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    Movie Review

    Eddie Murphy is a dynamite performer in Dolemite is My Name

    Alex Bentley
    Oct 11, 2019 | 1:07 pm
    Eddie Murphy is a dynamite performer in Dolemite is My Name
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    Everybody loves a comeback story, and in Hollywood that goes double. Tales of actors or filmmakers falling out of public favor only to rise up again with the perfect project are almost as old as the film industry itself. Eddie Murphy was the comedy king in the ‘80s and early ‘90s thanks to hits like Beverly Hills Cop and 48 Hours. His transition into family fare like Doctor Dolittle was likely profitable, but did little to help his professional reputation.

    Murphy supposedly had a comeback with 2006’s Dreamgirls, for which he earned an Oscar nomination. But after a series of critical and box office failures, he virtually disappeared. Now, thanks to the new Netflix movie Dolemite is My Name and a planned return to the standup comedy scene, Murphy may finally be finding his stride again.

    Murphy plays Rudy Ray Moore, a down-on-his-luck performer in the ‘70s, stuck hustling his old records and telling corny jokes as the emcee at a local club. Determined to get out of his rut, he finds inspiration in the filthy bragging of local homeless men. Polishing up their one-liners and using a wig and outlandish clothes to change his style, Rudy soon transforms into the comic sensation known as Dolemite.

    Directed by Craig Brewer and written by Scott Alexander and Larry Karaszewski, the film is notable for how much humor it wrings out of a relatively sincere story. Despite the film being based on a real person, it would be easy for Murphy and the filmmakers to sink into parody if they so chose. Instead, they play things close to the vest and let the Rudy’s preposterous life tell their story for them.

    And everything about Rudy and his entourage plays larger than life. Though the budget for his various projects — stand-up sets, comedy albums, and eventually a movie — is usually miniscule, Rudy is able to pull them off thanks to his huge personality and the support that his gregariousness draws in.

    Like the equally-entertaining The Disaster Artist, a basic knowledge of the film-within-the-film would likely pay dividends as the characters go through the making of the movie. Still, there is so much hilarious material that you wonder what moments they chose not to show. Obstacles abound at every turn, and the ingenious ways the group adapts to the challenges or overcomes them are a pleasure to watch every time.

    Murphy was so famous for such an extended period of time that it’s easy to believe we, the audience, know everything about him. But that’s clearly not true, and there’s a case to be made that in making this film, Murphy is trying to tell us something about who he is. For Rudy, almost everything in his public life is an act, and he only reveals himself to those closest to him. Murphy plays him with such verve and joy that it feels like he has a kinship with Rudy and how he went through life.

    In a bit of life-imitates-art moment, the film is absolutely lousy with well-known actors willing to back up Murphy. The main group, all of which deliver great performances, includes Keegan-Michael Key, Craig Robinson, Tituss Burgess, Mike Epps, and Wesley Snipes, who’s making his own return from Hollywood purgatory. But the standout is Da’Vine Joy Randolph, a relative unknown who gives as good as she gets in her scenes with Murphy.

    For too long, Murphy delivered performances that only showed a shadow of his early talent. With Dolemite is My Name, Murphy is back at full force, honoring both a pioneer who’s been lost to time and showing that he still has plenty left in his tank as a performer.

    ---

    Dolemite is My Name will play exclusively at iPic Fairview and Studio Movie Grill Arlington before debuting on Netflix on October 25.

    Eddie Murphy in Dolemite is My Name.

    Eddie Murphy in Dolemite is My Name
    Photo by Francois Duhamel
    Eddie Murphy in Dolemite is My Name.
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    Movie Review

    Faces of Death returns with modern twist on cult horror film

    Alex Bentley
    Apr 10, 2026 | 10:30 am
    Dacre Montgomery in Faces of Death
    Photo courtesy of of IFC Films
    Dacre Montgomery in Faces of Death.

    True horror fans will likely be familiar with the 1978 cult film Faces of Death, which purported to be a documentary showing real-life killings in gory detail. It didn’t, of course, but that didn’t stop rumors from continuing to spread for decades. Now, almost 50 years and multiple sequels later, comes a new version of Faces of Death, an actual movie that pays homage to the original in interesting ways.

    Margot (Barbie Ferreira) works at a YouTube-like company called Kino as a content moderator, flagging videos that violate the company’s policies. This means her job often involves seeing some truly despicable things from all manner of depraved people. One day, though, she comes across a video that seems a little too real, and after seeing more similar videos, she starts to believe they’re genuine murders.

    Going against her company NDA, she starts to investigate the videos on her own, which puts her on the radar of Arthur (Dacre Montgomery), who is actually kidnapping people and killing them on camera through methods seen in the original Faces of Death film. It’s not long before Arthur tracks her down, with a plan to make her one of his next victims.

    Written and directed by Daniel Goldhaber (How to Blow Up a Pipeline) and co-written by Isa Mazzei, the film is not so much scary as it is creepy, with the occasional gross-out sequence. The idea of having someone emulate the killings in the cult film is a good idea, and pairing it with the modern-day attention economy - in which content creators go to increasing lengths for clicks - is a clever twist on a concept that other films have done.

    The film as a whole is a commentary on how social media and video sharing sites have often decided to prioritize profits over the well-being of their users. Margot is shown allowing videos involving violence and sexual assault to stay on the site while nixing ones depicting how to use Narcan or demonstrating putting on a condom on a banana. Josh (Jermaine Fowler), Margot’s boss, is even explicit in the company mandate that outrageous videos drive views.

    While Arthur has the makings of a good villain, there are few attempts to make him seem truly diabolical. His kidnappings often seem more spur-of-the-moment than calculated, and even though he has a well thought-out dungeon at home, the house’s location in the suburbs seems to make him vulnerable to easy discovery. Goldhaber and Mazzei leave more than a few unanswered questions along the way that take away from the intensity of the story.

    Ferreira is yet another actor from Euphoria who’s capitalizing on her exposure from that show. She plays Margot’s increasing anxiety well, and when the action ratchets up in the final act, she meets the moment in a satisfying way. Montgomery returns to the vibe he had while playing the evil Billy on Stranger Things, and even though his character doesn’t fully live up to his potential, Montgomery sells his evil for all it’s worth.

    The new Faces of Death may not be what some are expecting given the reputation of the previous films, but it’s a solid horror/thriller that uses the brand as a launching pad into something different. It doesn’t make much of a dent in the scare department, but it does give its violence and gore a degree of relevance in today’s often desensitized world.

    ---

    Faces of Death is now playing in theaters.

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