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    Movie Review

    Borat Subsequent Moviefilm reflects 2020 as well as any news coverage

    Alex Bentley
    Oct 23, 2020 | 10:50 am
    Borat Subsequent Moviefilm reflects 2020 as well as any news coverage
    play icon

    When the original Borat film came out in 2006, the United States that the fictional reporter from Kazakhstan encountered was much different than the one that exists today. At that time, just five years removed from 9/11, a satirical skewering of American customs and beliefs still had the capacity to shock despite the rise of jingoism.

    Now, on the eve of a hugely consequential election, comes Borat Subsequent Moviefilm, a movie that may go down in history as one of the most accurate reflections of the United States in 2020. Borat (Sacha Baron Cohen) once again travels to America, this time not to report on “the greatest country in the world” but to deliver a present to Vice President Mike Pence.

    And thus sets in motion another wild trip into the outrageous and outrageously brave comedy mind of Cohen. When the original gift, a monkey, meets an unsavory end at the hands of Borat’s daughter (Maria Bakalova), Borat pivots to offer her up instead. The two travel all over the country, including a stop at the 2019 State Fair of Texas, to properly prepare her for her big moment.

    The film is guaranteed to offend, whether you know what’s coming or not, as Borat holds contemptible views on everything from women to Jewish people. Of course, the point in having the character spout his bigotry is to expose the casual way in which those opinions are accepted, such as when a bakery owner has no issue with putting “Jews will not replace us” as a message on a cake.

    Viewers may find themselves watching the film through their fingers at the multiple awkward situations. Targets include a Christian anti-abortion doctor, a debutante ball, and, naturally, Trump supporters. The biggest moment in the film comes when they somehow get Rudy Giuliani to sit down for an interview, leading to a scene that will unfortunately be seared on the brains of all viewers for weeks to come.

    Scenes are edited in such a way to maximize the cluelessness or bigotry of the unwitting participants, so it’s never clear if they’re in on the joke or not. The presence of a cameraperson would seem to be a big clue that something is amiss, but many times people seem to forget they’re being recorded.

    And then there’s the 2020 of it all. Somehow, Cohen didn’t let a pandemic stop him from forging ahead in his mission, and it pays off in an extended stay with two Trump supporters in the state of Washington. The men perfectly epitomize the degree to which conspiracy theories have infected right-wing politics, and a rally they attend with Borat — without a mask in sight — is as good a time capsule of this year as any news coverage.

    Borat Subsequent Moviefilm (subtitled Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan) may not have the bite of the original, but that’s merely because the times we live in are almost impossible to satirize. But Cohen still knows how to wring comedy out of almost any situation, making for another hilariously cringeworthy experience.

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    Borat Subsequent Moviefilm is streaming exclusively on Amazon Prime Video.

    Sacha Baron Cohen in Borat Subsequent Moviefilm.

    Sacha Baron Cohen in Borat Subsequent Moviefilm
    Photo courtesy of Amazon Studios
    Sacha Baron Cohen in Borat Subsequent Moviefilm.
    movies
    news/entertainment

    Movie Review

    Jodie Foster brings depth and wit to French thriller A Private Life

    Alex Bentley
    Jan 30, 2026 | 9:41 am
    Jodie Foster in A Private Life
    Photo by Georges Lechaptois
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    Jodie Foster has been a member of the Hollywood community for almost 60 years, first as a child actor on TV, and then branching out into movies. She earned an Oscar nomination at the tender age of 14 for her role in Taxi Driver, and she’s gone on to be nominated five times, winning twice. Now, at age 63, she’s showing she’s still capable of surprises by fluently speaking another language in the French film, A Private Life.

    Foster plays Lilian Steiner, a psychiatrist who sees patients out of her Parisian apartment. When she learns of the death of one of her patients, Paula (Virginie Efira), she’s sad but otherwise unaffected until a few suspicious things start happening. This includes the robbery of her apartment, in which a recording of Paula’s last session with Lilian goes missing.

    With the help of her ex-husband, Gabriel (Daniel Auteuil), Lilian becomes an amateur private detective, tracking the movements of Paula’s husband, Simon (Mathieu Amalric), whom she increasingly suspects of murder. At the same time, Lilian must navigate a tense relationship with her son, Julien (Vincent Lacoste), along with an unexpected rekindling of romance with Gabriel.

    Written and directed by Rebecca Zlotowski, and co-written by Anne Berest, it is a psychological thriller that at times feels like an Inspector Clouseau movie. With little to go on but her own perhaps misguided suspicions, Lilian digs herself deeper into a situation of her own making. And she further clouds her mind by indulging in a tryst with Gabriel, who’s all too eager to help Lilian pursue her criminal theories. While the film is not a comedy, there are elements of humor that pop in to keep the story light.

    Zlotowski plays with the competing tones of the story well, keeping viewers on Lilian’s side even as she indulges in things that might not be the healthiest for her. Lilian’s various eccentricities - an adherence to recording on old-fashioned mini discs instead of fully digital, keeping an emotional distance from her son and grandson - make her a fascinating character whose vacillating motivations keep viewers guessing as to what she’ll do next.

    In a lot of ways, the film is a study of how Lilian needs to try to find ways to heal herself. The possibility of Paula being murdered wakes Lilian up to the idea that she has not been as attentive a doctor as she should be. The sessions with different patients that Zlotowski shows give the impression that there’s a general level of dissatisfaction with her, with one patient outright breaking up with her.

    Foster is no less compelling speaking mostly in French than she is in English language movies. Her fluency is never in doubt, and she fits in seamlessly with the actual French actors in the film. Auteuil is a fun counterpart for Foster, showing an unexpected chemistry with her that keeps their scenes crackling with energy. Amalric, a Wes Anderson favorite, has a relatively small role but still stands out when he gets a chance.

    A Private Life is not the type of thriller that American audiences might be used to, but its slow, methodical storytelling and subtle humor make it an interesting watch from beginning to end. The film is not up for any awards, but Foster’s performance shows she remains a top-tier actor.

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    A Private Life is now playing in select theaters.

    film
    news/entertainment
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