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Movie Review

Eddie Murphy is a dynamite performer in Dolemite is My Name

Alex Bentley
Oct 11, 2019 | 1:07 pm
Eddie Murphy is a dynamite performer in Dolemite is My Name
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Everybody loves a comeback story, and in Hollywood that goes double. Tales of actors or filmmakers falling out of public favor only to rise up again with the perfect project are almost as old as the film industry itself. Eddie Murphy was the comedy king in the ‘80s and early ‘90s thanks to hits like Beverly Hills Cop and 48 Hours. His transition into family fare like Doctor Dolittle was likely profitable, but did little to help his professional reputation.

Murphy supposedly had a comeback with 2006’s Dreamgirls, for which he earned an Oscar nomination. But after a series of critical and box office failures, he virtually disappeared. Now, thanks to the new Netflix movie Dolemite is My Name and a planned return to the standup comedy scene, Murphy may finally be finding his stride again.

Murphy plays Rudy Ray Moore, a down-on-his-luck performer in the ‘70s, stuck hustling his old records and telling corny jokes as the emcee at a local club. Determined to get out of his rut, he finds inspiration in the filthy bragging of local homeless men. Polishing up their one-liners and using a wig and outlandish clothes to change his style, Rudy soon transforms into the comic sensation known as Dolemite.

Directed by Craig Brewer and written by Scott Alexander and Larry Karaszewski, the film is notable for how much humor it wrings out of a relatively sincere story. Despite the film being based on a real person, it would be easy for Murphy and the filmmakers to sink into parody if they so chose. Instead, they play things close to the vest and let the Rudy’s preposterous life tell their story for them.

And everything about Rudy and his entourage plays larger than life. Though the budget for his various projects — stand-up sets, comedy albums, and eventually a movie — is usually miniscule, Rudy is able to pull them off thanks to his huge personality and the support that his gregariousness draws in.

Like the equally-entertaining The Disaster Artist, a basic knowledge of the film-within-the-film would likely pay dividends as the characters go through the making of the movie. Still, there is so much hilarious material that you wonder what moments they chose not to show. Obstacles abound at every turn, and the ingenious ways the group adapts to the challenges or overcomes them are a pleasure to watch every time.

Murphy was so famous for such an extended period of time that it’s easy to believe we, the audience, know everything about him. But that’s clearly not true, and there’s a case to be made that in making this film, Murphy is trying to tell us something about who he is. For Rudy, almost everything in his public life is an act, and he only reveals himself to those closest to him. Murphy plays him with such verve and joy that it feels like he has a kinship with Rudy and how he went through life.

In a bit of life-imitates-art moment, the film is absolutely lousy with well-known actors willing to back up Murphy. The main group, all of which deliver great performances, includes Keegan-Michael Key, Craig Robinson, Tituss Burgess, Mike Epps, and Wesley Snipes, who’s making his own return from Hollywood purgatory. But the standout is Da’Vine Joy Randolph, a relative unknown who gives as good as she gets in her scenes with Murphy.

For too long, Murphy delivered performances that only showed a shadow of his early talent. With Dolemite is My Name, Murphy is back at full force, honoring both a pioneer who’s been lost to time and showing that he still has plenty left in his tank as a performer.

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Dolemite is My Name will play exclusively at iPic Fairview and Studio Movie Grill Arlington before debuting on Netflix on October 25.

Eddie Murphy in Dolemite is My Name.

Eddie Murphy in Dolemite is My Name
Photo by Francois Duhamel
Eddie Murphy in Dolemite is My Name.
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Movie Review

New movie Being Heumann spotlights rousing fight for disability rights

Alex Bentley
Nov 13, 2026 | 2:30 pm
Ruth Madeley in Being Heumann
Photo courtesy of Apple TV
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The presence of building ramps, curb ramps, wheelchair-accessible stalls, accessible parking spaces, and more accommodations for people with disabilities is now so ubiquitous in the United States that it’s hard to remember a time without them. But as the new film Being Heumann ably demonstrates, the fight to get those things was as difficult as any civil rights battle.

The film focuses on a specific period of time in 1977 when disability rights activist Judy Heumann (Ruth Madeley) led a movement to try to get U.S. Secretary of Health, Education and Welfare (HEW) Joseph Califano (Mark Ruffalo) to sign Section 504 of the Rehabilitation Act of 1973. After years of no progress under Presidents Nixon, Ford, and Carter, Heumann and her group of other disabled people and allies decide to stage a sit-in at the HEW offices in San Francisco.

What begins as a temporary event turns into a prolonged ordeal, with Califano initially unmoved and the protesters unwilling to leave the building. The strong-willed Heumann, helped by fellow leaders like Kitty Cone (Madeline Delp) and TV reporter Evan White (Dylan O’Brien), not only puts pressure on Califano and other HEW staffers, but also members of her own group, some of whom are unable or unwilling to stay as long as she wants.

Directed by Sian Heder (CODA) and written by Heder and Rebekah Taussig, the film features a rousing story made all the more effective by the presence of actual disabled people. In addition to people in wheelchairs like Madeley and Delp, the cast features people who are blind, deaf, are short-statured, and more. Some of the cast members are professional actors, some aren’t, but they all bring a realism that enhances the story.

Heder and her team underscore the importance of the story by taking their time telling it. That doesn’t just mean giving Madeley and others extra scenes to demonstrate their skills, although the 127-minute film provides plenty of time for that. More pointedly, Heder allows the disabled people to take however long they need to do something, like trying to navigate inaccessible stairways or using a pointer to spell out words. The respect this approach shows the actors brings extra heft to the story they’re trying to tell.

There are multiple moments in the film where audience members may scoff at what’s happening to the disabled people, most notably when they are met with derision by government officials and even regular passers-by. Heder occasionally overplays her hand by either showing Califano as being overly callous or White being supremely helpful, but she mostly plays things straight, allowing the difficulties the protestors face speak for themselves.

Madeley, a veteran actor with over 30 credits to her name, puts in an award-worthy performance. While the reality of her disabled body plays a part in her role, it’s mostly the fieriness and determination that she shows that make it stellar. Others like Delp, Antwan Tolliver, Rio Finnegan, and more prove crucial in supporting roles. Known actors like Ruffalo, O’Brien, and Rob Delaney are fine, but secondary to the main group.

Being Heumann is a great way to honor the legacy of Heumann, who passed away in 2023. There is still work to be done to ensure disabled people are given access and respect in the U.S., but the events in the film show that people like Heumann and the groups they lead have power when they choose to fight.

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Being Heumann is now playing in select theaters and streaming on Apple TV.

accessibility apple tv being heumann civil rights disability rights evan white film review historical drama joseph califano judy heumann kitty cone madeline delp mark ruffalo ruth madeley san francisco sian heder movie review
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