snipes, who’s making his own return from Hollywood purgatory. But the standout is Da’Vine Joy Randolph, a relative unknown who gives as good as she gets in her scenes with Murphy.

For too long, Murphy delivered performances that only showed a shadow of his early talent. With Dolemite is My Name, Murphy is back at full force, honoring both a pioneer who’s been lost to time and showing that he still has plenty left in his tank as a performer.

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Dolemite is My Name will play exclusively at iPic Fairview and Studio Movie Grill Arlington before debuting on Netflix on October 25.

Eddie Murphy in Dolemite is My Name.

Eddie Murphy in Dolemite is My Name
Photo by Francois Duhamel
Eddie Murphy in Dolemite is My Name.
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Movie Review

The Magic Faraway Tree is a whimsical family lark that fails to take root

Alex Bentley
Aug 21, 2026 | 11:44 am
Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree
Photo courtesy of Vertical Entertainment
Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree.

With kids and families always on the hunt for entertainment, it’s typically a safe bet for a movie studio to offer up something new, even if it is a film based on an old property. The Magic Faraway Tree, based on a series of books that started in the 1930s, is a very old property, one that its filmmakers have tried to liven up with a few stars, a lot of whimsy, and a boatload of CGI.

The Thompson family, led by stay-at-home dad Tim (Andrew Garfield) and breadwinner mom Polly (Claire Foy), are forced to move to a rundown country home when Polly gets laid off. The kids - Joe (Phoenix Laroche), Fran (Billie Gadson), and Beth (Delilah Bennett-Cardy) - are used to the perks of city life like wifi and electricity, and each of them rebels in their own way to their new lot in life.

Fran, enticed by a fairy named Silky (Nicola Coughlan), is the first to venture out of the house, making her way to a magic tree that transports her to a world full of strange characters like Moonface (Nonso Anozie), Saucepan Man (Dustin Demri-Burns), Dame Washalot (Jessica Gunning), and more. Her adventures there not only broaden the world she thought she knew, but may be the key to helping her ailing family.

Directed by Ben Gregor and written by Simon Farnaby (Paddington 2, Wonka), the film is a pleasant enough lark, but it fails to fully capture the imagination. The five-member family has a lot going on, from an initially-mute Fran to a domestic situation that raises more questions than it answers. The film tries to incorporate an anti-technology message through Tim’s hatred of a smart refrigerator (voiced by Judi Dench!) and the kids' addictions to devices, but it’s quickly shed in favor of other options.

Once Fran makes it to the Magic Faraway Tree, there’s a nice shift in the storytelling, but it’s unclear what the ultimate goal is. It’s a good idea to have Fran, the youngest of the children, convince her older, more cynical siblings about the virtues of the magic world, but the conflict in the real world doesn’t seem to rise to the level needed for the escape the tree provides.

There also seems to be a missing link in the storytelling for viewers to understand the importance of the fantastical characters. The visuals of seeing Moonface and his crescent moon-shaped hair, a man with a suit full of banging pots, and more are fun for a while, but not enough to carry the whole film. A last-minute revelation feels like it was something that should have been disclosed much earlier to help strengthen the emotions of the story.

A two-time Oscar nominee, Garfield is making his first foray into family movies (if you don’t count playing Spider-Man), and while he does a good job, he doesn’t make the best fit for the semi-goofy role. The same goes for the Emmy-winning Foy, who isn’t given much of anything to do. The movie puts the story on the shoulders of the three child actors, and while each of them acquit themselves well, none of them are so outstanding as to be noteworthy.

With nearly 90-year-old source material, The Magic Faraway Tree needed to be something truly special to stand out in the 21st century movie world. Unfortunately, it features a mostly forgettable story that features some fun visuals, a couple of cute kids, and not much else.

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The Magic Faraway Tree is now playing in theaters.

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